After she discovers that her boyfriend has betrayed her, Hilary O'Neil is looking for a new start and a new job. She begins to work as a private nurse for a young man suffering from blood ... See full summary »
Medical students begin to explore the realm of near death experiences, hoping for insights. Each has their heart stopped and is revived. They begin having flashes of walking nightmares from their childhood, reflecting sins they committed or had committed against them. The experiences continue to intensify, and they begin to be physically beaten by their visions as they try and go deeper into the death experience to find a cure. Written by
John Vogel <email@example.com>
Director Joel Schumacher was intrigued by the spiritual and horrific aspects of "Flatliners" and enthusiastic about the possibilities of creating a visually exciting film. Schumacher said: "Flatliners (1990) is a story about atonement and forgiveness involving these students who, in a sense, violate the gods and pay a price. I think we would all like to know what's in store for us after we die. There have been thousands of reports from all over the world from those who have encountered 'near death', and most of them have reported pleasant experiences. Our movie, however, is saying that you're not to tamper with death. If there is anything we're supposed to learn about it, it will be revealed when we die". See more »
When the camera zooms into the EKG meter, you can clearly see the camera and crew reflected in the glass of the monitor. See more »
I have this flashback of Wednesday Addams about to electrocute Pugsly while playing a game called "Is there a God?"
Every time I think about this film, I have this flashback of Wednesday Addams about to electrocute Pugsly while playing a game called "Is there a God?" The premise of the film is that one could view the afterlife and come back with the ability to report on their findings. The idea that a medical school would admit or retain anyone who had these tendencies, let alone allow a sizable amount of expensive equipment to go unaccounted for, is ridiculous. Given that, I have to say the film has merit, but it is certainly not the merit of a sound plot.
The acting, however, is superb, and every cast member should be applauded for their ability to rise to the occasion in this somewhat palatable "horror" film.
Kiefer's ability to maintain his character's persona is exceptional, breaking at just the right moment in the film.
Julia Roberts certainly gives us a performance rivaling her work in previous films, as well as adding an interesting perspective to the idea of guilt and redemption.
Kevin Bacon is the glue than binds this band together, with his ability to maintain the focus of the five on the problems they are facing.
Oliver Platt provides an interesting sort of comic relief, and William Baldwin brings his boyish demeanor into play with his particular sin, although you have to wonder how that character ever got into medical school.
The sets really give us the "horror" feeling, and you have to give Joel Schumacher his props for his camera angles and framing of the these spooky rooms and buildings.
Rated R for violence, sexual references and scenes, and language, definitely not one for the younger set. Wouldn't want to give anyone ideas. Not particularly collectible.
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