| Videos (see all 5) |
Directed by | |||
| Francis Ford Coppola | |||
Writing credits(WGA) | ||
| Mario Puzo | (written by) & | |
| Francis Ford Coppola | (written by) | |
Original Music by | |||
| Carmine Coppola | |||
Cinematography by | |||
| Gordon Willis | |||
Film Editing by | |||
| Lisa Fruchtman | |||
| Barry Malkin | |||
| Walter Murch | |||
Casting by | |||
| Janet Hirshenson | |||
| Jane Jenkins | |||
| Roger Mussenden | |||
Production Design by | |||
| Dean Tavoularis | |||
Art Direction by | |||
| Alex Tavoularis | (supervising art director) | ||
Costume Design by | |||
| Milena Canonero | |||
Makeup Department | |||
| Giusy Bovino | .... | hair stylist (as Giusi Bovino) | |
| Thomas R. Burman | .... | additional makeup effects artist | |
| Iole Cecchini | .... | assistant hair stylist: Italy | |
| Grazia De Rossi | .... | hair stylist | |
| Bari Dreiband-Burman | .... | additional makeup effects artist (as Bari Dreiband Burman) | |
| William A. Farley | .... | hair stylist: New York | |
| Carl Fullerton | .... | makeup artist: New York | |
| Enrico Iacoponi | .... | makeup artist: Italy | |
| Tom Lucas | .... | makeup artist: Ms. Keaton | |
| Maurizio Lupi | .... | assistant hair stylist: Italy | |
| Antonio Maltempo | .... | additional makeup artist | |
| Fabrizio Sforza | .... | makeup supervisor | |
| Alfredo Tiberi | .... | makeup artist: Italy | |
| Brian Wade | .... | makeup effects technician (uncredited) | |
Production Management | |||
| Franco Ballati | .... | production manager: Italy | |
| Lorenzo Errico | .... | assistant unit manager: Italy | |
| Lynn Kamern | .... | unit manager: Italy | |
| Bruce S. Pustin | .... | unit manager: New York | |
| Alessandro von Norman | .... | production supervisor (as Alessandro von Normann) | |
Art Department | |||
| Daniel Acon | .... | props: Italy | |
| Elio Altamura | .... | property master: Italy | |
| Joseph Badalucco Jr. | .... | props: New York (as Joe Badalucco) | |
| Michael Badalucco | .... | prop buyer: New York | |
| Maria-Teresa Barbasso | .... | set designer: Italy (as Maria Teresa Barbasso) | |
| Mauro Borrelli | .... | production illustrator | |
| Emilia Burchiellaro | .... | prop department production assistant: Italy | |
| Giuseppe Cancellara | .... | swing gang: Italy | |
| Roberto Cancellara | .... | props: Italy | |
| Natasza Chroscicki | .... | set dressing production assistant: Italy | |
| Giulia Chiara Crugnola | .... | graphic artist: Italy | |
| Vittorio Cuccia | .... | prop runner: Palermo | |
| Lucio Di Domenico | .... | draftsperson: Italy | |
| Antonella Di Marco | .... | set dressing production assistant: Italy | |
| Franckie Diago | .... | assistant art director | |
| Anthony Dimeo | .... | props: New York | |
| William Durnin Sr. | .... | set dresser: New York (as William R. Durnin) | |
| Gary Fettis | .... | supervising set decorator | |
| Giovanni Fiumi | .... | swing gang: Italy | |
| Franco Fumagalli | .... | set decorator: Italy | |
| Daniel K. Grosso | .... | chief set dresser: New York (as Dan Grosso) | |
| Patrizia La Vecchia | .... | art department production assistant: Palermo | |
| Phillis Lehmer | .... | art department coordinator | |
| Renato Lori | .... | swing gang supervisor: Italy | |
| Douglas E. Madison | .... | property master (as Douglas Madison) | |
| Liliana Marceno | .... | art department production assistant: Palermo | |
| Norma Marie Mascia | .... | art department production assistant: Palermo | |
| Felice Mazza | .... | set dressing storekeeper: Italy | |
| James Mazzola | .... | prop consultant: New York | |
| Daphne McCurdy | .... | art department production assistant: Italy | |
| Paolo Morales | .... | storyboard artist: Italy | |
| Bill Murphy | .... | stand-by scenic artist: New York | |
| Maria Cristina Pantoni | .... | set dressing storekeeper: Italy | |
| Ron Petagna | .... | head carpenter: New York (as John Petagna) | |
