A police lieutenant uncovers more than he bargained for as his investigation of a series of murders, which have all the hallmarks of the deceased Gemini serial killer, leads him to question the patients of a psychiatric ward.
Years before Father Lankester Merrin helped save Regan MacNeil's soul, he first encounters the demon Pazuzu in East Africa. This is the tale of Father Merrin's initial battle with Pazuzu and the rediscovery of his faith.
William Peter Blatty's director's cut of "The Exorcist III" which was thought to be lost. Recovered and released in 2016 under its original title, this is the definitive cut of the film based on his novel "Legion"
A new commanding officer arrives at a remote castle serving as an insane asylum for crazy and AWOL U.S.M.C. soldiers where he attempts to rehabilitate them by allowing them to live out ... See full summary »
Lt. Kinderman and Father Dyer cheer each other up on the anniversary of the death of their mutual friend, Father Damien Karras, by going to see "It's a Wonderful Life" at the local theater in Georgetown, near Washington D.C. But there's no cheering Kinderman while a particularly cruel and gruesome serial killer is at large. His murders, which involve torture, decapitation and the desecration of religious icons, is bad enough; but they also resemble those of the Gemini Killer, who has been dead for fifteen years. Written by
Kinderman clearly punches Patient X in the nose with his right hand (Patient X's left nostril begins to bleed, and his head rocks back to the right); yet later, Nurse Allerton bandages Kinderman's left hand (over the course of a protracted dialogue scene). See more »
[After receiving a frustrating, unhelpful answer to a question, he says to himself ]
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Most people go to horror movies for the emotional thrill, the gore and/or the adrenaline high of having things pop out and yell "boo!" Make no mistake: you won't find much of that here. So if you're looking for a movie that will make you spill your popcorn, you might wanna move on.
But if you're looking for a true psychological thriller (psychological = appealing to the intellect, not the viscera), this will be one hell of a treat for you. The dialogue is fantastic. The acting is superb (Brad Dourif & George C. Scott on the same screen. What could be better?). The philosophy is provocative. And the mood is as thick as it gets. Much of the movie is composed of a series of dialogues between two people in a dark room. If you liked the second half of APOCALYPSE NOW, you will enjoy this immensely.
I rank this movie as one of my all time English language faves with the likes of AMADEUS, 2001, Alfred Hitchcock's ROPE, PICTURE OF DORIAN GRAY, and CITIZEN KANE. I'm serious; it's that good. Unfortunately, it was marketed to the wrong audience, and that's why it received such low ratings. Let me repeat: this is not a spooky movie. It's actually a very intellectual story with a lot of big words, literary overtones and powerful acting, and it's one of the few movies which I consider superior to the book (but of course writer Blatty directed this, so I'd expect no less).
Now don't get me wrong; it's anything but dull. There is one scene in particular that will scare the living crap out of you! It's a long scene done with one still camera, no music, no sound, hardly any action... but egads it's probably the most suspenseful/frightening thing I've ever seen in any movie.
In the style of the classic thrillers, so much is left to the imagination of the viewer--and oh there is PLENTY of disturbing, shocking stuff to imagine. In one conversation you'll hear about a murder so vile that you'll never want to hear the word "catheter" again. And the beauty is that you never see a thing. If this subtle style appeals to you, then you certainly won't be disappointed.
10/10. And I don't give 10s very often.
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