Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »
A pair of whacked-out cartoon-like exterminator/hitmen kill the owner of a burglar-alarm company, and stalk the partner who hired them, his wife, and a nerd framed for the murder, who tells the story in flashback from the electric chair.
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise. Written by
Sam Raimi hired Chuck Pfarrer as a writer based on his work on Navy Seals (1990). He wrote the first draft and then Raimi's brother, Ivan Raimi (a doctor), wrote drafts two through four with Sam. Ivan made sure that the medical aspects and scientific elements were authentic as possible given the nature of the story. As Raimi and his producing partner Rob Tapert progressed through various drafts, they realized that there was a potential franchise on their hands. Universal brought in screenwriting brothers Daniel Goldin and Joshua Goldin to work on the script. According to Daniel, they were presented with various drafts and "lots of little story documents. There was just material everywhere; drafts seemed to go in many directions." Goldin said that they "spent a lot of time talking and pulling together a way of making the story work. I think that mostly we talked in terms of the nuts and bolts of the story." The Goldins added new lines of dialogue, new characters and bits of action. The studio still wasn't satisfied so the Raimi brothers wrote drafts six through twelve before they had a shooting script. See more »
When Julie follows Darkman back to the warehouse, his skin has melted, but when he is crying behind the cabinets, his fake hands are still there. See more »
'Cause he's an asshole! Tell him no. Tell him no, too. Him, tell "fuck you." No, I'm gonna be here a minute. Got some guy coming up who thinks he's gonna muscle me out of my property. What's it matter! Just another tough guy, that's all.
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The opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette. See more »
I watched Darkman directly after 1999's The Boondock Saints so clearly, the latter was the better film. However, I had a lot of fun watching this one. It's a Superhero/Horror hybrid film with a lot going for it in the way of action and suspense. I don't think that many fans of either of those genres will be disappointed.
This is in no way Sam Raimi's best and how could it be when the man has directed such great films as The Evil series and Spider-Man. With that out of the way, Darkman has a decent story, great special effects, good acting from Liam Neeson, and some hilariously cheesy lines. Just don't pay too much for it.
At the end of the day, Darkman is in no way a masterpiece or a film that will go down in history but it is a popcorn eating good time. I challenge you to see what you think of this one.
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