Charlie and his troublesome cousin Paulie decide to steal $150000 in order to back a "sure thing" race horse that Paulie has inside information on. The aftermath of the robbery gets them ... See full summary »
In 1931 H.P. Lovecraft wrote his classic tale of alien horror, "The Whisperer in Darkness". Lovecraft is now considered one of America's foremost writers of horror fiction, standing alongside the likes of Stephen King and Edgar Allan Poe.
A planet is discovered in the same orbit as Earth's but is located on the exact opposite side of the sun, making it not visible from Earth. The European Space Exploration Council decide to ... See full summary »
San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
An authoritarian rancher, Barbara Stanwyck, who rules an Arizona county with her private posse of hired guns. When a new marshall arrives to set things straight, the cattle queen finds ... See full summary »
Johnny Walker is a cowboy and a boxer. He is very shy and a bit of a fool. He is in love with Ruby, but he cannot tell her. He is also a bit old to keep on boxing, but its the only thing he... See full summary »
Michael Bosworth is a psychotic criminal who is about to go on trial however, he seduces his lawyer into helping him escape. But as they try to make their getaway, she's left behind. He decides to wait for her to come to him, so he decides to hide at the house of the Cornells. Now it appears that the Cornells have problems of their own. The husband and wife are separated. And there's an FBI agent after them who is using the lawyer to lead them to Bosworth. Written by
Joseph Hayes, the film's source novelist and playwright of both the 1954 novel and 1955 play, also wrote the screenplay for the original classic 1955 Humphrey Bogart film The Desperate Hours (1955) and also co-wrote the script for this 1990 version. Hayes won an Edgar Award from the Mystery Writers of America for Best Motion Picture Screenplay for the screenplay for the original 1955 The Desperate Hours (1955) film. See more »
A perfect example of a movie being so bad it's good
This is one of those movies that is very difficult to give a star rating because its high entertainment value is due to the fact that it's almost completely terrible.
A remake of the 1955 Humphry Bogart-Fredric March potboiler, DESPERATE HOURS is an unrelentingly bizarre piece of exploitation trash. There's virtually nothing "good" about it. The screenplay ranges from scattershot to just plain off-the-wall weird, the performances are some of the most over-the-top ever committed to film and the direction is borderline psychotic. Director Michael Cimino and producer Dino De Laurentiis once again prove that they are more capable than anyone else in the film industry of taking a potentially good idea and drowning it in excessiveness.
Mickey Rourke and Anthony Hopkins are both excellent actors. They are also actors who go from mannered to berserk very quickly. Both chew the scenery as if their lives depend on it. Mimi Rodgers is wooden even during emotionally intense scenes, Shawnee Smith is distraught before the home invaders show up and Lindsay Crouse is both wooden and over-the-top at the same time.
Kelly Lynch is the only actor who turns in even an appropriate performance, evoking a sense of hopelessness and panic from the start that makes you feel for her character, even if she has dug her own grave. This doesn't help a bewildering early scene in which her blouse spontaneously pops open to reveal her bare breasts make any more sense, however.
There are a lot of interesting plot and characterization ideas floating around the proceedings but none of them are ever fully developed. It reminds me of Cimino's HEAVEN'S GATE and De Laurentiis's DUNE, two similarly flawed but occasionally brilliant disasters which have grown better with age. Maybe with time, viewers will begin to see the tight, complex thriller struggling to break through the mess that is DESPERATE HOURS.
But all this analysis begs the question, would the movie have been more entertaining had it been put together more coherently? The answer is: probably not.
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