| Cast overview, first billed only: | |||
| Dennis Quaid | ... |
Jack McGurn
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| Tamlyn Tomita | ... |
Lily Yuriko Kawamura /
McGann
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| Sab Shimono | ... |
Hiroshi Kawamura
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Shizuko Hoshi | ... |
Mrs. Kawamura
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| Stan Egi | ... |
Charlie Kawamura
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Ronald Yamamoto | ... |
Harry Kawamura
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Akemi Nishino | ... |
Dulcie Kawamura
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Naomi Nakano | ... |
Joyce Kawamura
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Brady Tsurutani | ... |
Frankie Kawamura
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Elizabeth Gilliam | ... |
Younger Mini McGann
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Shyree Mezick | ... |
Middle Mini McGann
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| Caroline Junko King | ... |
Older Mini McGann
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| Pruitt Taylor Vince | ... |
Augie Farrell
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| Colm Meaney | ... |
Gerry McGurn
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| Becky Ann Baker | ... |
Marge McGurn
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Portraying one of the shadier details of American history, this is the story of Jack McGurn, who comes to Los Angeles in 1936. He gets a job at a movie theatre in Little Tokyo and falls in love with the boss's daughter, Lily Kawamura. When her father finds out, he is fired and forbidden ever to see her again. But together they escape to Seattle. When the war breaks out, the authorities decide that the Japanese immigrants must live in camps like war prisoners. Written by Mattias Thuresson
It's 1936. Jack McGurn (Dennis Quaid)'s wife had gone back to Ireland after losing their unborn child in an industrial accident. He is an union "sweatshop lawyer" who gets run out of Brooklyn after he disagreed with burning down a theater. He comes to join his brother Gerry in L.A. and eventually gets a job at a Japanese theater in Little Tokyo. He falls in love with the owner's daughter Lily Kawamura (Tamlyn Tomita). Her father forbids her and she runs away to get married in Seattle. It was illegal in California at the time. He gets into trouble trying to organize the cannery plant that he works at despite her objections. She goes back to her parents right when Japanese forces attack Pearl Habor. The police arrests all the first generation men. Jack rejoins his family in L.A. The family is interned and Jack is drafted.
The movie moves deliberately. It takes its time to show the cultural differences and give the romance some space. It's a bit slow but it works as an old fashion romantic film. It doesn't really heighten the drama more than a simple melodrama level. The running time is over two hours long and probably would work better with less. This starts as a fine love story about Jack and Lily but that drama fades into the background in the second half. The camp part of the movie becomes more about telling different aspects of life through the family members.