A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased 'Gemini' serial killer, lead him to question the patients of a psychiatric ward.

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(screenplay), (novel)
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Cast

Cast overview, first billed only:
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Dr. Temple
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Stedman (as George Dicenzo)
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Lee Richardson ...
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Mary Jackson ...
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Tracy Thorne ...
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Storyline

Lt. Kinderman and Father Dyer cheer each other up on the anniversary of the death of their mutual friend, Father Damien Karras, by going to see "It's a Wonderful Life" at the local theater in Georgetown, near Washington D.C. But there's no cheering Kinderman while a particularly cruel and gruesome serial killer is at large. His murders, which involve torture, decapitation and the desecration of religious icons, is bad enough; but they also resemble those of the Gemini Killer, who has been dead for fifteen years. Written by J. Spurlin

Plot Summary | Plot Synopsis

Taglines:

Dare you walk these steps again? See more »


Certificate:

R | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

17 August 1990 (USA)  »

Also Known As:

Exorcist III: Legion  »

Box Office

Gross:

$26,098,824 (USA)
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Company Credits

Production Co:

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Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

William Peter Blatty made the film based on his novel "Legion," which was published in 1983. Morgan Creek decided to call it "Exorcist: Legion" even though the screenplay and novel featured no exorcisms whatsoever. After principal photography was completed, the misleading nature of the title was noticed, and the producers determined that additional scenes needed to be written and then added into the film in order to made it a more recognizable sequel of The Exorcist (1973). The last third of the movie had to be entirely redone, with the insertion of a new character, Father Morning, and of an exorcism scene that cost nearly 4 million dollars. See more »

Goofs

The buildings depicted as being Georgetown University Hospital in the film occupy a block near the school's main campus. They actually housed the hospital from 1898 to 1930. However, after that, the hospital moved to a much larger campus a few blocks northwest. At the time of filming, the old hospital complex housed a variety of non-medical activities, and its internal geography bore no relation to the interiors depicted in the film. The hospital room where Kinderman views the blood vials is located, judging from its view, where a student apartment was in real life. The corridor outside the room would have run through a wall into an adjoining classroom building. The interior decor of the hospital is based on Georgetown's student center, which represented the hospital in some location shots. See more »

Quotes

The Gemini Killer: It's the smiles that keep us going. The bits of giggles and good cheer.
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Connections

Followed by Exorcist: The Beginning (2004) See more »

Soundtracks

Come Falda di Neve Fro
Written by Orlande De Lassus
Provided by KaleidoSound.James & Aster, Inc.
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Frequently Asked Questions

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User Reviews

 
Flawed though it is, I have a soft spot for this film for its intelligent, non-ironic journey into darkness.
23 January 1999 | by (London, England) – See all my reviews

William Peter Blatty can really write. Prose and dialogue. No argument. But can he direct a movie? On the strength of 'Exorcist III,' yes he can. This isn't to say that the film doesn't have its problems. On the contrary, its biggest problem, the out-of-character 'crowd-pleasing' SFX climax stops it from being one of the greats. So why do I have a soft spot for this film? If, like me, you appreciate horror films that are both scary and made for grown-ups, 'Exorcist III' is refreshing and memorable for its intelligent, non-ironic journey into darkness and for its refusal (bar that ending) to dumb down for the kids. If 'Scream' is your idea of a great horror movie, this isn't one for you! The cast is not nearly young and attractive enough, there are nowhere near enough gags (though Blatty's dry, sardonic wit is happily in evidence) and the film has no pretensions at being an autopsy of the genre, therefore somehow lifting it above the films it purports to comment on. 'Exorcist III' is literary beyond 'Scream's' self-referential trivia-chasing (I would love to hear Detective Kinderman critiquing that movie!) Read 'Legion' and you'll have an idea of how good the film should have been. Flaws acknowledged and accepted, don't miss out on Brad Dourif's best performance since 'Cuckoo's Nest,' scene-stealing turns by Ed Flanders and Nancy Fish, or the superlative production design, photography and sound. More than anything else, it's the atmosphere of the film that stays with me. I can recall very few films that have a better sense of the power of stillness and silence. So much of the violence is communicated only in dialogue; your mind reluctantly does the rest.


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Dyer as the exorcist at the end. goldeneagle-03431
Major Goof(s)/Plot Hole(s)- The statue near the elevator phantomcurator-178-818096
the demon/gemini mentioning Father Morning in a wierd way! hgohari73
message for bastasch8647 from hgohari73 (aka pazrags) hgohari73
The lady in the confession booth was it a ploy? hgohari73
the gemini's soul at the climax of the movie hgohari73
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