| Photos (see all 15 | slideshow) | Videos (see all 2) |
| Gérard Depardieu | ... | Georges | |
| Andie MacDowell | ... | Brontë | |
| Bebe Neuwirth | ... | Lauren | |
| Gregg Edelman | ... | Phil | |
| Robert Prosky | ... | Brontë's Lawyer | |
| Jessie Keosian | ... | Mrs. Bird | |
| Ethan Phillips | ... | Gorsky | |
| Mary Louise Wilson | ... | Mrs. Sheehan | |
| Lois Smith | ... | Brontë's Parent (Mother) | |
| Conrad McLaren | ... | Brontë's Parent (Father) | |
| Ronald Guttman | ... | Anton | |
| Danny Dennis | ... | Oscar | |
| Stephen Pearlman | ... | Mr. Adler | |
| Victoria Boothby | ... | Mrs. Adler | |
| Ann Wedgeworth | ... | Party Guest | |
| Stefan Schnabel | ... | Party Guest | |
| Anne Shropshire | ... | Party Guest | |
| Simon Jones | ... | Party Guest | |
| Malachy McCourt | ... | Party Guest | |
| Emily Cho | ... | Party Guest | |
| John Spencer | ... | Harry | |
| Ann Dowd | ... | Peggy | |
| Novella Nelson | ... | Marriage Celebrant | |
| John Scanlan | ... | House Committee | |
| Arthur Anderson | ... | House Committee | |
| Vasek Simek | ... | Maitre D' | |
| Christian Mulot | ... | Waiter | |
| Francis Dumaurier | ... | Waiter | |
| Ernesto Gasco | ... | Butler | |
| Jeb Handwerger | ... | Oscar's Child | |
| Michael David Tanney | ... | Oscar's Child | |
| Conrad Roberts | ... | Taxi Driver | |
| Ed Feldman | ... | Taxi Driver | |
| Chris Odo | ... | Immigration Supervisor | |
| Michele Nevirs | ... | Immigration Clerk | |
| Rick Aviles | ... | Vincent | |
| Abdoulaye NGom | ... | Street Beggar (as Abdoulaye N'Gom) | |
| Clint Chin | ... | Flower Seller | |
| Larry Wright | ... | Drummer | |
| rest of cast listed alphabetically: | |||
| Timothy Stickney | ... | (uncredited) | |
Directed by | |||
| Peter Weir | |||
Writing credits | ||
| Peter Weir | (written by) | |
Produced by | |||
| Edward S. Feldman | .... | executive producer | |
| Jean Gontier | .... | co-producer | |
| Ira Halberstadt | .... | associate producer | |
| Duncan Henderson | .... | co-producer | |
| Peter Weir | .... | producer | |
Original Music by | |||
| Hans Zimmer | |||
Cinematography by | |||
| Geoffrey Simpson | (director of photography) | ||
Film Editing by | |||
| William M. Anderson | (as William Anderson) | ||
Casting by | |||
| Dianne Crittenden | |||
Production Design by | |||
| Wendy Stites | |||
Art Direction by | |||
| Christopher Nowak | |||
Set Decoration by | |||
| John H. Anderson | (as John Anderson) | ||
| Ted Glass | |||
Makeup Department | |||
| Marie-Hélène Bugnet | .... | additional makeup artist (as Marie-Helene Bugnet) | |
| Sharon Ilson | .... | makeup supervisor | |
| Bette Iverson | .... | hair stylist (as Bette L. Iverson) | |
| Marie-France Vassel | .... | makeup artist: Mr. Depardieu | |
Production Management | |||
| Ira Halberstadt | .... | unit production manager | |
| Daniel J. Heffner | .... | executive in charge of production (uncredited) | |
Second Unit Director or Assistant Director | |||
| Alan B. Curtiss | .... | first assistant director | |
| John Rusk | .... | second second assistant director | |
| Liz Ryan | .... | second assistant director | |
Art Department | |||
| Tommy Allen | .... | property master | |
| Anthony Baldasare | .... | set dresser | |
| Joan Brockschmidt | .... | greenperson (as Joni Brockschmidt) | |
| Jem Cohen | .... | assistant property master | |
| June DeCamp | .... | chargeman scenic artist | |
| Anthony Dunne | .... | construction coordinator | |
| Peter Hackman | .... | camera stand-by scenic artist (as Peter G. Hackman) | |
| Jeff Naparstek | .... | set dresser | |
| Ken Nelson | .... | key set builder (as Kenneth D. Nelson) | |
| Jack Ranson | .... | key set builder | |
| Jon Ringbom | .... | chargeman scenic artist (as John Ringbom) | |
| Scott Rosenstock | .... | lead man | |
| Lindsey Smith | .... | art department coordinator | |
| Michele Sommer | .... | assistant property master (as Michele M. Sommer) | |
| Zack Tobin | .... | construction assistant | |
| Peter von Bartheld | .... | set dresser (as Peter Von Bartheld) | |
| Keith Wall | .... | set dresser | |
| Elise Bennett | .... | assistant art director (uncredited) | |
| Beth Kuhn | .... | assistant art director (uncredited) | |
Sound Department | |||
| Steve Burgess | .... | foley: Australia | |
