| William Bumiller | ... | Michael Evans | |
| Brenda Bakke | ... | Laura Danvers | |
| Merritt Butrick | ... | David Avery | |
| Robert Lipton | ... | Tom | |
| Alexa Hamilton | ... | Priscilla Wayne | |
| Ken Foree | ... | Marvin | |
| Rosalind Cash | ... | Sgt. Stone | |
| Francis X. McCarthy | ... | Lt. Fletcher (as Frank McCarthy) | |
| Shari Shattuck | ... | Catherine | |
| Hank Cheyne | ... | Robert | |
| Chelsea Field | ... | Darla | |
| Joseph Whipp | ... | Dr. Lido Moray | |
| Karen Michaels | ... | Rhonda | |
| Tane McClure | ... | Vicky (as Tané McClure) | |
| Cindi Dietrich | ... | Linda | |
| Vanessa Bell Calloway | ... | Marci Hewitt (as Vanessa Bell) | |
| David Shaughnessy | ... | Freddie (as David James Shaughnessy) | |
| Norma Leistiko | ... | Dr. Southern | |
| Chad Hayes | ... | Jeffery | |
| Karyn Parsons | ... | Brooke | |
| Ed Hooks | ... | Security Guard | |
| Janice Ryan | ... | Nurse | |
| rest of cast listed alphabetically: | |||
| Lyle Howry | ... | Cop (uncredited) | |
| Helen Kelly | ... | Woman at the Spa (uncredited) | |
Directed by | |||
| Michael Fischa | |||
Writing credits(in alphabetical order) | ||
| James Bartruff | ||
| Mitch Paradise | ||
Produced by | |||
| Waleed B. Ali | .... | executive producer (as Waleed Ali) | |
| Jamie Beardsley | .... | producer (as Jamie Beardsley-Jones) | |
Original Music by | |||
| Peter D. Kaye | (as Peter Kaye) | ||
Cinematography by | |||
| Arledge Armenaki | |||
Film Editing by | |||
| Michael Kewley | |||
Production Design by | |||
| Robert Schulenberg | |||
Art Direction by | |||
| Michael Gulbin | (as Mike Gulbin) | ||
Makeup Department | |||
| Enid Arias | .... | hair stylist | |
| Devora Fischa | .... | makeup artist (as Devorah Fischa) | |
| Kim Lee | .... | assistant makeup artist | |
| Mel Slavick | .... | special makeup effects | |
Second Unit Director or Assistant Director | |||
| Jamie Beardsley | .... | second unit director (as Jamie Beardsley-Jones) | |
| Darcy Brown | .... | first assistant director | |
| Philip B. Epstein | .... | second assistant director | |
| Janet Levine | .... | second assistant director | |
Art Department | |||
| Tom Bolema | .... | scenic artist | |
| Nora Murphy | .... | property master | |
| Babak Shokrian | .... | art p.a. | |
Sound Department | |||
| Jose Araujo | .... | sound mixer (as Zéca Araújo) | |
| Ron Hitchcock | .... | sound designer | |
| Ron Hitchcock | .... | sound re-recording mixer | |
| Matthew Iadarola | .... | sound re-recording mixer | |
| Travis Powers | .... | sound effects editor | |
| Todd Ritchie | .... | boom operator | |
Special Effects by | |||
| Chris Simmons | .... | special effects technician | |
| Wayne Beauchamp | .... | pyrotechnician (uncredited) | |
Stunts | |||
| Sandra Lee Gimpel | .... | stunts (as Sandra Gimpel) | |
| Wayne King | .... | stunts | |
| Gary Littlejohn | .... | stunts | |
| Shanna Lynn | .... | stunts (as Shanna L. Teare) | |
| Solly Marx | .... | stunts | |
| Lori Lynn Ross | .... | stunts | |
| Paul E. Short | .... | stunts (as Paul Short) | |
| John Stewart | .... | stunts (as John Michael Stewart) | |
| Cherie Tash | .... | stunts (as Cheri Tash) | |
Editorial Department | |||
| Jeanne Robinson | .... | assistant editor | |
| Harry E. Snodgrass | .... | assistant editor (as Harry Snodgrass) | |
| Liza Sullivan | .... | assistant editor | |
Other crew | |||
| Marvin J. Bernstein | .... | location manager (as Marvin Bernstein) | |
| Gary Lindsay | .... | production coordinator | |
| Suzan Lowitz | .... | script supervisor (as Susan Lowitz) | |
| Dwayne Murakami | .... | assistant location manager | |
| Linda Pillsbury | .... | production coordinator | |
| Marguerite Pomerhn Derricks | .... | dance double | |
| David Reskin | .... | production coordinator | |
| Adam Ripp | .... | assistant to director | |
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| Bloody Mama | The Ice House | Steel and Lace | Candyman: Farewell to the Flesh | The Bloody Slaying of Sarah Ridelander |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
I have been waiting to find a copy of this movie since I saw a preview for it about 15 years ago. Finally, a few weeks ago I got a copy of the uncut version and I laughed my way through most of this movie. OK, most of the dialogue in this movie is just bad. Not even one of my personal favorite actors (Ken Foree) could save this bad script writing. But hey, this is a movie that takes place in a gym most of the time. How good could the dialogue be? The story line is decent enough to keep interest. Although, things do start to crumble near the end of the movie. But hey, that's OK because the end is the best part of the movie. And I can't forget the gore. This movie is rather graphically violent and I think that's where most of the laughs come in. Mainly, at times the gore takes you by surprise with certain scenes like peoples hands blowing to pieces or throats be impaled through. Yes, this movie is a lot of good fun and if you can stand bad dialogue and extremely bad eights music check it out, if you can find a copy.