Uplifting and intimate look at the last days of an elderly cancer victim. The film is even more relevant as it was written specifically for the lead actress, Sheila Florance, who was in ... See full summary »
A formerly rich Czech-Australian emigrant comes to a tiny, poor and sleepy Greek Island to rethink her life. Suprisingly she develops a sincere relationship with two other women who each in... See full summary »
After more than forty years apart, Andreas and Claire embark on an affair as reckless and intense as when they were young lovers. Widowed musician Andreas decides to get back in touch with ... See full summary »
Charles 'Bud' Tingwell,
Kristine Van Pellicom
A series of humorous vignettes set in a clinic for venereal diseases. Although the film concentrates on relationships, it is also a source of instruction on safe sexual practices and STD (... See full summary »
The wealthy Edward (Haywood) sparks to Anna (Mckenzie), the lead voice in a choir that's raising money for an upcoming trip to China. He donates money to her choir, and she agrees to sit ... See full summary »
This documentary, on the life of artist Vincent Van Gogh, is told through his letters to his brother Theo, from 1872 until his tragic death. We gain first hand insight into the man, his motivations, and his humanity.
If you are not familiar with Paul Cox's works such as Man of Flowers and Cactus, this film might be too hard to digest. Setting up the familiar Cox scenario of an emotionally insecure and reclusive protagonist dealing with an obsession, the film follows the introverted life of an antique clock shop owner and repairer, Bernard (played by Cox regular Chris Haywood) who finds a braid of hair in a clock. This sets off a series of events in which Bernard becomes 'entagled' with the braid on a number of levels much to the confusion of his lover. The film is loosely based on a Guy de Maupassant story called Le Chevelure but this is very much Cox's rendition on obsession. Cox's direction, as usual, is detached, allowing Haywood to invest Bernard's character with a subtle depth that avoids histrionics. Despite being an Australian film, the tone is very much of a European art-house film but more offbeat.
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