| Julius Chan | .... | multi-track engineer: Australia | |
| Bernard Chaumeil | .... | boom operator | |
| Jeanine Chiavlo | .... | dialogue editor: Australia (as Jeanine Chialvo) | |
| Pierre Gamet | .... | post-production sound mixer: Australia | |
| Phil Judd | .... | re-recording mixer: Australia | |
| Gerry Long | .... | foley: Australia | |
| Paula Lourie | .... | assistant sound editor: Australia | |
| Ian McLoughlin | .... | soundfirm technical coordinator: Australia | |
| Wayne Pashley | .... | sound effects editor: Australia | |
| Livia Ruzic | .... | dialogue editor: Australia | |
| Lee Smith | .... | sound designer: Australia | |
| Peter Townend | .... | sound effects editor: Australia | |
| Karin Whittington | .... | dialogue editor: Australia | |
Visual Effects by | |||
| Roger Cowland | .... | optical | |
Camera and Electrical Department | |||
| Robert Adams | .... | grip (as Bob Adams) | |
| Arthur Blum | .... | dolly grip | |
| Lynn Breschel | .... | electrician | |
| Andy Day | .... | best boy electric (as Andrew Day) | |
| François Duhamel | .... | still photographer | |
| Robert K. Feldmann | .... | key grip (as Robert Feldman) | |
| Ken Ferris | .... | camera operator | |
| Morris Flam | .... | gaffer | |
| Jonathan Graham | .... | best boy grip | |
| Bruno Guillochon | .... | additional assistant camera | |
| Hugues de Haeck | .... | additional camera operator (as Hughes De Haeck) | |
| Andy Harris | .... | second assistant camera | |
| Bob Marshak | .... | still photographer | |
| Brian P. Regan | .... | electrician | |
| Eric Swanek | .... | first assistant camera | |
| David S. Tuttman | .... | second assistant camera | |
Casting Department | |||
| Joy Dickson | .... | casting associate | |
| Judie Fixler | .... | extras casting: Todd Thaler Casting | |
Costume and Wardrobe Department | |||
| Jennifer Ingram | .... | wardrobe supervisor | |
| Marilyn Matthews | .... | associate costume designer | |
| Roseann Milano | .... | wardrobe supervisor | |
| Ingrid Price | .... | wardrobe supervisor | |
| Rosie Zingalis | .... | seamstress | |
Editorial Department | |||
| Nick Breslin | .... | assistant film editor: Australia (as Nicholas Breslin) | |
| Arthur Cambridge | .... | color timer | |
| Nick Cole | .... | assistant film editor: Australia (as Nicholas Cole) | |
| Rosemary Dority | .... | post-production coordinator: Australia | |
| Louise Innes | .... | additional film editor: Australia | |
| Robin Judge | .... | assistant film editor: Australia | |
| Rick Lisle | .... | assistant film editor: Australia | |
| Julian MacDonald | .... | apprentice film editor: Australia | |
| Armen Minasian | .... | assistant film editor: USA | |
| Emily Paine | .... | assistant film editor: USA | |
| Michelle Pazer | .... | assistant film editor: USA | |
| Karen Psaltis | .... | negative matcher | |
| Marie-Pierre Renaud | .... | assistant film editor: USA | |
| Lee Smith | .... | additional film editor: Australia | |
| Plummy Tucker | .... | apprentice film editor: USA | |
Music Department | |||
| Brendan Morley | .... | music engineer: Australia | |
Transportation Department | |||
| Kevin Keefe | .... | transportation captain | |
| Edward O'Donnell | .... | transportation coordinator | |
| Judy Garland | .... | transportation (uncredited) | |
Other crew | |||
| Todd Arnow | .... | production controller | |
| Glenn Athaide | .... | adr loop group: David Kramer's Looping Group | |
| Carol Bawer | .... | production assistant | |
| Dana Belcastro | .... | assistant: Mr. Halberstadt | |
| Maria T. Bierniak | .... | location assistant | |
| Maimouna Bodian | .... | adr loop group: David Kramer's Looping Group | |
| Richard Bossbady | .... | adr loop group: David Kramer's Looping Group | |
| Beth Boyd | .... | office assistant (as Beth A. Boyd) | |
| Fran Burke | .... | title designer | |
| Eva Z. Cabrera | .... | script supervisor | |
| Pierre Caillieriac | .... | production assistant | |
| Geneviève Château-Mabire | .... | continuity (as Genevieve Chateau) | |
| Gilbert Cruz | .... | adr loop group: David Kramer's Looping Group | |
| Katharine Ann Curtiss | .... | production coordinator (as Kathy Curtiss) | |
| Carla Demolfetto | .... | craft service | |
| David Dreishpoon | .... | craft service | |
