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The Godfather: Part III (1990)

In the midst of trying to legitimize his business dealings in New York and Italy in 1979, aging Mafia don Michael Corleone seeks to avow for his sins while taking his nephew Vincent Mancini under his wing.
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Nominated for 7 Oscars. Another 5 wins & 13 nominations. See more awards »

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Cast

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Storyline

In the final instalment of the Godfather Trilogy, an aging Don Michael Corleone seeks to legitimize his crime family's interests and remove himself from the violent underworld but is kept back by the ambitions of the young. While he attempts to link the Corleone's finances with the Vatican, Michael must deal with the machinations of a hungrier gangster seeking to upset the existing Mafioso order and a young protoge's love affair with his daughter. Written by Keith Loh <loh@sfu.ca>

Plot Summary | Plot Synopsis

Taglines:

Real power can't be given. It must be taken. See more »

Genres:

Crime | Drama

Motion Picture Rating (MPAA)

Rated R for violence and language | See all certifications »

Parents Guide:

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Details

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Country:

Language:

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Release Date:

25 December 1990 (USA)  »

Also Known As:

Mario Puzo's The Godfather: Part III  »

Box Office

Budget:

$54,000,000 (estimated)

Gross:

$66,676,062 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (The Godfather Trilogy 1901-1980 VHS Special Edition)

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

After the argument between Michael Corleone and the members of the Vatican, he leaves the building, saying, "We're back with the Borgias". Mario Puzo, author of The Godfather (1972), later wrote a book about the Borgias called 'The Family'. It was later revealed, during the broadcast of the television series The Borgias (2011), that the Borgias were the original inspiration for the Corleones. Vito was based on Rodrigo Borgia, AKA Pope Alexander VI. Michael was based on Cesare Borgia, Santino on Juan Borgia, Fredo on Gioffre Borgia, and Connie on Lucrezia Borgia. See more »

Goofs

In The Godfather: Part II the car that Anthony drew for Michael is gray while in Part III it is red. See more »

Quotes

[first lines]
Michael Corleone: [voiceover] My dear children: It is now better than several years since I moved to New York, and I haven't seen you as much as I would like to. I hope you will come to the ceremony of papal honors given for my charitable work. The only wealth in this world is children; more than all the money, power on earth, you are my treasure.
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Crazy Credits

"Dedicated to Charlie Bluhdorn who inspired it." See more »

Connections

Referenced in Supernatural: Inside Man (2015) See more »

Soundtracks

BEYOND THE BLUE HORIZON
Written by Leo Robin, Richard A. Whiting and W. Franke Harling
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Frequently Asked Questions

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User Reviews

 
Unjustily Criticized
6 January 2006 | by (United States) – See all my reviews

I stayed away from this film for a long time, doing a dumb thing: listening to the well-known film critics.

When I finally got around to it, I was very surprised. It was a good film. Not great, not intense as the first two Godfather flicks, but definitely a lot better than advertised.

Many people said this was filled with anti-Roman Catholic propaganda, but I didn't it find that way. Yes, the "Vatican bank," whatever that is, was portrayed as not on the up-and-up, but it was a little confusing to follow, maybe too confusing to get offended! Actually, there were some positive things, religious-wise, with Al Pacino's character, who sought forgiveness for his past sins and made a few very profound statements such as, "What good is confession if it isn't followed by repentance?"

Anyway, Pacino's acting talents are the main attraction in the lower-key, more cerebral Godfather film. There isn't that much action but when it occurs, it's pretty violent. As with the other two films in the series, it's nicely photographed with a lot of nice brown tints.

Finally, director-writer Francis Ford Coppola took a lot of flak for putting his daughter in such an important role but I thought she (Sofia Coppola) was fine and - like this film - unfairly criticized.


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