The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped... See full summary »
In the 19th century London, a young girl falls for a famous womanizing criminal and they decide to get married. Her family strongly disapproves so her father "the king of thieves" gets the gangster arrested.
A man in a gleaming white suit comes to a small Southern town on the eve of integration. He calls himself a social reformer. But what he does is stir up trouble--trouble he soon finds he can't control.
A former race-car driver-turned-writer decides to expose a ruthless, womanizing Grand Prix race driver in a book. However, his scheme explodes when his life is saved by this man, who is actually sensitive and misunderstood.
The ultimate weapon which was meant to be safe for the mankind produces global side effects including time slides and disappearances. The scientist behind the project and his car are zapped from the year 2031 to 1817's Switzerland where he finds Dr Victor Frankenstein and his contemporaries. Written by
Kimmo Ketolainen <firstname.lastname@example.org>
The title is a reference to both the full title of Mary Shelley's original novel ("Frankenstein - or, The Modern Prometheus") and to Percy Bysshe Shelley's lyrical drama "Prometheus Unbound". See more »
When Dr. Buchanan meets up with Lord Byron in the grounds at his estate, quite visible in the background is a car driving across a bridge. Buchanan wasn't the only person, it seems, to own a car in 1817. See more »
NO SPOILERS If you like a good late night, popcorn munching lights-out, old fashioned horror movie, then this is your ticket. But wait; there's a bonus. It has a great sci-fi twist. I've shown this to friends and recommended it to people, and they are never disappointed. Spend a couple of bucks and take a chance. It's rare that a movie puts a fresh twist on an old story and does it so well. Great scenic mood and acting; although the final scene seems low budget; it's going for stark, and overdoes it a bit.
I pick up this movie about once every 5-6 years and look forward to it every time. The monster is unique to the Frankentein genre, but it also seems much more accurate to what a madman's medical science would produce. There's no over the top screaming or "It's aliiiive" scenes. No, it is smart, and realistic.
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