The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners' success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by
Colin Tinto <firstname.lastname@example.org>
According to Nicholas Pileggi, some actual mobsters were hired as extras to lend authenticity to scenes. The mobsters gave fake Social Security numbers to Warner Bros. and it is unknown how they received their paychecks. See more »
The faux ivy back-drop at the hostess party is obviously contemporary silk-floral foliage. It should be plastic only. See more »
This is the gangster film at its finest. Scorsese is on top form as are Pesci and De Niro. Liotta has never bettered the performance he gives here. The film starts as it means to go on - violent, full of profanity, fast paced and very stylish. The story follows Liotta's character from boy to man as he climbs his way up through the ranks of organised crime. We see all the highs and lows of his life and meet a host of very believable and very undesirable characters along the way. It's a film full of memorable scenes whilst remaining much more than the sum of its individual parts at the same time. This is what all movies should be like. It draws you in and won't let you out of its grasp at any point. When it finishes you feel exhausted and exhilarated at the same time. If ever the word 'masterpiece' was meant to be used, it was for this film.
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