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| Johnny Depp | ... | Wade "Cry-Baby" Walker | |
| Amy Locane | ... | Allison Vernon-Williams | |
| Susan Tyrrell | ... | Ramona Rickettes | |
| Polly Bergen | ... | Mrs. Vernon-Williams | |
| Iggy Pop | ... | Uncle Belvedere Rickettes | |
| Ricki Lake | ... | Pepper Walker | |
| Traci Lords | ... | Wanda Woodward | |
| Kim McGuire | ... | Hatchet-Face | |
| Darren E. Burrows | ... | Milton Hackett | |
| Stephen Mailer | ... | Baldwin - Allison's Boyfriend | |
| Kim Webb | ... | Lenora Frigid | |
| Alan J. Wendl | ... | Toe-Joe Jackson | |
| Troy Donahue | ... | Hatchet's Father | |
| Mink Stole | ... | Hatchet's Mother | |
| Joe Dallesandro | ... | Milton's Father | |
| Joey Heatherton | ... | Milton's Mother | |
| David Nelson | ... | Wanda's Father | |
| Patricia Hearst | ... | Wanda's Mother | |
| Willem Dafoe | ... | Hateful Guard at Maryland Training School for Boys | |
| Jonathan Benya | ... | Snare-Drum, Pepper Walker's Son | |
| Scout Raskin | ... | Susie Q, Pepper Walker's Daughter (as Jessica Raskin) | |
| Robert Tyree | ... | Dupree | |
| Angie Levroney | ... | Dupree's Girlfriend | |
| Drew Ebersole | ... | Whiffle #1 | |
| Kenny Curtis | ... | Whiffle #2 | |
| Scott Neilson | ... | Whiffle #3 | |
| Robert Walsh | ... | Judge | |
| Jenni Blong | ... | Inga (as Jeni Blong) | |
| Craig Wallace | ... | Conk #1 | |
| Phillip Broussard | ... | Conk #2 | |
| Regi Davis | ... | Conk #3 (as Reggie Davis) | |
| Nick Fleming | ... | Conk #4 | |
| Vivienne Shub | ... | Mrs. Tadlock | |
| Robert Marbury | ... | Angelic Boyfriend | |
| Skip Spencer | ... | Strip Poker #1 | |
| Holter Graham | ... | Strip Poker #2 | |
| Susan Lowe | ... | Night Court Parent | |
| Dan Griffiths | ... | Snake-Eyes Hood | |
| Kirk McEwen | ... | Convict #1 | |
| Eric Lucas | ... | Convict #2 | |
| Frank Maldonado | ... | Convict #3 | |
| Patrick Mitchell | ... | Convict #4 | |
| Mary Vivian Pearce | ... | Picnic Mother | |
| Steve Aronson | ... | Mean Guard | |
| Kelly Goldberg | ... | Pepper Walker's Newborn Baby | |
| rest of cast listed alphabetically: | |||
| John Blyth Barrymore | ... | Additional Voices (voice) | |
| Brad Baker | ... | Mean Policeman (uncredited) | |
| John Calvin Doyle | ... | Drape Gang Friend (uncredited) | |
| Patrick Egan | ... | Dancer (uncredited) | |
| Cindy Geppi | ... | Square (uncredited) | |
| James Intveld | ... | Wade 'Cry-Baby' Walker (singing voice) (uncredited) | |
| Michael Stanton Kennedy | ... | Baltimore Reporter (uncredited) | |
| Peter Koper | ... | Corrections Officer (uncredited) | |
| Autumn Lucas | ... | Drapette (uncredited) | |
| Stephen William Moore | ... | Howling Square-Boy (uncredited) | |
| Mark Moorhead | ... | Prison Screening Cop (uncredited) | |
| Joey Perillo | ... | Ko Jo Jackson (uncredited) | |
| Carmen Renee Reynolds | ... | Goody Two-Shoes (uncredited) | |
| Rachel Sweet | ... | Allison Vernon-Williams (singing voice) (uncredited) | |
| Gary Wheeler | ... | Reporter #2 (uncredited) | |
| Greer Yeaton | ... | Girl at Vaccine Row (uncredited) | |
Directed by | |||
| John Waters | |||
Writing credits(WGA) | ||
| John Waters | (written by) | |
Produced by | |||
| Jim Abrahams | .... | executive producer | |
| Brian Grazer | .... | executive producer | |
| Pat Moran | .... | associate producer | |
| Rachel Talalay | .... | producer | |
Original Music by | |||
| Patrick Williams | |||
Cinematography by | |||
| David Insley | |||
Film Editing by | |||
| Janice Hampton | |||
Casting by | |||
| Paula Herold | |||
| Greg Mason | |||
| Pat Moran | |||
Production Design by | |||
| Vincent Peranio | |||
Art Direction by | |||
| Delores Delux | (as Dolores Deluxe) | ||
Set Decoration by | |||
| Virginia Nichols | |||
| Chester Overlock III | |||
Costume Design by | |||
| Van Smith | |||
Makeup Department | |||
| Betty Beebe | .... | key makeup artist | |
| Nancy Broadfoot | .... | key makeup artist | |
| Denise Cellucci | .... | hair stylist | |
| Christine Mason | .... | hair designer | |
| Van Smith | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| F. Cameron MacRae | .... | dga trainee (as Cameron MacRae) | |
| Betsy C. Schrott | .... | second second assistant director (as Betsy Schrott) | |
| Jeffrey Wetzel | .... | second assistant director | |
| Mary Ellen Woods | .... | first assistant director | |
Art Department | |||
| Michael Davis | .... | construction coordinator | |
| Wayne 'Spider' Kehs | .... | set dresser | |
| Ted Lubonovich II | .... | propmaker | |
| Lester Poser | .... | set dresser | |
| David Russell | .... | storyboard artist | |
| Richard Salinas | .... | painter | |