| Louis Petraglia | .... | chief construction grip: New York | |
| Nazzareno Piana | .... | set designer: Italy | |
| Michael Saccio | .... | set dresser: New York | |
| Philip Saccio | .... | set dresser: New York | |
| Sabina Segatori | .... | property buyer: Italy | |
| Luca Tentellini | .... | draftsman: Italy | |
| Margot Therre | .... | scenic charge person: New York | |
| Sandro Tranchina | .... | prop department production assistant: Palermo | |
| Marco Trentini | .... | draftsman: Italy | |
| Raffaele Vincenti | .... | swing gang: Italy | |
| Ron von Blomberg | .... | assistant set decorator: New York | |
| Stephanie Ziemer | .... | set dressing buyer: Italy | |
| John Alvin | .... | poster artist (uncredited) | |
| Jennifer Clinard | .... | lead scenic: Northern California (uncredited) | |
| Paolo Morante | .... | assistant set decorator (uncredited) | |
| Massimiliano Paonessa | .... | assistant property master (uncredited) | |
| Alessandro Santucci | .... | draftsman (uncredited) | |
| Angelo Santucci | .... | set coordinator: Italy (uncredited) | |
| Michael Scarola | .... | construction grip (uncredited) | |
| Louis Zamora | .... | labor foreman (uncredited) | |
Special Effects by | |||
| Renato Agostini | .... | special effects technician | |
| Danilo Bollettini | .... | special effects technician | |
| Casey Cavanaugh | .... | special effects: Italy | |
| Lawrence J. Cavanaugh | .... | special effects coordinator (as Lawrence James Cavanaugh) | |
| Giovanni Corridori | .... | special effects armament: Italy | |
| Ron Ottesen | .... | special effects: New York (as Ronald Ottesen Jr.) | |
| Claudio Quaglietti | .... | special effects: Italy | |
| Franco Ragusa | .... | special effects technician | |
| Isidoro Raponi | .... | special effects: Italy | |
| R. Bruce Steinheimer | .... | special effects supervisor | |
| Bob Wilson | .... | special effects: New York | |
| Karin Hanson | .... | special effects hair (uncredited) | |
| Tony Parmelee | .... | special effects (uncredited) | |
Visual Effects by | |||
| John Goodson | .... | model maker (uncredited) | |
| Tony Hudson | .... | modeler: ILM (uncredited) | |
Stunts | |||
| Steve M. Davison | .... | stunt performer (as Steve Davison) | |
| Buddy Joe Hooker | .... | stunt coordinator | |
| Chad Randall | .... | stunt performer | |
| Pat Romano | .... | stunt performer | |
| Alessandro Borgese | .... | stunt performer (uncredited) | |
| Omero Capanna | .... | stunts (uncredited) | |
| Umberto De Luca | .... | stunts (uncredited) | |
| Benito Pacifico | .... | stunts (uncredited) | |
| Claudio Pacifico | .... | stunts (uncredited) | |
| Gianluca Petrazzi | .... | stunts (uncredited) | |
| Peewee Piemonte | .... | stunts (uncredited) | |
| Angelo Ragusa | .... | stunts (uncredited) | |
| Sergio Smacchi | .... | stunts (uncredited) | |
| Claudio Zucchet | .... | stunts (uncredited) | |
Casting Department | |||
| Aleta Chappelle | .... | casting: Italy | |
| Michela Giorelli | .... | extras casting assistant: Italy | |
| Rosalie Joseph | .... | additional casting: New York | |
| Bojana Sutic | .... | extras casting assistant: Italy | |
| Jan McGill | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Antonia Barbitta | .... | wardrobe shop: Italy | |
| Elisabetta Beraldo | .... | assistant costume designer | |
| Ezio Maria Bruno | .... | additional assistant to costume designer | |
| William A. Campbell | .... | wardrobe supervisor | |
| Jaqueline De La Fontaine | .... | wardrobe assistant (as Jacqui De La Fontaine) | |
| Augusto Grassi | .... | wardrobe shop: Italy | |
| Giampiero Grassi | .... | wardrobe shop: Italy (as Giampietro Grassi) | |
| Michele Michel | .... | wardrobe shop: Italy | |
| Jane E. Myers | .... | wardrobe assistant: New York (as Jane Myers) | |
| Anna Orazi | .... | wardrobe shop: Italy | |
| Ingrid Price | .... | wardrobe assistant: New York | |
| Cristiana Ricceri | .... | wardrobe shop: Italy | |
