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Blackest Heart (1990)
"Das deutsche Kettensägen Massaker" (original title)

5.2
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Ratings: 5.2/10 from 376 users  
Reviews: 3 user | 11 critic

The film begins with footage of Germanys reunification celebration in front of the Reichstag, with no soundtrack but fireworks and an ominously tolling bell... See full synopsis »

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Title: Blackest Heart (1990)

Blackest Heart (1990) on IMDb 5.2/10

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Cast

Cast overview, first billed only:
Karina Fallenstein ...
Clara
Susanne Bredehöft ...
Claras Mann / Margit
Artur Albrecht ...
Claras Liebhaber
Volker Spengler ...
Hank
Alfred Edel ...
Alfred
Brigitte Kausch ...
Brigitte
Dietrich Kuhlbrodt ...
Dietrich
Reinald Schnell ...
Kurti
...
Jonny
Irm Hermann ...
Die Zöllner
...
Die Zöllner
Ingrid Raguschke ...
Die Zöllner
Kurt Wiedemann ...
Die Zöllner
Renate Koehler ...
Ossa
Sergej Gleitmann ...
Ossus (as Volker Bertzky)
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Storyline

The film begins with footage of Germanys reunification celebration in front of the Reichstag, with no soundtrack but fireworks and an ominously tolling bell... See full synopsis »

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Genres:

Comedy | Horror

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Release Date:

29 November 1990 (Germany)  »

Also Known As:

Blackest Heart  »

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References The Texas Chain Saw Massacre (1974) See more »

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User Reviews

 
HEAVY HANDED DIRECTION AND LACK OF HUMOUR
22 August 1999 | by (Amsterdam, The Netherlands) – See all my reviews

Enfant terrible Schlingensief's view on the relationship between West and East Germans (Wessies and Ossies) is a very black, trash and low-budgeted horror film in which the Ossies are massacred and eaten by the Wessies; that is the way Schlingensief sees relationships between people in general. The story (such as there is) is hard to follow; Schlingensief seems more interested in showing atmosphere. Very gory horror effects, quite some faces are beaten to mash.

There are some nice scenes, like the 5 former GDR customs officers who think the GDR still exists, but on the whole watching this film takes quite some perseverance not for the over the top horror (thàt over the top that it is hardly shocking), but for its heavy handed direction, ditto photography (very tiresome at moments), its grim view on life and lack of humour. On the other hand: to Mr. Schlingensief these four aspects may be going hand in hand, which would mean that he at least succeeded in making a very personal film. Hard core vegetarians better be ware.


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