| Curtis A. Schnell | .... | art director: Los Angeles | |
| Brook Yeaton | .... | property master | |
| Jay Koiwai | .... | painter (uncredited) | |
| Silvija L. Moess | .... | scenic artist (uncredited) | |
Sound Department | |||
| Rick Angelella | .... | production sound (as Richard Angelella) | |
| Richard Beggs | .... | sound re-recording mixer | |
| Dwayne Dell | .... | production sound | |
| Victor Grodecki | .... | supervising sound editor | |
| Paul Grupp | .... | additional sound engineer | |
| David Kahne | .... | additional sound engineer | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Lance Laurienzo | .... | first assistant sound editor | |
| David Leonard | .... | additional sound engineer | |
| Mark Linett | .... | additional sound engineer | |
| Richard U.S. McIntosh | .... | additional sound engineer | |
| Craig M. Otte | .... | sound effects editor | |
| Craig Porteilis | .... | additional sound engineer | |
| Travis Powers | .... | sound effects editor | |
| Brian Risner | .... | sound effects editor | |
| Duane F. Seykora | .... | additional sound engineer | |
| Lisa Shaw Phillips | .... | second assistant editor (as Lisa Shaw) | |
| Lisa Shaw Phillips | .... | sound editor (as Lisa Shaw) | |
| Greg Steele | .... | sound re-recording mixer | |
| Randy Thom | .... | supervising re-recording mixer | |
Special Effects by | |||
| Lou Carlucci | .... | special effects | |
| Steven Kirshoff | .... | special effects coordinator (as Steve Kirshoff) | |
Stunts | |||
| G.A. Aguilar | .... | stunts | |
| Bill Anagnos | .... | stunts | |
| Rick Barker | .... | stunts | |
| Dana D. Bertolette | .... | stunts (as Dana Bertolette) | |
| Dan Bradley | .... | stunts | |
| Peter Bucossi | .... | stunts | |
| Lisa Cain | .... | stunts | |
| Scott Alan Cook | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Jeff Habberstad | .... | stunts | |
| Don Hewitt | .... | stunts | |
| Jery Hewitt | .... | stunt coordinator | |
| Jennifer Huggins | .... | stunts | |
| Brett A. Jones | .... | stunts | |
| Sean Kelly | .... | stunts | |
| Janet Lee Orcutt | .... | stunts (as Janet Orcutt) | |
| Candice Orsini | .... | stunts (as Candi Orsini) | |
| Janet Paparazzo | .... | stunts | |
| Lori Petitti | .... | stunts | |
| Denney Pierce | .... | stunts | |
| Erik Rondell | .... | stunts | |
| Harold T. Wright Jr. | .... | stunts | |
| Brad Baker | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Murdoch Campbell | .... | gaffer | |
| Donne Daniels | .... | key grip | |
| Peter Deming | .... | camera operator: additional photography | |
| Robert W. Dorsey | .... | camera operator (as Robert Dorsey) | |
| Bryan Duggan | .... | additional cinematographer | |
| Rusty Gardner | .... | electrician (as William 'Rusty' Gardner) | |
| Steve Hurson | .... | film loader | |
| Ron Kunecke | .... | musco light operator | |
| Thomas Lappin | .... | second assistant camera | |
| Josh Spring | .... | electrician | |
Casting Department | |||
| John Strawbridge | .... | casting assistant | |
Costume and Wardrobe Department | |||
| David Davenport | .... | wardrobe supervisor | |
| Mara Majorowicz | .... | key costumer | |
Editorial Department | |||
| Paul Parsons | .... | assistant editor | |
| Stuart Sperling | .... | assistant editor | |
Music Department | |||
| A. James Akimoto | .... | music coordinator | |
| Larry Benicewicz | .... | music consultant | |
| Michael Ferdie | .... | music editor (director's cut) | |
| Carey Johns | .... | music consultant | |
| Edward Karam | .... | orchestrator: score (as Eddie Karam) | |
| Christopher Kennedy | .... | music editor | |
| Becky Mancuso-Winding | .... | music supervisor (as Becky Mancuso) | |
| Kathy Nelson | .... | music supervisor: MCA Records | |
| Celest Ray | .... | music clearance | |
| Dennis S. Sands | .... | music recordist | |
| Timothy R. Sexton | .... | music supervisor (as Tim Sexton) | |
| Channing Wilroy | .... | music consultant | |
Transportation Department | |||
| Sara Gardner | .... | picture car coordinator | |
| Michael Luckeroth | .... | driver | |
| Frank Tamburo | .... | picture car coordinator | |
| Randy White | .... | transportation coordinator | |
Other crew | |||
| Harriotte H. Aaron | .... | script supervisor (as Harriotte Aaron) | |
| Lori Eastside | .... | choreographer | |
| Granville Greene | .... | production assistant | |
| Gus Griffin | .... | animal wrangler | |
| Terry Gusto | .... | location manager | |
| Jesse Hadaway | .... | helicopter pilot | |
| Kathryn Loraine Hibbs | .... | production accountant | |
| Elizabeth Himelstein | .... | dialect coach | |
| Robert Maier | .... | location manager | |
| Steve McAuliff | .... | animal wrangler | |