| Christian Fuin | .... | second unit supervisor | |
| Sean Fuller | .... | electric assistant | |
| Gina Gallagher | .... | adr loop group: David Kramer's Looping Group | |
| Jay Gibson | .... | production assistant | |
| Gary Goodrow | .... | adr loop group: David Kramer's Looping Group | |
| Sondra James | .... | adr loop group: David Kramer's Looping Group | |
| Tanya Johnson | .... | production assistant | |
| Paul Kijzer | .... | financial consultant | |
| David H. Kramer | .... | adr loop group: David Kramer's Looping Group (as David Kramer) | |
| Joan LaFontaine | .... | assistant: Mr. Feldman | |
| Enzo Linardi | .... | adr loop group: David Kramer's Looping Group | |
| Michelle Lucien | .... | adr loop group: David Kramer's Looping Group | |
| Dominick Marcus | .... | adr loop group: David Kramer's Looping Group | |
| Heather McGrath | .... | office assistant | |
| Felix Morales | .... | adr loop group: David Kramer's Looping Group | |
| Kelly Muse | .... | office assistant | |
| Jerry Ng | .... | adr loop group: David Kramer's Looping Group | |
| Jan Nizen | .... | assistant auditor | |
| Jayne Marla Nozik | .... | office assistant | |
| Megan O'Brien | .... | production assistant | |
| Aaron Payne | .... | adr loop group: David Kramer's Looping Group | |
| Janice Pendarvis | .... | adr loop group: David Kramer's Looping Group | |
| Jane Rosenberg | .... | production office coordinator | |
| Maurice Schell | .... | adr loop group: David Kramer's Looping Group | |
| Craig Sechler | .... | adr loop group: David Kramer's Looping Group | |
| Lauren Beth Strogoff | .... | unit publicist | |
| Daniel Strol | .... | location coordinator | |
| Meher Tatna | .... | adr loop group: David Kramer's Looping Group | |
| Susan Telcher | .... | adr loop group: David Kramer's Looping Group | |
| Sinclair Tenenbaum | .... | legal service | |
| Marcia Lappin Themelis | .... | location manager | |
| Irene Velázquez | .... | adr loop group: David Kramer's Looping Group | |
| Andy Weltman | .... | assistant: Mr. Weir | |
| Marcia L. Lappin | .... | location manager (uncredited) | |
| Thomas Patrick Petrilla | .... | production assistant (uncredited) | |
Thanks | |||
| Will Cressler | .... | special thanks | |
| John Ptak | .... | special appreciation | |
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| Prizzi's Honor | Love Actually | Jhoom Barabar Jhoom | Knocked Up | Xi yan |
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Green Card is a good movie. Worth watching. The first time I saw it I wasn't impressed, but then watching it again I found it realistic and refreshingly charming, in that "simple/against the tide" sort of way that is so Peter Weir. He's also done The Witness, Dead Poets Society, and The Truman Show; and Green Card, most certainly, is another of his films about people who don't quite fit in their environment or in the world of their aspirations but are drawn into finding life where probably they were not looking for. The scene about finding the bathroom is both hilarious and very suspenseful. It's funny how in a house, or even in a small apartment, we're never quite sure where the bathroom is. Our first instinct is to ask, even though it probably wouldn't be a difficult move to find that on our own. Now imagine having to deal with that bathroom situation (something you only care about when you need it) pretending that the place where you're in is your house. It's almost like in those nightmares where there are so many doors but which one is the one that will take you to that next level you so much need but have not the slightest idea of what it might really be? I guess the metaphor here is that you keep on opening a chain of wrong doors until you find the right one for you. It's frustrating, but the door was always there, always, with the exception that you never noticed it. Just like in everyday life, love and spirituality might flash into your face as banal sight at first, but they're made of hopes and fears that are always bigger than us, unexplainable, maybe fate. We don't have control of it (the Greeks knew it), we're still the same but again we're not. And here we are, groping, surviving. How do you relate to people and to your present circumstances -- whatever they might be --that is what Green Card is about.