10 years ago the perverse Dr. Russell couldn't resist the beauty of a young patient in his mental clinic and raped her one night. When she plunged herself from the roof shortly after, he ... See full summary »
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This high-tech, psychological thriller is set in the shadowy world of the Internet. Sondra Brummel is recovering from a skiing accident in her boyfriend's mansion, and accidently contacts a... See full summary »
Director:
Nico Mastorakis
Stars:
Nastassja Kinski,
Nicollette Sheridan,
Roger Daltrey
A man goes blind when remembering his lost girlfriend, but the doctors can't find anything wrong with his eyes. They fit him with an experimental device which allows him to see with the aid... See full summary »
Director:
Nico Mastorakis
Stars:
Joseph Bottoms,
Kirstie Alley,
James Daughton
A British couple on a break on a small Greek Island are spreading terror beyond anything the islanders could have ever imagined. Only stopping every once in a while to shag anything that ... See full summary »
Scott is a fashion photographer concerned about the sudden appearance of nightmares in his nightly dreams. In these, he seems to be involved in the murder of a beautiful young woman. When ... See full summary »
Four horror/sci-fi segments directed by four famous directors which are their own versions of classic stories from Rod Serling's landmark television series.
When their father dies, Lynn and her younger brother David have to move in with their grandparents. Their mother died already when they were young, so they were told. One morning a dead man... See full summary »
10 years ago the perverse Dr. Russell couldn't resist the beauty of a young patient in his mental clinic and raped her one night. When she plunged herself from the roof shortly after, he described it as consequence of her heavy depressions. Now the same urge overcomes him with his new patient Sandy. He doesn't know that she's the daughter of his previous victim and that she's come for revenge. Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
I first saw this film a few years ago when I was viewing Dom d Louise's early works, and became interested in other actors who had once had their names written in the stars, but were now little more than B-vehicle and up-staged stars of bad sit-coms.
Malcolm, of course, was one of the first to make the leap from a rather desperate film career to mediocre sit-com, and has since been followed by such lights as: Cybil Shepherd (Cybil), Joan Cusak (Joan), Bette Midler (Bette), and Courtney Cox (Friends).
I hadn't realised this was his first film sporting the future-villain hair-style, but this only adds to the value of my ex-rental copy of the film.
Much has been said of the camera work in this film, as a sort of a chart of a man's descent into madness, but few people mention the shot that, I feel, is the key to the entire film. When one of the patients exposes himself to a nurse, we get a - filmically - rare penis POV. I have never seen such a thing attempted in a movie, and if you add this to the tremendous whirling tracking-shots, you end up with a film that I think proves beyond doubt that Scorsese owes more to Winkler than he dares reveal.
Brilliant, and standing up to multiple viewings, I have seen it several times, and truly covet my copy of this obscure American classic.
BTW, watch out for the genuinely "disturbing" scene, after the closing credits, where Malcolm "interferes" with the camera, raising all sorts of philosophical questions on the nature of madness, the truth of film, and Crossing The Line (on several levels). Once again, Brilliant!
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I first saw this film a few years ago when I was viewing Dom d Louise's early works, and became interested in other actors who had once had their names written in the stars, but were now little more than B-vehicle and up-staged stars of bad sit-coms.
Malcolm, of course, was one of the first to make the leap from a rather desperate film career to mediocre sit-com, and has since been followed by such lights as: Cybil Shepherd (Cybil), Joan Cusak (Joan), Bette Midler (Bette), and Courtney Cox (Friends).
I hadn't realised this was his first film sporting the future-villain hair-style, but this only adds to the value of my ex-rental copy of the film.
Much has been said of the camera work in this film, as a sort of a chart of a man's descent into madness, but few people mention the shot that, I feel, is the key to the entire film. When one of the patients exposes himself to a nurse, we get a - filmically - rare penis POV. I have never seen such a thing attempted in a movie, and if you add this to the tremendous whirling tracking-shots, you end up with a film that I think proves beyond doubt that Scorsese owes more to Winkler than he dares reveal.
Brilliant, and standing up to multiple viewings, I have seen it several times, and truly covet my copy of this obscure American classic.
BTW, watch out for the genuinely "disturbing" scene, after the closing credits, where Malcolm "interferes" with the camera, raising all sorts of philosophical questions on the nature of madness, the truth of film, and Crossing The Line (on several levels). Once again, Brilliant!