The sisters come back to Delores's show to get her back as Sister Mary Clarence to teach music to a group of students in their parochial school which is doomed for closure. One of the girls... See full summary »
Sam and Molly are a very happy couple and deeply in love. Walking back to their new apartment after a night out at the theatre, they encounter a thief in a dark alley, and Sam is murdered. He finds himself trapped as a ghost and realises that his death was no accident. He must warn Molly about the danger that she is in. But as a ghost he can not be seen or heard by the living, and so he tries to communicate with Molly through Oda Mae Brown, a psychic who didn't even realise that her powers were real. Written by
Sami Al-Taher <firstname.lastname@example.org>
When the movie was first released on VHS in 1991, the tapes were light or "ghost" gray. See more »
In the exchange between Molly and Lyle the bank officer, she asks him if that was Oda Mae, and wanted to know what business they had just done. Lyle tells Molly her name (Rita Miller) and said that she was closing an account. By federal law, bank personnel can never discuss the details of one customer's transaction or identity with another. However, Lyle is a "social moron," very likely to have forgotten or not cared enough about the law to keep himself from discussing it with Molly, or intently believing that, because Sam was a bank employee, he could freely discuss it with Molly without fear. See more »
[at the bank meeting]
Tell her to send this to the third-floor file because you have a transaction to make.
Oda Mae Brown:
Can you send this to the third-floor file? I have a transfusion to make.
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The opening credits are half transparent like a ghost. See more »
My wife loves this film, and I found it more then a romance movie. A intriguing story, of deception, death, the after life, and greed. This is a great film, with character you care about, suspense, romance, and a fresh script. This film made Patricks carrier, and after this film he chose a few films that killed his chances of acting in higher budget films. I believe if he picked a couple more scripts like this one he would be on the same level as Tom Cruse. I think the politically correct 90's found him too macho for their tastes, and it drove him to do that film about India which helped kill his carrier. In the end this film is a little about what Patrick could have been, a true international star.
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