The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
Henry Hill is a small time gangster, who takes part in a robbery with Jimmy Conway and Tommy De Vito, two other gangsters who have set their sights a bit higher. His two partners kill off everyone else involved in the robbery, and slowly start to climb up through the hierarchy of the Mob. Henry, however, is badly affected by his partners success, but will he stoop low enough to bring about the downfall of Jimmy and Tommy? Written by
Colin Tinto <firstname.lastname@example.org>
During one of the final scenes, Henry Hill opens his front door and picks up a newspaper. Close inspection reveals that the newspaper is the Youngstown Vindicator. Martin Scorsese included it as an homage to Youngstown, Ohio, which has been called Mobtown USA. See more »
When Henry takes Karen to the Copa, they enter through a service door and through a labyrinth of passageways until they finally emerge in the dining room. As the camera follows them on their journey, a modern fire extinguisher is near the kitchen area. At the time, most fire extinguishers were either the dry powder, push-handle type (similar to old insect sprays) or gravity-fed liquid extinguishers that worked by turning the unit upside down and directing the nozzle. The extinguisher in the scene is a modern pressurized CO2 extinguisher with an OSHA filling inspection tag attached, which wasn't required in the early to mid 1960s. See more »
This is one hell of a film about the mobsters, based on a true story and coming from one of the great directors of all time. This is about Henry Hill, the narrator of the story, an Irish simple person who gets involved with the Mafia at a very young age and continues his life through it. There is no major plot in this film, just isolated incidents one of which was the turning point of Hill's life. Scorsese, as brilliant as he ever was, shows violence, sex and drugs etc in his own trademark style. And his actors helps him to make this film one of the classics.
Robert DeNiro is not present in much of the film, nor his acting leaves too much impression. The three actors who really did their best job here are Ray Liotta, Joe Pesci and Lorraine Bracco. I hate to say that most youngsters today don't know too much about Liotta or how talented he was. I asked my younger brother about him and he said, "The man who did the voice on GTA: Vice City?". This is partly because Liotta did not get too many big roles after that, especially in recent years. But here he is just brilliant as Hill. It's Pesci's one of the best too. Playing a mad mobster with dark sense of humor wasn't his usual type. And Lorraine Bracco becomes the perfect lead female in such type of films.
The film's got smart screenplay and excellent cinematography. And I don't know how many times Scorsese will be denied his Academy recognition. I hate to see a lifetime achievement award as his first Oscar. But things are going like that.
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