Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Sam and Molly are a very happy couple and deeply in love. Walking back to their new apartment after a night out at the theatre, they encounter a thief in a dark alley, and Sam is murdered. He finds himself trapped as a ghost and realises that his death was no accident. He must warn Molly about the danger that she is in. But as a ghost he can not be seen or heard by the living, and so he tries to communicate with Molly through Oda Mae Brown, a psychic who didn't even realise that her powers were real. Written by
Sami Al-Taher <email@example.com>
After Oda Mae gives away the check, she says goodbye to Sam and we see a group of extras crossing the street. When the angle switches to the other side of the street, we see one of the same extras (African American lady, box cut hair) crossing the street again. See more »
[Sam is crouching on the subway station floor, trying to move a bottle cap with his fingers. The Subway Ghost is laughing at him]
What are you doing? What the hell are you doing? You're trying to move it with your finger. You can't push it with your finger! You're dead! It's all in your mind. The problem with you is that you still think you're real. You think you're wearing those clothes? You think you're crouched on that floor? Bullshit! You ain't got a body no more, son!
[Taps his forehead]
[...] See more »
The opening credits are half transparent like a ghost. See more »
It has a lot more subtext than its naysayers will tell you...
It may be easy to write this fantasy/love story off as a bloated box-office winner with a heart of F/X, however the performances are so winning, and the Oscar-winning script so satisfying, I can't believe it doesn't rate higher with viewers. Murdered businessman (Patrick Swayze, not a good actor but doing OK here) sets out in ghostly form to bring his killers to justice--and to watch out over his lovely girlfriend (Demi Moore, hitting all the right notes of a grieving lover). Whoopi Goldberg won a Supporting Oscar as a fake medium and Tony Goldwyn is uncanny as a slimeball ex-friend (his sniveling is so convincing it may have cost him real-life celebrity). Extremely well-directed by Jerry Zucker--in anybody else's hands, this might have turned to mush. ***1/2 from ****
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