The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
Shalee Jethro (Dorothy Malone) helps her father run a desert stagecoach station. Five desperate outlaws arrive at the station to await a gold shipment they plan to rob, and Shalee becomes ... See full summary »
An American patrol has to cross behind enemy lines by skis in order to blow up an important railroad bridge. The task is made harder by conflicts between the platoon's veteran sergeant and ... See full summary »
Promising young racing car driver Joe Joe Quillico leaves the stock car racing scene in the United States in order to pursue Grand Prix racing in Europe. After limited success he manages to... See full summary »
Paul Groves (Peter Fonda), a television commercial director, is in the midst of a personality crisis. His wife Sally (Susan Strasberg) has left him and he seeks the help of his friend John ... See full summary »
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817's Switzerland where he finds Dr Victor Frankenstein and his contemporaries. Written by
Kimmo Ketolainen <firstname.lastname@example.org>
The title is a reference to both the full title of Mary Shelley's original novel ("Frankenstein - or, The Modern Prometheus") and to Percy Bysshe Shelley's lyrical drama "Prometheus Unbound". See more »
When Dr. Buchanan meets up with Lord Byron in the grounds at his estate, quite visible in the background is a car driving across a bridge. Buchanan wasn't the only person, it seems, to own a car in 1817. See more »
Not bad, actually decent enough, considering the theme
I have to admit, I enjoyed this film, and I enjoyed it more than I thought I would. This is only the second Roger Corman film I've seen so far, and therefore I can only really compare it to the other film I saw by him, The Terror. I can clearly recognize the directing style, and basic film-making style, but I must say that this is better than The Terror. The plot is pretty good, and fairly interesting, and more original than most other films dealing with Frankenstein. It has a decent enough pace; I wasn't bored for the 90 minutes it lasted. The script is fairly good too, a good twist on the original Frankenstein story, though I guess some fans of the original story wouldn't like the various changes. The acting is good enough, both John Hurt and Raul Julia gives pretty good performances, and the rest of the cast is decent. The characters are fairly well-written and credible. The film has a fairly bad name, it seems; yes, the monster does look more like the result of genetic mutation or something similar, rather than a creature built together by human bodies, and, arguably, the film has several violent scenes that seem to be there mainly to add violence rather than substance to the film, but apart from that, the film is pretty good, at least worth a watch, if only one watch. The effects are decent enough, at least for a film from 1990. The makeup effects and such were also pretty good, I must say that the monster's face, especially the eyes, did send a chill through my spine, the first time he was shown. I liked the various science fiction aspects of the film, and the social commentary was very good, too. The ending was a little weird, but it was a fairly good climax. All in all, a decent enough science fiction/horror drama, and worth one watch, if you can catch it for free. I recommend it to fans of Roger Corman and open-minded fans of Frankenstein and/or horror films in general; just be prepared that it won't be an incredible or very memorable film, just an entertaining 90 minutes, if you're into violent movies without any real purpose. 6/10
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