| Irene Santarelli | .... | wardrobe shop: Italy | |
| Richard Shissler | .... | assistant costume designer | |
| Lois DeArmond | .... | costume illustrator (uncredited) | |
| Vicki Graef | .... | costume design assistant (uncredited) | |
Editorial Department | |||
| Delia Apolloni | .... | second assistant editor: Italy | |
| Diane Asnes | .... | assistant film editor | |
| Debra Bard | .... | assistant film editor | |
| Laurie Bernard | .... | assistant film editor | |
| Edie Bleiman | .... | assistant film editor (as Edie Sei Ichioka) | |
| Gus Carpenter | .... | first assistant editor: montage | |
| Luis Colina | .... | first assistant editor: film | |
| Dana Congdon | .... | apprentice editor: New York | |
| Tina Fallani | .... | assistant film editor | |
| John Ganem | .... | assistant film editor | |
| Ruth Hasty | .... | assistant film editor | |
| Daniel Charles Hoffman | .... | second assistant editor: Italy | |
| Kerie Kimbrell | .... | assistant film editor | |
| Jennifer Myers | .... | assistant film editor | |
| Greg Pestoni | .... | assistant editor: montage | |
| Robert Raring | .... | color timer (as Bob Raring) | |
| Louise Rubacky | .... | additional film editor | |
| Glen Scantlebury | .... | additional film editor | |
| Donald Freeman | .... | final colorist (uncredited) | |
Music Department | |||
| Mark Adler | .... | music editor | |
| Carmine Coppola | .... | composer: theme song "Promise Me You'll Remember" | |
| Carmine Coppola | .... | conductor | |
| Carmine Coppola | .... | music arranger | |
| Tony Cucchiara | .... | composer: song "Santa Rosalia" | |
| Joanie Diener | .... | additional music editor | |
| Paolo Gavanelli | .... | soloist | |
| Stephan R. Goldman | .... | music supervisor | |
| Robin Lee | .... | additional music editor | |
| Joel Moss | .... | music scoring mixer (as Joel W. Moss) | |
| Nino Rota | .... | composer: theme and additional music | |
| Jeffery Stephens | .... | associate music editor (as Jeffrey Stephens) | |
| John Walko | .... | music associate | |
| John Walko | .... | musician: organ | |
| Bob Bornstein | .... | music preparation (uncredited) | |
| Bruno Coppola | .... | music producer (uncredited) | |
| James Thatcher | .... | musician: french horn (uncredited) | |
Transportation Department | |||
| Thomas Langmann | .... | Driver of Mr Al Pacino | |
| Byron Pierotti | .... | transportation captain: Italy | |
| Charles Spillane | .... | driver | |
Other crew | |||
| Walter Alford | .... | publicist | |
| Cecilia Alvarenga | .... | production secretary: Italy | |
| Roberto Andò | .... | liaison: Palermo | |
| Kim Aubry | .... | technical supervisor: Zoetrope Studios | |
| Paola Barbaglia | .... | silverfish liaison: Italy | |
| Victoria Berry | .... | assistant to executive producer | |
| Rafe Blasi | .... | publicist | |
| Sergio Bologna | .... | first assistant accountant: Italy | |
| Otello Campanelli | .... | city permits: Rome | |
| Jim Carrington | .... | dialogue coach: Italy | |
| Anton Coppola | .... | opera advisor | |
| Bruno Coppola | .... | financial technical advisor | |
| Gustavo Coscarella | .... | payroll clerk: Italy | |
| Daniel Coss | .... | location associate: New York | |
| Kathy Cossu | .... | medical coordinator: New York | |
| Andrea Damiano | .... | assistant to producers: Italy | |
| Matteo De Laurentiis | .... | production assistant: Italy | |
| Giuseppe De Tomasi | .... | stage director: "Cavallieria rusticana" | |
| Loolee DeLeon | .... | assistant: F. Coppola | |
| Stel Deleon | .... | US contact | |
| Gianna Di Michele | .... | auditor: Italy (as Giovanna Di Michele) | |
| Tony Dingman | .... | defensive coordinator | |
| Joe Drago | .... | set assistant: Italy (as Joseph Drago) | |
| Rose Ferraro | .... | assistant to producer | |
| Flaviana Ferri | .... | liaison: Taormina | |
| John Fischer | .... | production assistant: New York | |
| Wayne Fitzgerald | .... | title designer | |
