In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protoge's love affair with his daughter. Written by
Keith Loh <email@example.com>
Paramount tried to go ahead with the film for many years without Francis Ford Coppola who had refused to make another sequel. About twelve scripts were written. Most of the scripts included the Corleone family being led by Michael's son Anthony, battling the CIA, Fidel Castro's Cuban government, or South American drug cartels. A 1978 draft by Mario Puzo dealt with Anthony Corleone being recruited by the CIA to assassinate a Latin American dictator. Dean Riesner also wrote a draft based on Puzo's ideas. Drafts were also written by Paramount producers Michael Eisner and Don Simpson. The film was scheduled for a Christmas 1980 release date. These scripts were discarded when Coppola decided to work on the script with Puzo. But Coppola eventually abandoned the project. Puzo wrote another script in 1986 with producer Nicholas Gage that featured Sonny Corleone's illegitimate son Vincent Mancini while showing the early life of the young Sonny Corleone. Paramount considered directors Martin Scorsese, Sidney Lumet, 'Costa-Gavras', Alan J. Pakula, Robert Benton, Michael Cimino and Michael Mann. At one point they were even close to signing Sylvester Stallone to direct and star in the film. See more »
When Mary gets out of the car in Italy, one of the presents she is holding is a box containing a Barbie doll. The packaging is the style of the late 80s/early 90s. See more »
My dear children: It is now better than several years since I moved to New York, and I haven't seen you as much as I would like to. I hope you will come to the ceremony of papal honors given for my charitable work. The only wealth in this world is children; more than all the money, power on earth, you are my treasure.
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Godfather III is generally underrated because because it is more intellectual, subtle, and psychological than the first two. There's lots more Italian language, operatic venues, references to subtleties like the P2 masonic lodge, and there is the inner revelation of Michael Corleone's soul. Pacino should have won an Oscar for his performance. The movie would be a good staging point for a Godfather IV, with "Vincenzo Corleone" and Connie Corleone running things, while developing further the relationship between Michael, and his wife and son.
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