After a single, career-minded woman is left on her own to give birth to the child of a married man, she finds a new romantic chance in a cab driver. Meanwhile, the point-of-view of the newborn boy is narrated through voice-over.
Sam Wheat is a banker, Molly Jensen is an artist, and the two are madly in love. However, when Sam is murdered by friend and corrupt business partner Carl Bruner over a shady business deal, he is left to roam the earth as a powerless spirit. When he learns of Carl's betrayal, Sam must seek the help of psychic Oda Mae Brown to set things right and protect Molly from Carl and his goons. Written by
Sam is able to touch Willie (hit and push him), yet when Sam is in Molly's apartment with Oda Mae he is not able to touch Molly and must use Oda Mae's body. He should be able to touch Molly. See more »
When You're DEAD, It's ALL OVER; but When You're LOVED, It's FOREVER !
The imaginative but well-conceived idea of dishing up a romance upon lovers communicating spiritually owing to one of them is dead, was first filmed by Steven Spielberg 8 months before the Ghost's silver screen release. Spielberg's movie Always(1989) had classy use of visuals fulfilling the needs of viewers with mystery-based expectations. Yet, Always lacked the sense of essential romance concept, despite having the same plot and even the same storyline in Ghost. Originally the idea has been created by Chandler Sprague and David Boehm.
However, Ghost accomplished of what "Always" tried and failed to accomplish. Thanks to the great acting trio of Patrick Swayze + Demi Moore + Whoopi Goldberg, for together they registered indelible moments into Ghost. It is scraped in our memory how in time Molly and Sam happen to keep their thoughts off each others' feelings, and that taught us: "Love begins with emotions, ends with thoughts". On this account they never called off their faith on believing that they will keep an enduring love affair. These indelible scenes in Ghost are conceptually cut where the editing was so impressive that instead of trying to make the story more plausible, it empowered the devotion of lovers onto their relation. The scene which Sam's ghost drew upon Oda Mae's body to break the longing with Molly by kissing her is an imperishable cinematic instant.
I was in love with someone, and it was February,2005; we were both watching the Ghost on TV, both talking on the phone. Then that scene came upon(Sam's ghost kissing Molly in Oda Mae's body), I felt lost deep in my heart seeking the girl I'm talking on the phone. I heard she was crying and sobbing, and keep saying to me: "I will never forget the first time you kissed me and I don't need to be alive to recall this" Ghost is one timeless romantic masterpiece that had its moments. For me the kissing scene was the best kiss in movies of all time. MTV had honoured this kiss as well, several years after the release of the movie, as the best kiss in '90s. Superimposing that, the scenes where Oda Mae Brown convinces Molly that Sam's ghost is around her and then Molly reasons with police that Oda Mae knows what nobody is able to know but Sam and herself only, are the scenes that deliver the magic beyond eyes and beyond ears.
To watch Ghost is in the to do list of what to do when you're on a date.
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