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19 out of 20 people found the following review useful:
A must-see! One of the best I've ever watched!, 15 November 2004
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Author:
eustfam from Philippines
The story is simple--it is about a young boy who spent his summers in
the hills of Provence--yet it manages to tug the viewer at the heart.
It is such a far cry from the families we see today who have no time to
relate to each other. The boy's love for his father (and mother)clearly
shines in this film.
The father is a school teacher, an atheist, and a republican. But he is
a loving husband and a great father to his children. The mother is shy
and affectionate and is sensitive the needs of her husband and
children. So what makes this film such an enchanting experience? Since
I am not a writer, I cannot really put into words the way I felt after
watching this film. I know it left a smile in my heart...it also made
me nostalgic for it reminded me of my own childhood. I wanted it to go
on long after the movie ended. Watch it and you will know what I mean.
It will take you back to the magical moments of growing up.
18 out of 19 people found the following review useful:
An exquisitely beautiful story of a French schoolteacher's family life., 27 August 2003
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Author:
raymond-15 from Australia
This is a very detailed description of the life of a French family. It is a
sweet story gently told. It is about growing up, expanding horizons, the
influence of friends and family members, enjoying happy times together, and
reacting to life's inevitable problems. In this film we recognise moments
in our own lives. The film has a universal theme.
In a documentary style the older son Marcel relates how his father Joseph a
schoolteacher takes up positions in various parts of France and how before
school-going age he sits at the back of the class and quickly learns how to
read the text on the blackboard. Family life seems to revolve around
teaching and the classroom until Aunt Rose meets Jules on a park seat and
eventually marries him. After Jules joins the family circle father learns
that there are more things in life than the educational
system.
When the family rents a villa in a wild part of Provence, Jules instructs
father on the use of the gun and they go on hunting sprees together. On one
of these expeditions the son gets lost and meets up with a local boy about
his own age. From him he learns about local birds, the eagles, the owls and
scary stories about how these wild birds go for the eyes of their prey.
This escape into the wild is a charming part of the family's life story and
the final parting between the two boys when the family finally leaves is
indeed moving.
The story is sprinkled with amusing incidents. For most boys the birth of a
child is nothing short of a miracle. They conjecture that the navel is a
kind of button which can be unbuttoned to let the baby out. And when father
learns to shoot, Jules attaches a target to the outside toilet door. Father
is delighted when he gets a bull's eye and Jules does well too. Not so the
maid who happens to be inside the toilet at the time. Fortunately she
emerges shaken but unharmed.
The film covers so much of French life. It is amazing how much is packed
in. The story unfolds at an easy pace with beautiful music that never
intrudes and scenery that astounds. I can recommend this little masterpiece
about how wonderful family life can be.
15 out of 17 people found the following review useful:
Don't Forget The Companion Piece, 3 November 2006
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Author:
ccthemovieman-1 from United States
This, like "Jean de Florette" and "Manon Of The Spring" is the first of
two French films that go together. The second part of this story is the
film, "My Mother's Castle." See them both, but if you can only see one,
my recommendation is "My Mother's Castle."
As in many French films, this offers very little action and not much
that is noteworthy but is filled with interesting characters and
excellent storytelling. The French still offer that great storytelling,
something that has slowly faded among filmmakers in other countries.
This story is based on the memoirs of Marcel Pagnol, a very Liberal
educator and atheist. His views are probably the main reason critics
all loved this movie. They could identify.
Despite the father's shortcomings, there is a nice appeal here as all
the characters are interesting to varying degrees. I love the way they
all express themselves, certainly different than we do here in North
America. As with most of these French stories, there is very little
profanity, too.
15 out of 18 people found the following review useful:
My favorite film, 4 December 2000
Author:
(og_byrne@hotmail.com) from France, Bordeaux
This is one film I would recommend to everybody. I remember when I saw that film in the theatre in france in 1990, I fell in love with it,the acting is great ,the locations are beautiful,the story is very touching,this film is a winner for sure.I probably saw this film in is follow up a thousand time and after each viewing it's just getting better. I would also say that the music of Vladimir Costa is fantastique it fits the scenery like a pair of gloves. The best french film ever in my opinion.
11 out of 11 people found the following review useful:
Exquisite pastoral odyssey, 1 January 2005
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Author:
fertilecelluloid from Mountains of Madness
This beautiful, charming work (and its companion MY MOTHER'S CASTLE) is
lifted from the memoirs of filmmaker/screenwriter Marcel Pagnol.
It is a loving, romanticized recreation of Pagnol's childhood trips to
the south of France.
Director Yves Robert ices every scene with sweet affection and a
seemingly effortless attention to detail.
There are so many moving, heart-tugging scenes.
Describing them all would spoil the confection.
I'll mention one. Young Marcel accompanies his father, Joseph, a school
teacher, to school one day. Not believing that Marcel can read already,
Joseph writes a simple declaration of his love for Marcel on the
blackboard. Marcel then surprises his father by reading out loud what
his father wrote. It is such a touching, affecting scene.
MY FATHER'S GLORY is bursting to the seams with such magic.
Vladimir Cosma's score perfectly captures the period and tone of
Pagnol's memories.
