Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Sam and Molly are a very happy couple and deeply in love. Walking back to their new apartment after a night out at the theatre, they encounter a thief in a dark alley, and Sam is murdered. He finds himself trapped as a ghost and realises that his death was no accident. He must warn Molly about the danger that she is in. But as a ghost he can not be seen or heard by the living, and so he tries to communicate with Molly through Oda Mae Brown, a psychic who didn't even realise that her powers were real. Written by
Sami Al-Taher <firstname.lastname@example.org>
After Oda Mae gives away the check, she says goodbye to Sam and we see a group of extras crossing the street. When the angle switches to the other side of the street, we see one of the same extras (African American lady, box cut hair) crossing the street again. See more »
[Sam is crouching on the subway station floor, trying to move a bottle cap with his fingers. The Subway Ghost is laughing at him]
What are you doing? What the hell are you doing? You're trying to move it with your finger. You can't push it with your finger! You're dead! It's all in your mind. The problem with you is that you still think you're real. You think you're wearing those clothes? You think you're crouched on that floor? Bullshit! You ain't got a body no more, son!
[Taps his forehead]
[...] See more »
The opening credits are half transparent like a ghost. See more »
Beautiful, touching and moving... a tale of a love so strong it defies death itself
I must say this film surprised me. Coming in, I knew nothing about it but the famous clay-forming scene... I didn't know I was in for such a strong experience. This film had me from the first few moments of it. I never lost interest. The plot is so interesting and intriguing, you can't help but watch, often at the very edge of your seat. I will say that I found one twist somewhat predictable, but maybe I've just seen too many later movies before watching this. There is a lot of suspense in this film. When I found that it was directed by a Zucker(yup... Airplane and so forth), I was somewhat doubtful as to any other quality in the film than the humor of it... if you're reading this and you're thinking the same, trust me; he pulls it off. Excellently. There are few, if any, flaws in directing. The writing is solid. At times, there seemed to be a little too much humor and some scenes were maybe a tad long, but apart from that, there was not really anything with this film that was flawed. The score is great. The pacing is incredibly good. The acting is really good all-round. Goldberg provides a lot of comic relief, without being obnoxious. Moore and Swayze have magnificent chemistry, you truly believe them as a couple. The special effects are grand, yet they don't take over the movie. This is driven by the emotions, by how the plot affects these characters. I was completely into this movie all the way. The humor is very good and surprisingly tasteful for the theme. Much of it is derived from the situation of Swayze's character and his interaction with environment and other characters. All in all, just a very impressive film. I recommend this to any fan of drama, romance, comedy, thriller or fantasy, as well as anyone interested in seeing a non-parody Zucker film and fans of the actors. 7/10
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