"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land. And when the widow who owns the field decides to sell the field in a public ... See full summary »
In Northern England in the early 1960s, Frank Machin is mean, tough and ambitious enough to become an immediate star in the rugby league team run by local employer Weaver. Machin lodges ... See full summary »
Set in Ireland, Sharon Curley is a 20 year old living with her parents and many brothers and sisters. When she gets herself pregnant and refuses to name the father, she becomes the talk of ... See full summary »
The third installment of Irish author Roddy Doyle's 'Barrytown Trilogy', following 'The Commitments' and 'The Snapper', depicts the hilarious yet poignant adventures of Bimbo. Upon being ... See full summary »
The real-life story of Dublin folk hero and criminal Martin Cahill, who pulled off two daring robberies in Ireland with his team, but attracted unwanted attention from the police, the IRA, the UVF and members of his own team.
"Bull" McCabe's family has farmed a field for generations, sacrificing endlessly for the sake of the land. And when the widow who owns the field decides to sell the field in a public auction, McCabe knows that he must own it. But while no one in the village would dare bid against him, an American with deep pockets decides that he needs the field to build a highway. The Bull and his son decide to convince the American to give up bidding on the field, but things go horribly wrong. Written by
'Eamonn Keane', the actor who played Dan Paddy Andy/Matchmaker in the film, was John B. Keane's brother. John B. Keane was the man who wrote the play The Field, which was eventually made into this film. See more »
During the opening scene when the donkey is thrown off the cliff, as it hits the water its legs collapse into it. This shows that the donkey was a stuffed animal. See more »
Bull! Look at yourself! Look at yourself will you!
No... No... Curse myself. For cursing my mother to hell. To get the field.
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I had never heard of The Field before, and I could hardly believe how good it is. What a shame that it is so little known. The story starts out slowly but builds up to a climax that is perfectly logical, totally based on character, and awesome in its intensity.
The script is superb, particularly in that use of language at which the best Irish writers are unsurpassed. But the real strength of the movie lies in the amazing performance of Richard Harris, surely one of the all-time great movie performances. He should easily have won the Oscar over Jeremy Irons in Reversal of Fortune, brilliant though Irons is; perhaps Irons only won because too few people had seen The Field. Bull McCabe is a great character who is being torn apart by conflicting emotions: his love for the land, his love for his son, his love for God and for the Church, and his frustration at never being able to achieve what is important to him. His devastation at the end reminded me a lot of King Lear, and indeed this movie has a power like one of the best of Shakespeare's tragedies. As one reviewer has already noted, the only weakness is the poorly-sketched character of the American and its lack of a believable motivation. Even with that weakness, it rises far above most of what passes for serious drama these days.
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