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Daughter of Darkness (1990)

TV Movie  -   -  Horror  -  26 January 1990 (USA)
5.3
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Ratings: 5.3/10 from 436 users  
Reviews: 11 user | 6 critic

The Daughter of Darkness is an atmospheric, sub-hallucinogenic venture into the world of the unknown. The enigma facing the young woman is the identity of her father. Unfortunately for her ... See full summary »

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Title: Daughter of Darkness (TV Movie 1990)

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Cast

Complete credited cast:
...
...
Robert Reynolds ...
Dezsö Garas ...
Max
...
Erika Bodnár ...
Kati Rák
Ági Margitai
Attila Lõte
Mari Kiss ...
Ferenc Némethy
István Hunyadkürthy
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Storyline

The Daughter of Darkness is an atmospheric, sub-hallucinogenic venture into the world of the unknown. The enigma facing the young woman is the identity of her father. Unfortunately for her she becomes drawn into a small Romanian underworld of brooding menace, darkness, torture chambers and bizarrely over make-overed vampires. The moody undertones and well chosen locations are certainly a bonus as is the comically funny finale. Written by Paul Lancaster <pbl1@ukc.ac.uk>

Plot Summary | Plot Synopsis

Genres:

Horror

Certificate:

R | See all certifications »

Parents Guide:

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Details

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Release Date:

26 January 1990 (USA)  »

Also Known As:

La hija de las tinieblas  »

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Aspect Ratio:

1.33 : 1
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Did You Know?

Quotes

Anton: Do I frighten you, Katharine?... Good! Listen to your fear!
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Connections

References Star Trek (1966) See more »

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User Reviews

 
Real Vampires Suck with their Tongues!
15 February 2008 | by (the Draconian Swamp of Unholy Souls) – See all my reviews

I vividly remember the harrowing news bulletins and devastating images of Romania during the late 80's/early 90's, when the controversial reign of Ceausescu slowly came to an end and the nation was consumed with relentless violence and economical recession. It was definitely not the best place to be around that time, especially not if you were a member of a foreign (and thus 'wealthier') film crew. All the time whilst watching "Daughter of Darkness" I was wondering how Stuart Gordon and his crew were able to film amidst the thoroughly dangerous political climate in Bucharest, until of course I realized – and double checked the filming location section on IMDb – the whole movie was shot in Hungary instead. This was probably the wisest, not to mention safest, thing to do and in all honesty Budapest looks and feels just as ominous as Bucharest. That needless bit of information being said, "Daughter of Darkness" is a fairly successful and worthwhile little made-for-TV chiller that offers an okay albeit predictable and cliché-ridden plot and a couple of admirable acting performances. Those who are familiar with director Stuart Gordon's awesome repertoire (and if you're not: move your butt towards the nearest video store and rent "Re-Animator", "From Beyond" and "Castle Freak"!!) will promptly notice this is a rather atypical effort coming from him. His usual work features Grand Guignol make up effects and utterly absurd situations whereas this modestly produced film maintains a serious, almost dramatic tone and very sober decors. Following the death of her mother, cherubic twenty-something Cathy Thatcher travels to Romania all by herself because the only thing she knows about her father is that he and her mother met in Bucharest. With little help from the American ambassador and only a creepy taxi driver to rely on, Cathy quickly gets entangled in a mysterious web hinting at vampirism and political murder. She meets a peculiar glassblower (Anthony "Norman Bates" Perkins) and falls in love with a local hunk, all the while completely unaware of how dangerously close she finds herself to the truth regarding of her family's bloodline. The plot is remotely involving, even though you're always several steps ahead of the script, and Mia Sara's natural charm & innocence make it pretty much impossible not to care for her. The actual vampires are stereotypical characters and behave as such, though with one notable exception, namely they suck the blood of their victims using fangs that only appear when their tongues split open. This is a bizarre little gimmick, and I have no idea where it origins from, but it's hardly special enough to make the film is must-see genre effort. Perkins tries his best, but he obviously struggles with the accent as wells as with the lack of motel rooms and shower kills. There's very little blood and spectacle to find here (TV-movie, remember?) but the atmosphere is moody and the old buildings look uncanny. Hardly priority viewing for horror fans, but worth a peek nonetheless.


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