Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
Sam and Molly are a very happy couple and deeply in love. Walking back to their new apartment after a night out at the theatre, they encounter a thief in a dark alley, and Sam is murdered. He finds himself trapped as a ghost and realises that his death was no accident. He must warn Molly about the danger that she is in. But as a ghost he can not be seen or heard by the living, and so he tries to communicate with Molly through Oda Mae Brown, a psychic who didn't even realise that her powers were real. Written by
Sami Al-Taher <firstname.lastname@example.org>
At theatrical showings in Monterrey, Mexico, women in the audience were given envelopes marked "Solo para mujeres" (for women only) containing tissues. See more »
There are a number of inconsistencies concerning Sam touching things when his hands should have gone through. For example, when Sam is in the hospital after his murder he gets out of the chair by grabbing hold of the arm-rests to push himself up out of the chair. However, these could be explained that those things he is trying to intentionally manipulate require concentration, but things that he's used to doing or doing without thought don't require concentration at all as they are instinctively easy. See more »
It has a lot more subtext than its naysayers will tell you...
It may be easy to write this fantasy/love story off as a bloated box-office winner with a heart of F/X, however the performances are so winning, and the Oscar-winning script so satisfying, I can't believe it doesn't rate higher with viewers. Murdered businessman (Patrick Swayze, not a good actor but doing OK here) sets out in ghostly form to bring his killers to justice--and to watch out over his lovely girlfriend (Demi Moore, hitting all the right notes of a grieving lover). Whoopi Goldberg won a Supporting Oscar as a fake medium and Tony Goldwyn is uncanny as a slimeball ex-friend (his sniveling is so convincing it may have cost him real-life celebrity). Extremely well-directed by Jerry Zucker--in anybody else's hands, this might have turned to mush. ***1/2 from ****
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