In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where... See full summary »
Cuenta la historia de Jorge Pellegrini y Laura Ramallo a lo largo de casi dos décadas. Comienza en 1980 y termina en nuestros días. Cuenta le romance inicial, los posteriores desencuentros,... See full summary »
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
A small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life.
This filmed version of a stage play (Why didn't they just film it directly to video from the Buenos Aires stage?) has very limited appeal. The user rating is a clear example of how 5 or so voters can achieve whatever rating they desire for a film. Granted CIEN VECES NO DEBO stars Argentina's greatest stars; obviously it was a smash comedy hit at home. However, as an admirer of Norma Aleandro, Federico Luppi and co., not to mention the country's culture in general, even I was shocked at what I saw when my VCR started playing this mindless, banale sitcom. Proving she can survive anything, only Norma Aleandro's campiness (as self-parody), and her outrageous costumes were of any notice. We already know Argentinian society and morality is very backwards by Western standards,(the economy and political situation even more so), so for those of us who love the country anyway, why remind us? Keep unsightly laundry hidden at home.
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