Darkman and Durant return and they hate each other as much as ever. This time, Durant has plans to take over the city's drug trade using high-tech weaponry. Darkman must step in and try to stop Durant once and for all.
Darkman, needing money to continue his experiments on synthetic skin, steals a crate of cash from drug lord Peter Rooker, attracting the gangster's attention. Rooker is determined to find ... See full summary »
A pair of whacked-out cartoon-like exterminator/hitmen kill the owner of a burglar-alarm company, and stalk the partner who hired them, his wife, and a nerd framed for the murder, who tells the story in flashback from the electric chair.
When three blue collar acquaintances come across millions of dollars in lost cash they make a plan to keep their find from the authorities but find complications and mistrust weaving its way into their plan.
Billy Bob Thornton,
A loan officer who evicts an old woman from her home finds herself the recipient of a supernatural curse. Desperate, she turns to a seer to try and save her soul, while evil forces work to push her to a breaking point.
Peyton Westlake is a scientist who has discovered a way to produce synthetic skin. This could revolutionise skin grafting, except for one minor glitch; the synthetic skin degrades after 100 minutes of exposure to light. When gangsters attack Peyton, he is horrifically burnt, and assumed dead. In his quest for revenge, Peyton, aka the Darkman, is able to take on the appearance of anyone (using the synthetic skin,) but he only has 100 minutes per disguise. Written by
Larry Drake was cast because of the way he underplayed Durant. Quiet, careful, but intense. Sam Raimi had never watched a single episode of L.A. Law (1986), where Drake played the developmentally disabled Benny. But Drake's face reminded him of a modern day Edward G. Robinson. He looked so mean and domineering, yet he had an urban wit about him. Raimi believed these qualities made him the perfect adversary for Darkman. See more »
When Durant and company are destroying Westlake's lab, Durant is seen turning the valve on a tank of flammable gas to let the gas out. However, he turns the valve handle clockwise, which would shut the valve, not open it. See more »
'Cause he's an asshole! Tell him no. Tell him no, too. Him, tell "fuck you." No, I'm gonna be here a minute. Got some guy coming up who thinks he's gonna muscle me out of my property. What's it matter! Just another tough guy, that's all.
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The opening credit sequence is full of dark clouds and brief images of Darkman. The second A in the title is shaped like Darkman's silhouette. See more »
Darkman is an innovative, fast-paced, fun super hero type film about a doctor trying to find the key to keeping artificial cells alive only to keep them going only in the dark. This scientist gets embroiled in a corrupt man's efforts to keep his corruption invisible and is left for dead by the henchmen of that corrupt man. While not a super hero in the classical sense, Darkman - the product of this science and burns covering almost every inch of his body - does avenge the wrongs done to him by using his machines, somehow still in perfect working order in his burned-out warehouse, to create any face he wants to wear. This device allows him to appear as other people and in some scenes we have the double appearance and spectators taking double takes with double vision. Sam Raimi shows us why he is so good with a movie like this by making us care about the character, wonderfully played by Liam Neeson, and keeping the pace nice and brisk. Which is good, because if you think too long about what is going on, you will know just how ridiculous the story really is. I cannot believe that all that scientific machinery was still in working order. The science is never fully explained. You are to take it at face value. I did, and the film was entertaining for that reason. Frances McDormand plays Neesom's girlfriend fairly well, and Larry Drake really chews up scenery as the primary henchman that has a penchant for cutting off the fingers of his adversaries. Raimi does substitute action scenes for coherent storytelling, but does so in such a manner as to still be somewhat convincing and as always entertaining.
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