The sisters come back to Delores's show to get her back as Sister Mary Clarence to teach music to a group of students in their parochial school which is doomed for closure. One of the girls... See full summary »
Sam and Molly are a very happy couple and deeply in love. Walking back to their new apartment after a night out at the theatre, they encounter a thief in a dark alley, and Sam is murdered. He finds himself trapped as a ghost and realises that his death was no accident. He must warn Molly about the danger that she is in. But as a ghost he can not be seen or heard by the living, and so he tries to communicate with Molly through Oda Mae Brown, a psychic who didn't even realise that her powers were real. Written by
Sami Al-Taher <email@example.com>
Patrick Swayze alleged that Sam Wheat was the hardest role he ever played in his career, mainly because he had to be an observer to the action and not a participant. See more »
In the exchange between Molly and Lyle the bank officer, she asks him if that was Oda Mae, and wanted to know what business they had just done. Lyle tells Molly her name (Rita Miller) and said that she was closing an account. By federal law, bank personnel can never discuss the details of one customer's transaction or identity with another. However, Lyle is a "social moron," very likely to have forgotten or not cared enough about the law to keep himself from discussing it with Molly, or intently believing that, because Sam was a bank employee, he could freely discuss it with Molly without fear. See more »
It has a lot more subtext than its naysayers will tell you...
It may be easy to write this fantasy/love story off as a bloated box-office winner with a heart of F/X, however the performances are so winning, and the Oscar-winning script so satisfying, I can't believe it doesn't rate higher with viewers. Murdered businessman (Patrick Swayze, not a good actor but doing OK here) sets out in ghostly form to bring his killers to justice--and to watch out over his lovely girlfriend (Demi Moore, hitting all the right notes of a grieving lover). Whoopi Goldberg won a Supporting Oscar as a fake medium and Tony Goldwyn is uncanny as a slimeball ex-friend (his sniveling is so convincing it may have cost him real-life celebrity). Extremely well-directed by Jerry Zucker--in anybody else's hands, this might have turned to mush. ***1/2 from ****
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