Simply exquisite.
8 out of 8 people found the following review useful:
Enchanting childhood nostalgia, 4 November 2005
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Author:
Andreas Niedermayer (leeds1@gmx.at) from Klagenfurt, Austria
This is a movie for those who enjoy magic and nostalgia while floating away in childhood memories. It is the calm and enchanting story of the adventures of Marcel Pagnol. Julien Ciamaca does an outstanding job, he is handsome, naive and buoyant. The landscape and the narrative style make this movie, at least in my eyes, a real masterpiece. The entire story is full of nostalgia and deals with Marcel's very own perception of life. His friendship with Lili is honestly depicted and wonderfully staged. The boys do a great job, indeed. It is a tale that takes you back to contemporary France and revives the summer in the Provence region, a summer full of innocent joy and adventures. Inspiring and well-acted, the setting is beautiful and the music just perfect. All characters are well cast.
8 out of 8 people found the following review useful:
childhood memories where everything was as fresh as the bright blue sky, 15 February 2003
Author:
dbdumonteil
Marcel Pagnol always wanted to adapt for the screen his childhood memories that he related in 4 novels. Unfortunately, he died without he made his plan. So, it was one of his friends, Yves Robert who undertook to make the coveted movie and the result turns out to be very convincing. Yves Robert's movie restitutes perfectly the atmosphere of Pagnol's book and he made a tender, hearty movie, lulled by Vladimir Cosma's nonchalant music where the shiny sun and sky of Provence reply to the wild beauty of the hills. These hills will make the little Marcel's enchantment. Thanks to a fluid making, Robert films the happiness and the naïvety of childhood with a certain impishness. Besides, Robert always enjoyed filming childhood like Truffaut and we particularly rediscover the quoted impishness in one of his movies: "la guerre des boutons". Robert introduces us the Pagnol's family and shows liking towards his characters. More than Marcel's character, these are his feelings towards his family which Robert tries to define, especially the pride towards his lucid and ambitious father (excellent Philippe Caubère) after his hunting achievement. Moreover, he loves tenderly his mother but tends to despise his uncle. He blames him for being a liar and a conceited person. At the end, a limpid movie that remembers with nostalgia of a past era. Pagnol would certainly have appreciated the result. If the movie introduces a bitter end, it depicts the last picture as something symbolic: " the glory of Marcel's father".
7 out of 7 people found the following review useful:
Poetry in motion, 21 September 2003
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Author:
bouncingoffwall from USA
This film takes us back to 1900 and depicts a family with children who are
refreshingly innocent, yet believable and amusing every step of the way. The
story takes us on a journey with Marcel, the narrator, who thinks his father
is superhuman and refuses to see him as anything less. To view life through
Marcel's eyes is enchanting; he is so easily spellbound by his surroundings,
so in love with the hills of his native Provence.
The cinematography is absolutely breath-taking, giving one the feeling of
watching poetry in motion. The scene at the park on a Sunday afternoon is
like watching a painting come to life. But cinematography is only a feather
on the cap of this first rate production. The direction is superb, and the
performances very touching.
I recommend this film highly. It is good as a visual sedative, and the only
side effect it might have is a possible urge to quit your job, pack it up,
and move to the French countryside writer Marcel Pagnol so
loved.
8 out of 9 people found the following review useful:
Just beautiful!, 14 September 2002
Author:
LeRoyMarko from Toronto, Canada
This film is simply beautiful. Loaded with emotion. Marcel Pagnol's
story as a kid growing up in Southern France.
This is a film I saw for the first time about 10 years ago. 10 years
later, I enjoyed it even more. Yves Robert makes you care for
characters. Philippe Caubère is brilliant as the father, who's a
teacher. The truly beautiful Nathalie Roussel: the caring mother and
wife. Young Julien Ciamaca gives a strong performance as Marcel. And
what about Didier Pain: I just love his way of playing Oncle Jules.
Perhaps the greatest accomplishment of this movie is to make you travel
to this part of the world, to make you feel that you're there when the
story unfolds.
87/100 (***½)
Seen at home, in Toronto, on June 16th, 2002.
6 out of 6 people found the following review useful:
A film-maker's glory, 31 January 1999
Author:
Bill Anderson (anderson@nehp.net) from New Hope, Alabama USA
"My Father's Glory," and its sequel "My Mother's Castle," tell the story of a young boy's "wonder years" growing up in a family with an adored father, a lovely but frail mother, and assorted eccentric relatives and friends. These are incredibly charming films that feature none of the violent action and highly charged emotions that we've come to expect in popular films today. Instead, they celebrate the simple joys of life in a warm and loving family. When minor but unexpected events occasionally disrupt the day-to-day flow of events, they can seem like terrible disasters. On the other hand, a simple visit to the country can seem like a tremendous adventure. It's not necessary to have seen "My Father's Glory" to enjoy "My Mother's Castle." In fact, I happened to see them out of order and I loved them just the same. But if I had my preference, I'd watch them in order. The final scene of "My Mother's Castle" is emotionally powerful and satisfying; for me it confirmed that every minute I'd invested in these films was worthwhile. I wanted to get up there on the screen and help. In French with English subtitles.
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