A young man leaves Ireland with his landlord's daughter after some trouble with her father, and they dream of owning land at the big give-away in Oklahoma ca. 1893. When they get to the new... See full summary »
As students at the United States Navy's elite fighter weapons school compete to be best in the class, one daring young pilot learns a few things from a civilian instructor that are not taught in the classroom.
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
Cole Trickle enters the high-pressure world of Nascar racing. He's a hot driver with a hot temper, and this attitude gets him into trouble not only with other drivers, but members of his own team as well. Written by
Murray Chapman <email@example.com>
The man who drove for Harry Hogge before Cole Trickle was called Buddy Bretherton. In the movie they mention he died hitting the wall at Daytona. Harry also mentions that Buddy heard voices while driving. Buddy Bretherton is probably based on the Nascar driver Bobby Isaac. Who drove for crew chief Harry Hyde. Issac claimed to have heard voices telling him to get out of the race car or he would die. So he pulled the car off the track and quit. Isaac died years later from a heart attack while driving in a 1977 Late Model Sportsman race at Hickory Motor Speedway with 25 laps left. See more »
In the final Daytona race, Russ Wheeler pushes Cole into Harry
Gant and spins him. During the spin, a car switches from Gant (#33) to Brett Bodine (#26). See more »
[During a pit stop]
All right. While we're still under a caution, I want you to go back out on that track and hit the pace car.
Hit the pace car?
Hit the pace car.
Because you've hit every other goddamned thing out there, I want you to be perfect.
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Duvall excellent otherwise Top Gun with cars (and Nicole)
In the Top Gun genre although without the homo eroticism. But a great performance from Duvall who lights up the screen every time he is on - which is often. Nicole Kidman lights up the screen as well and not just for her acting! Cruise is OK as the foil to Duvall's Harry. Tony Scott's direction is standard for a Bruckenheimer film and deserves applause.
The plot is entirely predictable and there is little tension. Like Top Gun the bits in between the action are too long and the sub plot of the injured driver coming to terms with his forced retirement is tedious and contributes little. BUT see this if only for Duvall's flawless performance.
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