In a future where the polar ice-caps have melted and Earth is almost entirely submerged, a mutated mariner fights starvation and outlaw "smokers," and reluctantly helps a woman and a young girl try to find dry land.
Ted Kramer's wife leaves her husband, allowing for a lost bond to be rediscovered between Ted and his son, Billy. But a heated custody battle ensues over the divorced couple's son, deepening the wounds left by the separation.
Lt. John Dunbar is dubbed a hero after he accidentally leads Union troops to a victory during the Civil War. He requests a position on the western frontier, but finds it deserted. He soon finds out he is not alone, but meets a wolf he dubs "Two-socks" and a curious Indian tribe. Dunbar quickly makes friends with the tribe, and discovers a white woman who was raised by the Indians. He gradually earns the respect of these native people, and sheds his white-man's ways. Written by
Greg Bole <email@example.com>
In 2007 the film was selected for preservation in the United States National Film Registry by the Library of Congress. See more »
As Dunbar starts his second ride across the Confederate lines, we see him kick his horse with the booted heel of his right foot with no apparent reaction. Yet this is the injured foot where he had to bite on a piece of wood to bear the pain of pulling a boot on only a short while before. See more »
I like to watch lots of films, pretty much any film in fact, therefore I can tell you i have seen a fair few duds. I have also seen some spectacularly brilliant films. Dances With Wolves is one of them. For me to have the patience to watch a film more than a couple of times then the film needs to make me want to watch it over and over. Let me tell you I have seen this film more than a few times. I think you know when a film is special to you when you watch it and you keep thinking to yourself "oh this scene coming up is great", if you can say that continually whilst watching a film then you know you are watching a great film.
As for the film itself, cinematography has never been bettered, Costners acting is OK but it his presence rather than his acting that has brought gravitas to his movies, you certainly cant argue with his directing, which along with Orson Wells, Tarantino and a few select others must rank alongside as one of the best directorial debuts. The supporting cast is excellent especially Graeme Greene who is the wonderful Kicking Bird and of course Rodney A Grant.
I shamefully dont know too much about the history of the Indian population in America, so I dont know whether the events or portrayals in the film are accurate, however artistic license is surely allowed when making what is first and foremost a piece of entertainment. Being British I have seen many an American film with British stereotypes, not once have I been offended or appalled, as I see them as interpretations, God knows British filmmakers are just as guilty of such generalisations when it comes to "foreign" characters.
Marvel at the wonderful film-making in this film not political inaccuracies after all this is a story, and a damn fine one at that, remember King Kong didnt really climb up the Empire State Building and you dont here gorillas complaining about being misrepresented. This is a point of view expressed in a great film.
Personally films dont get much better than this.
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