Danny O'Brien is back in action fighting the notorious Simon Moon, also known as The Terror. Three years earlier O'Brien had single-handedly captured The Terror and was called Hero by the ... See full summary »
Colonel James Braddock has a Vietnamese wife who was supposed to leave Vietnam with him when they evacuate. But she loses her papers and wasn't allowed in the embassy. Braddock went looking... See full summary »
Roland Harrah III
The despicable Ramon Cota has murdered an innocent father and child and is exporting illegal drugs into the USA. When Colonel Scott McCoy from the original film, and his sworn partner attempt to bring him to court, their efforts are all in vain, as he is let off virtually Scott free. Unable to contain his rage, Scott's buddy furiously lashes out at him in court, to Cota's anger. He exacts the same ritual on his wife and child as he did on the previous Father and kid. Out on a personal mission of vengeance, the buddy finds himself mercilessly killed at Cota's hands. When an arsenal of soldiers attempt to go in and bring Cota and his army down, they are taken hostage, surely to be executed soon. McCoy leads a brigade of skydiving commandos in, along with himself, to rescue the hostages and exact violent revenge upon Cota. Written by
Ramon Cota has a Cessna sitting on the arch over the entrance to his compound. This is a reference to Pablo Escobar, a similar flamboyant real-life Columbian drug dealer who also had such an entrance to his compound. See more »
The M1911 pistol used when Ramon Cota is traveling first class on a commercial airliner - the hammer is in the lowered position (resting on the firing pin) when he is held at gunpoint. M1911 pistols are single action - the slide must be pulled back (racked) to chamber a live round, the hammer is automatically cocked and ready to fire. See more »
We could have been such a beautiful team.
Colonel Scot McCoy:
Not on your best day, pal. You're nothing but a chickenshit weasel who thrives on the misery of others. And when death calls, you'll be screaming like a baby.
See more »
I'm not sure why "Delta Force 2" gets such a bad rap. Is it just because it's a sequel? Or is it because it was the film that came out just at the point when Chuck was transitioning from feature films to Direct-To-Video and Television?
In fact, is it really a "bad" film at all? Well, yes and nodepending on what your expectations are. For instance, is DF2 a bad film when compared with Norris' other films? Definitely not! This film is the pinnacle of the latter day Norris persona. He's the superconfident, superbearded superman of action, tough and gruff but also noble and likable. He a man of few words who shoots a lot of big guns, narrowly escapes a lot of very big, very orange explosions, and doles out justice to the bad guys with no second thoughts. (as a sidenote, this is very different from the early days Norris personaa basically peaceable karateman pushed into action, often the pursued instead of the pursuer; sometimes he was mustachioed, sometimes his face was (gasp) naked.). The story is clichéd and the characters are clichés personified, but I don't think that was an accident. Cliché can be very effective in movies if used properly (see "Rocky"). DF2 pushes all the buttonspushes them in all the right spots and pushes them hard. It doesn't try to be ironic, self-referential, a parody, or a "reimagining" of anything. Like a John Wayne western, it just is what it freaking is.
Is DF2 a good film in the B-Action film genre as a whole? If by that we mean the Bronson/VanDamme/Segal level genre, then the answer is another resounding "yes!" DF2 is an excellent example of the kind of simple action flick that no one makes for theatrical release anymore.
Is DF2 a good action film if your tastes run exclusively to higher budgeted, more elaborate action flicks like "Die Hard," the James Bond series, "Lethal Weapon," Tarrantino flicks and the like instead of lower budgeted action melodramas? Nah, no way in hell. In comparison to the $100 million action epics, the acting in DF2 is stiff, the action too basic, and the story style outdated by decades. Compared to the big studio tentpole Summer blockbusters, all Norris films are like home movies. To me personally, however, the line between these big budgeted action flicks and Chuck's is becoming thinner and thinner as time goes by (what at first seems like innovation soon becomes just another cliché as it is imitated by everyone everywhere, a la "The Matrix").
SoDelta Force 2. Good movie? The answer's either "hell yes!" "good lord, no!" depending on who you are.
Personally, I dig it.
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