| Tom Fox | .... | silverfish operator | |
| Leigh French | .... | looping coordinator | |
| Rita Gaccioppo | .... | city permits: Palermo | |
| Wilma Garscadden-Gahret | .... | script supervisor | |
| Michele Giordano | .... | production office associate: New York | |
| Joanne S. Grant | .... | assistant accountant (as Joanne Grant) | |
| Maurizio Graziosi | .... | cashier: Italy | |
| Rachel Hall | .... | production assistant | |
| Catherine Hand | .... | assistant to executive producer | |
| Jane Hartwell | .... | set assistant: Italy | |
| Barbara Heller | .... | location manager: New York | |
| Amy Herman | .... | location associate: New York | |
| Kevin Kavanaugh | .... | production assistant | |
| Phyllis King | .... | voice coach: Italy | |
| Ron King | .... | production assistant: New York | |
| Eddee Kolos | .... | production assistant: New York | |
| Norma Marie Mascia | .... | production assistant: Italy | |
| Christienne Metropole | .... | production assistant | |
| Paolo Morante | .... | set production assistant | |
| Nick Muglia | .... | equine coordinator: New York | |
| Anahid Nazarian | .... | researcher | |
| Maureen Newman | .... | production accountant | |
| Giovanni Pallavicino | .... | dialogue coach: Sicilian | |
| Lou Phillips | .... | production controller (as Louis B. Phillips) | |
| Antonia Proscia | .... | assistant accountant: New York | |
| Jane Raab | .... | production coordinator: New York | |
| Thomas Reilly | .... | teamster captain: New York | |
| Luigi Riitano | .... | cashier: Italy | |
| Lisa Rome | .... | defensive coordinator | |
| Juan Ros | .... | production assistant: New York | |
| Reid Rosefelt | .... | publicist | |
| Sacha Sarchielli | .... | interpreter: Italy | |
| Greta Seacat | .... | dialogue coach: New York | |
| Frank Silvestri | .... | company physician: Italy | |
| Mark Steiner | .... | craft service: New York | |
| Peter Tavis | .... | teamster co-captain: New York | |
| Richard Tedesco | .... | parking coordinator: New York | |
| Riccardo Terlizzi | .... | silverfish assistant: Italy | |
| Daniela Vecchi | .... | production coordinator: Italy | |
| Benedetta Von Normann | .... | production assistant: Italy | |
| Frederick Vreeland | .... | voice coach: Italy | |
| Jody Washington | .... | production assistant | |
| Tim Watkins | .... | production assistant: New York | |
| Gilbert S. Williams | .... | shop manager: New York (as Gilbert Williams) | |
| Armando Zappi | .... | crowd marshall: Italy | |
| Al Cerullo | .... | helicopter pilot (uncredited) | |
| Bundy Chanock | .... | set medic (uncredited) | |
| Christopher Gambale | .... | production assistant (uncredited) | |
| Luigi Riitano | .... | production accountant (uncredited) | |
| Tim Sullivan | .... | production assistant (uncredited) | |
| Rick Washburn | .... | weapons coordinator (uncredited) | |
Thanks | |||
| Anna Anni | .... | thanks | |
| Charlie Bluhdorn | .... | dedicatee | |
| Yance George | .... | special thanks | |
| George Lucas | .... | special thanks | |
| Franco Platania | .... | thanks | |
| Gianna Platania | .... | thanks | |
| Franco Zeffirelli | .... | thanks (as F. Zeffirelli) | |
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| The Godfather: Part II | The Godfather | Munich | The Dark Knight | The Departed |
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"The Godfather Part III" isn't really a necessary sequel, and to be truthful it's not really one of the best sequels in recent memory, but is it a bad film? No. In fact, had it not been for the extraordinary first two films, I firmly believe this movie would have been hailed as an epic; but due to such a broad expanse of years from the second film (1974) to this one (1990), audiences were given too much time to work up extreme expectations, especially with the major success of the first sequel. Many people just expected another equal sequel. It's just a good sequel.
