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La fracture du myocarde (1990)
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Overview
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Release Date:
27 February 1991 (France)
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Plot:
Suddenly, Martin's behaviour changes radically. He doesn't talk or laugh any more. His schoolfellows discover...
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Awards:
4 wins
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User Reviews:
Sometimes a rose is just a rose
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Cast
(in credits order) (complete, awaiting verification) | Sylvain Copans | ... | Martin |
| Nicolas Parodi | ... | Jerome |
| Olivier Montiege | ... | Antoine |
| Cécilia Rouaud | ... | Marianne |
| Lucie Blossier | ... | Claire |
| Delphine Gouttman | ... | Helene |
| Benoît Gautier | ... | Julien |
| Kaldi el Hadj | ... | Dede |
| Mathieu Poussin | ... | Nicolas |
| Romuald Jarny | ... | Pierrot |
| Wilfrid Flandrin | ... | Mozart |
| Dominique Lavanant | ... | Claire's mother |
| Jacques Bonnaffé | ... | History teacher |
| François Dyrek | ... | Titanic |
| Maurice Bénichou | ... | Le voisin |
| Jacques Brunet | ... | School principal |
| Catherine Hubeau | ... | Dodoche |
| Gérard Croce | ... | Judge |
| Wilfried Blin | ... | Olivier |
| Laurence Imbert | ... | Le mère de Nicolas |
| Michel Pilorgé | ... | Le père de Nicolas |
| Renée Cousseau | ... | La mère de Marianne |
| Maurice Frydland | ... | Le père de Marianne |
| Cyrille Gaudin | ... | Nurse |
| Christine Prieur | ... | Madame Haudray |
| Huguette Hatier | ... | Jérome's Mother |
| Didier Lastere | ... | Director of Orphanage |
| Jean-Louis Boutevin | ... | School Supervisor |
Directed by | |||
| Jacques Fansten | |||
Writing credits(in alphabetical order) | ||
| Jacques Fansten | ||
Produced by | |||
| Ludi Boeken | .... | producer | |
| Jacques Fansten | .... | producer | |
Original Music by | |||
| Jean-Marie Sénia | |||
Cinematography by | |||
| Jean-Claude Saillier | |||
Film Editing by | |||
| Colette Farrugia | |||
Casting by | |||
| Gérard Moulévrier | |||
| Maya Seuleyvan | (as Maya Sevleyan) | ||
Production Design by | |||
| Gilbert Gagneux | |||
Costume Design by | |||
| Hélène Martel | |||
Makeup Department | |||
| Amélie Vinson-Rouffio | .... | key makeup artist | |
Production Management | |||
| Eric Dussart | .... | production manager | |
| Olivier Fay-Keller | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Michel Acerbo | .... | first assistant director | |
| Delphine Doyen | .... | assistant director | |
| Marie Madec | .... | assistant director | |
| Sandrine Ray | .... | assistant director | |
Art Department | |||
| Gilles Chadle | .... | assistant art director | |
| Guy Declippel | .... | property master | |
| Anne-Marie Percevault | .... | set dresser | |
| Daniel Thourier | .... | property master | |
Sound Department | |||
| Jules Dantan | .... | sound | |
| Joël Faure | .... | sound mixer | |
| Laurent Lévy | .... | foley artist | |
| Pascal Potdevin | .... | assistant sound | |
Stunts | |||
| Philippe Guégan | .... | stunts | |
Camera and Electrical Department | |||
| Jean-Bernard Aurouet | .... | camera operator | |
| Michel Chardon | .... | key grip | |
| Patrick Gaudry | .... | gaffer | |
| Georges Omnes | .... | grip | |
| Michel Provost | .... | gaffer | |
| Daniel Smague | .... | assistant camera | |
| Michel Vasseur | .... | electrician | |
| Jacques Vigneron | .... | gaffer | |
Editorial Department | |||
| Frédéric Chaudier | .... | assistant editor | |
| Joëlle Touron | .... | assistant editor | |
Other crew | |||
| Marina Collet-Jadot | .... | script supervisor (as Marina Collet) | |
| Bernadette Zinck | .... | production administrator | |
Production Companies
- Belbo Films
- Canal+
- Centre National de la Cinématographie (CNC) (participation)
- Films A2
- Société Française de Production (SFP)
- Diaphana Films (1991) (France) (theatrical)
- MK2 Diffusion (1991) (USA) (theatrical) (subtitled)
Additional Details
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Runtime:
105 min
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An 
company.
This is one of those bittersweet treasures that come along from time to time. It does not make a universal declaration, it is not an "art" movie, it is just a simple tale, but one that haunts, makes one remember the day when it was kids v. adults and the kids were supposed to win.
Loss and the way we experience it even when finding first love, what isn't to like about such an effort? I watched it with a group of 14-15 year old high school students and they loved it-that should say it all.
Realistic? maybe not, but like a dream it stays true to its own logic and the solutions to problems are, perhaps the result of adult wish fulfillment, but never the less stay true.