A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.
Years before Father Lankester Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
William Peter Blatty's director's cut of "The Exorcist III" which was thought to be lost. Recovered and released in 2016 under its original title, this is the definitive cut of the film based on his novel "Legion"
A new commanding officer arrives at a remote castle serving as an insane asylum for crazy and AWOL U.S.M.C. soldiers where he attempts to rehabilitate them by allowing them to live out ... See full summary »
Lt. Kinderman and Father Dyer cheer each other up on the anniversary of the death of their mutual friend, Father Damien Karras, by going to see "It's a Wonderful Life" at the local theater in Georgetown, near Washington D.C. But there's no cheering Kinderman while a particularly cruel and gruesome serial killer is at large. His murders, which involve torture, decapitation and the desecration of religious icons, is bad enough; but they also resemble those of the Gemini Killer, who has been dead for fifteen years. Written by
While this film ignores the previous sequel Exorcist II: The Heretic (1977), it never actually outright contradicts it, despite William Peter Blatty's well-known dislike of the critically reviled sequel. In fact, the shots of the stairs where Karras died, are carefully framed so as not to show the MacNeil's former house, which was destroyed at the end of the previous film. See more »
Kinderman clearly punches Patient X in the nose with his right hand (Patient X's left nostril begins to bleed, and his head rocks back to the right); yet later, Nurse Allerton bandages Kinderman's left hand (over the course of a protracted dialogue scene). See more »
My radio. Aren't you going to fix it? Nothing ever gets fixed round here. Just a whole bunch of pies and anchovies. Go away. I don't ever talk to strangers.
I'm the radio repairman, Mrs. Clelia.
Well then, fix it.
What's wrong with it?
Dead people talking. It's right here. Do you see it?
Yes. I see it.
I just knew you weren't really a radio repairman. That's a telephone I'm holding.
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The first 'true' and so far best sequel to the amazing 1974 original sees George C. Scott stepping into the role of Detective Kinderman (played by the late Lee J. Cobb in the original) who is investigating a series of homicides in Georgetown. The homicides, grisly in nature, follow the M.O. of the Gemini killer, a man convicted and sent to death in the electric chair 15 years ago. Several characters return this time around from the original film including Kinderman, Father Dyer (Ed Flanders) and Damian Karras again played by Jason Miller.
First up I'll talk about the acting. The cast did a bloody good job in their roles. Scott gives a tour de force performance where he mixes grandfatherly likability with someone who is clearly struggling with demons of his own. It is clear why this man is one of the best character actors of the silver screen. The few scenes that he shared with Father Dyer were played so well you really thought they had been lifelong friends. The other acting coup was getting Brad Dourif to play the Gemini killer. He proves here that he will always be more than the voice of our favorite pint-sized plastic doll from hell. His character spends the film being shackled in a cell but yet is able to convey a sense of menace few can provide with the help of other actors, props and settings. Jason Miller returns also as the 'body' of Father Karras and swaps back and forth the role with Dourif. The Kinderman / Karras / Gemini scenes are the highlight of the film. The actors go full bore at each other and turn what could have become boring exposition scenes into film highlights.
William Peter Blatty stepped up to the plate and directs this time around. He took a book he wrote, Legion and tweaked it into the screenplay for part 3. I believe, but am not positive, that the exorcism at the end of the film in not in the book. Unfortunately I haven't read it since just before the movie came out and can't remember. The direction here is done very well for his second film. He sets up a chilly atmosphere when needed the most and steps aside to let the actors do their thing. Fairly straight-forward he lets the story role without flashy visuals getting in the way, signs of a true writer. The story is character driven with a few creepy moments but I had wished the atmosphere had been a little denser with scares at the end though. This effort comes closest to the original.
The music score is a bit light with many of the better scenes given over strictly to audio effects. A little bit disappointing but doesn't affect things too badly.
In the end you have a good sequel with a character driven script and a bunch of top notch actors ripping it up. Unfortunately I thought the ending was a bit rushed with the inclusion of the exorcism is just a little out of place. What for most of the film seems like a classic example of the walk-in of an 'old soul' suddenly becomes a possession story. But you got to give the distributors what they want I guess.
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