Al Pacino returns to his role of Don Michael Corleone, much older since we last saw him and with a daughter (Sofia Coppola, Francis' daughter). He is still split from his (ex)-wife, Kay (Diane Keaton), and Tom Hagen (Robert Duvall) has since passed to the other side, though rumors have it his character was originally in Ford and Mario Puzo's script, only to be dumped when Duvall turned down the script because he believed Pacino was getting too much attention. (Though I have my doubts over the accuracy of that rumor.)
Michael wants out of the Mafia. He wants to work legitimate. He's been trying to turn his business into legit dealings for a while now, and he realizes that the sins of his past will never completely go away. He decides to hand the reigns of power over to his ex-brother Fredo's son (Andy Garcia), a young, eager soul with energy and excitement. But things do not go so well. Michael tries to be a mentor to his trainee but it is a difficult task. Michael goes through turbulent times, not to mention that he must deal with his daughter falling in love with the future head of the family (they're cousins, which, when you think about it, is just plain nasty).
Michael tries to get his son interested in becoming the head of the family, but he will have no part of it. He is bent on becoming an opera singer, to turn from his family's past and ignore his father's pleads. Michael is left with some difficult choices, and we see that all the power in the world can't control the inevitable.
"The Godfather Part III" has its flaws. One of them is the casting of Michael's daughter with Coppola's daughter - she has, one might say, no acting ability whatsoever. Garcia is bright and talented, and fits the part he is playing. Pacino isn't quite as energetic and powerful as he was in the first two films, in fact he looks pretty tired here, but I believe that's the point.
Some people really hate this film. I thought it was quite good. It's a good continuation, though I do not hesitate to admit it could have been much better. The film seems a bit corny at times, and there are some bad casting choices, one of which I have already mentioned above. But it is an entertaining film, one that no "Godfather" fan should go without seeing. It's a worthy (hopefully) last installment, one that gives more of the same but still manages to hold the audience's interest.
There are rumors flying everywhere of yet another "Godfather" entry, but quite honestly I think it's a bad decision. They should leave the series as it is and move on to other projects. Puzo is dead. Coppola hasn't made a good film in years - heck, he hasn't even produced a good film in years. Al Pacino's character would be hard to bring back, and if you've seen this film you know what I'm talking about. A prequel would just be messy and unexplained, not to mention confusing. To follow Andy Garcia's character would seem pointless - some things should be left to our imagination. I doubt as to the importance of another sequel, as it would, at this point, just be a cash-in.
The script by Coppola and Puzo is interesting, but it seems too try a bit too hard to be an epic at times. It just serves as a reminder that this film was not needed as an intallment in the series. "The Godfather Part" was great, "The Godfather Part II" was superb, "The Godfather Part III" is probably the best film of 1990. Which, looking back at twenty years from now, probably won't amount to a hill of beans. But it's a start.
4.5/5 stars -
John Ulmer