An eccentric and dogmatic inventor sells his house and takes his family to Central America to build an ice factory in the middle of the jungle. Conflicts with his family, a local preacher ... See full summary »
A young couple, living in a campus apartment complex, are repeatedly harassed by an eccentric plumber, who subjects them to a series of bizarre mind games while making unnecessary repairs to their bathroom.
Guests arrive at an expensive private guest house on a remote island near Sydney. The guest house and weird activities, like theatre sports and orienteering, are run by a leery eccentric. ... See full summary »
George Faure is a Frenchman who has been offered a job in the U.S. But in order to get the job he must obtain a work permit - green card, and the easiest way is to marry an American. Bronte Parrish is a New Yorker who is a keen horticulturist and just found the perfect flat with its own greenhouse. Unfortunately the flat is for married couples only. A marriage of convenience seems the ideal solution to both problems. To convince the immigration officers they are married for love, they must move in with each other. As the mismatched couple attempt to cope with life together, they start to fall in love. Written by
Sami Al-Taher <firstname.lastname@example.org>
Clarinet Concerto In A Major: Adagio
Written by Wolfgang Amadeus Mozart
Richard Stolzman, Clarinet
Performed by the English Chamber Orchestra
Courtesy of RCA Victor Red Seal, A Division of BMG Classics See more »
Director Peter Weir appears to have been 'Moonstruck' in his latest film, a fizzy romantic comedy about an inconvenient marriage of convenience between uptight, uptown Andie McDowell and rogue Frenchman Gerard Depardieu. When the INS comes knocking at McDowell's door the couple suddenly has just 48 hours to get acquainted and invent a mutual history; predictably, they fall in genuine love as well. It's an amusing, if somewhat one-sided courtship: Depardieu may be a slob, but he's a cultured, passionate slob, and because everyone except McDowell loves him on sight (and since there isn't any competition from her arrogant, politically correct, vegetarian boyfriend) it's only a matter of time before Depardieu charms her down from her ivory tower. Romantic comedy obviously isn't Weir's forte; he supposedly wrote the script with Depardieu in mind, but it's too bad the same can't be said for McDowell's underdeveloped character: an urban fairy tale princess waiting for the frog (no pun intended) to kiss her. The film nevertheless shows the same economy of style that highlights all of Weir's features, and it benefits from the winning presence of Depardieu, whose energy translates well into any language.
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