In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where... See full summary »
Toledo, 25 years old, future architect, suffers from an acute jealousy. He cannot concentrate on his job nor on his studies, being continuously mindful of his girlfriend and concubine Ana's... See full summary »
A judge falls from the roof of the Federal Courthouse. A woman is murdered. Between them and the three sons of the judge there is a connection that will be investigated by a woman judge who... See full summary »
Oliveiro is a young poet living in Buenos Aires where sometimes he has to sell his ideas to an advertising agency to make a living or exchange his poems for a steak. In Montevideo, he meets... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
A road movie that begins when a man tries to rob a bank and the bank's clerk, a yuppie, pretends the thief has kidnapped him to help him run away. While they're running away, they meet a ... See full summary »
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
This filmed version of a stage play (Why didn't they just film it directly to video from the Buenos Aires stage?) has very limited appeal. The user rating is a clear example of how 5 or so voters can achieve whatever rating they desire for a film. Granted CIEN VECES NO DEBO stars Argentina's greatest stars; obviously it was a smash comedy hit at home. However, as an admirer of Norma Aleandro, Federico Luppi and co., not to mention the country's culture in general, even I was shocked at what I saw when my VCR started playing this mindless, banale sitcom. Proving she can survive anything, only Norma Aleandro's campiness (as self-parody), and her outrageous costumes were of any notice. We already know Argentinian society and morality is very backwards by Western standards,(the economy and political situation even more so), so for those of us who love the country anyway, why remind us? Keep unsightly laundry hidden at home.
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