In the distant future, a police marshal stationed at a remote mining colony on the Jupiter moon of Io uncovers a drug-smuggling conspiracy, and gets no help from the populace when he later finds himself marked for murder.
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity and physical appearance of a ruthless terrorist, but the plan backfires when the same criminal impersonates the cop with the same method.
A human-looking indestructible cyborg is sent from 2029 to 1984 to assassinate a waitress, whose unborn son will lead humanity in a war against the machines, while a soldier from that war is sent to protect her at all costs.
Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise. Written by
When the henchman is firing rivets at Darkman in the uncompleted building, rivets weren't being used to make connection between girders. Virtually all used bolts and nuts to make such connections. See more »
'Cause he's an asshole! Tell him no. Tell him no, too. Him, tell "fuck you." No, I'm gonna be here a minute. Got some guy coming up who thinks he's gonna muscle me out of my property. What's it matter! Just another tough guy, that's all.
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The opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette. See more »
Under-rated super-hero movie from the one and only Sam Raimi.
Of all the super-hero movies around, "Darkman" is my favourite. An original creation from Raimi, and not based on any comics, "Darkman" follows the story of Dr. Peyton Westlake, a scientist about to make a breakthrough in synthetic skin. Peyton's girlfriend, Julie Hastings is a hot-shot lawyer who gets on the wrong side of Robert G. Durant. Durant and his henchmen destroy Peyton's lab, and leave him for dead. Horribly burned and scarred beyond recognition, Peyton uses his uncompleted and synthetic skin to get revenge on those who wronged him
he becomes Darkman.
Darkman has no real super-powers - apart from some increased strength and his inability to feel pain - he uses the synthetic skin to assume the alternate identities, and fights his battles that way. Darkman is not a real super-hero. He makes no pledge to rid the world of evil-doers. He is just out for revenge, and every time Darkman acts, Darkman's dark-side claims just a little bit more of Peyton.
Others have mentioned the parallels to 'Robocop'. I'd like to mention the parallels to Sam Raimi's recent efforts with 'Spider-Man' - the two are very similar style-wise, but Peter Parker/Spider-Man is generally pretty happy and cheerful, where as Darkman finds sadistic pleasure in the way he toys with his enemies before finishing them off. 'Spider-Man' is family-friendly, 'Darkman' is not the sort of movie you would want to show to parents or younger-siblings.
'Darkman' is original, and yet another under-rated classic from Sam Raimi. Check it out if you like Sam Raimi, but avoid if you enjoy the family-friendly nature of 'Spider-Man'. Definitely my favourite super-hero movie, and nearly up there with Tim Burton's 'Batman' and 'Batman Returns', the best super-hero movies ever.
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