The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protoge's love affair with his daughter. Written by
Keith Loh <email@example.com>
Early in the film Joey Zasa presents Michael Corleone with the "Italian of the Year" award, for which he personally recommended him. This is a reference to James Caan--who is Jewish--receiving the actual award in 1973 for his portrayal of Santino "Sonny" Corleone in the original film. See more »
There is a band playing in the town square in Sicily while Corleone and Kay are talking. The cymbal player is careful to ensure that the plates don't actually meet. See more »
My dear children: It is now better than several years since I moved to New York, and I haven't seen you as much as I would like to. I hope you will come to the ceremony of papal honors given for my charitable work. The only wealth in this world is children; more than all the money, power on earth, you are my treasure.
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I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.
When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.
Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"
Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.
Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.
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