| Eric McLeod | .... | production coordinator | |
| Pat Moran | .... | production associate | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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Don't expect to watch a movie in the style of "Grease" when you watch "Cry-Baby." This is a John Waters musical-comedy, and it's full of his style and humor. John Waters has his own style of directing, and his own style for writing dialogue. The dialogue and acting are usually out of the mainstream norm, and viewers who are not familiar with John Waters may not enjoy his films unless they open their minds to possibilities of silly, ridiculous, vulgar, and campy humor. "Cry-Baby" is set in the 1950's, and it's mainly about two groups of people who don't accept each other: The drapes and the squares. The drapes don't have a lot of money, are more accepting to different types of people, and listen to the hep sounds of rhythm and blues and rockabilly. Some of them get involved with crime, and are juvenile delinquents. The squares are very conservative, have more money, more attitude, and listen to "your hit parade" music. The drapes will hang out with anyone as long as there's a good time to be had, and the squares only socialize with other squares. There is friction and disgust whenever the two types meet. Within this is a love story concerning Cry-Baby and Allison. Cry-Baby is a drape, and Allison is a square tired of being so conservative. Cry-Baby and Allison are attracted to each other, and Allison decides to associate with the drapes. Conflicts emerge, and drapes and squares clash. That sounds clichéd, but the movie has a lot of humor and atmosphere. It's also full of color, spirit, and fun music. The locations and sets create a 1950's atmosphere of small town and rural America. The cars, clothing, and hairstyles are also effective. Sometimes clothes, hairstyles, props, and sets are exaggerated and outrageous, but these are trademarks of John Waters' style and sense of humor. "Cry-Baby" has its charm, and is effective as both a comedy and a musical. The musical numbers are fun and lively, and a lot of care went into making the songs sound authentic to the period. They are also well choreographed. Some of the musical numbers were written for the movie, and a few songs were originally 1950's hits newly recorded for "Cry-Baby" (such as the song that opens the movie, Allison singing "Teenage Prayer," etc.) There are also original vintage recordings throughout the movie (my favorite is "Jungle Drums," by Earl Bostic, which really gives a summer feeling to the Turkey Point location.) The background score is also well done, and professionally orchestrated. This is a John Waters film, and you have to expect unusual characters, and unusual acting and dialogue delivery. The casting of the movie is an interesting mix of performers (another Waters' trademark), and very much a delight. The cast is terrific! Johnny Depp and Amy Locane are wonderful as the teenagers who are attracted to each other, but live in different worlds. Their pairing brings out a believable chemistry, and a sense of fun. Polly Bergen's performance is excellent as the extremely conservative matriarch who finally learns how to have a good time with people who are different. Susan Tyrrell is as offbeat as she can be (see her in the bizarre musical-comedy "Forbidden Zone"), and Iggy Pop is interesting in his role. Ricki Lake returns in her second John Waters movie as Cry-Baby's pregnant sister. Kim McGuire, Darren E. Burrows, and Traci Lords create fun characters who are in Cry-Baby's gang and music group. Kim McGuire has a knack for creating a character who's kookie and bold, and yet deserves sympathy at times. Traci Lords is very good at comedy, and it would be nice to see her in more comedies. She does a great job with her mostly-cranky, tough-girl character. Stephen Mailer does a fine job of creating a character you really learn to loathe. "Cry-Baby" also features small parts played by noted stars such as Troy Donahue, Joe Dallesandro, Joey Heatherton, David Nelson, Willem Dafoe, and John Waters regular Mink Stole. Patricia Hearst Makes her feature film debut, and is very amusing as the naive mother of a drape daughter. "Cry-Baby" was a lot of fun to watch on the big screen, and I'm again enjoying it since it's been released on DVD (with added scenes that were cut for its theatrical release.) "Cry-Baby" is a snazzy and fun musical-comedy that seems to be pleasing people who are not regular John Waters fans! By the way, I was a scrape (part square, part drape) in high school, but that's a different story from a different era.