As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former secretary.
Cuba Gooding Jr.,
Cole Trickle enters the high-pressure world of Nascar racing. He's a hot driver with a hot temper, and this attitude gets him into trouble not only with other drivers, but members of his own team as well. Written by
Murray Chapman <firstname.lastname@example.org>
The film's disappointing box-office performance was responsible for destroying the relationship between Paramount and superproducers Don Simpson and Jerry Bruckheimer. After the film under-performed in the summer of 1990, the studio angrily responded in two ways. They insisted on an impossible lowball budget for a planned third edition of the Beverly Hills Cop franchise, and asked Simpson and Bruckheimer to give Paramount nine million dollars of their earnings for this movie back to defray losses. The producers responded by telling Paramount they were done working there, and the studio terminated their contract, which led to them taking a new production deal with Disney via Hollywood Studios. See more »
Cole's collar in the dressing room before the Daytona 500. See more »
[after Cole gets spun out by Russ]
Cole, you OK?
[Giving Harry a dianogsis of the car before coming onto pit road]
The good news is the accelerator's fixed. The bad news is the transmission's screwed. I'm coming in!
See more »
Duvall excellent otherwise Top Gun with cars (and Nicole)
In the Top Gun genre although without the homo eroticism. But a great performance from Duvall who lights up the screen every time he is on - which is often. Nicole Kidman lights up the screen as well and not just for her acting! Cruise is OK as the foil to Duvall's Harry. Tony Scott's direction is standard for a Bruckenheimer film and deserves applause.
The plot is entirely predictable and there is little tension. Like Top Gun the bits in between the action are too long and the sub plot of the injured driver coming to terms with his forced retirement is tedious and contributes little. BUT see this if only for Duvall's flawless performance.
5 of 7 people found this review helpful.
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