Sarah McDavid, an idealistic young teacher, takes a job in a rough high school where she is eventually attacked and raped in her classroom after school hours and decides to buck the school ... See full summary »
Charles Russell dies, but since he is too good for hell and too bad for heaven, he is given the opportunity to go back to 1987 to assist his younger self, Chazz, in making better decisions ... See full summary »
It's prom night and the kids of Hoover High will be having a night they will never forget. Popular girl Shelley ditches her prom and ends up spending the night with unpopular Dan; Popular ... See full summary »
A pregnant white Southern girl and a black New York lawyer, both on the run in rural Texas, meet up in a boarded-up, abandoned house and realize they both need each other in order to ... See full summary »
Fraternity is having a nostalgic weekend reunion decades after their graduation. The girls they went to college with join them. Old flames are rekindled and lives reexamined but reality strikes when one of them is tragically murdered.
Michael S. O'Rourke
Joey lives with his mother. His father isn't around, he doesn't like school, he is bored and doesn't take orders from anyone. In other words he is a real little scamp. Being at one's wit's ... See full summary »
Just after he turns sixteen, Robert finds out that he is adopted. His parents find to their horror that he was kidnaped from his real parents. They decide to tell him about this, even ... See full summary »
He may have been convicted of raping and murdering six young women, but to a smitten teenage girl who's initiated a relationship-by-mail, he's just a cute guy who couldn't possibly be guilty. Did he...or didn't he?
Hugely disappointing movie-version of Patty/Anna's autobiography...
Actress Patty Duke wrote an insightful, funny, rough-hewn book about her career as an actress, her crazy-quilt love-life, and her manic depressive episodes and suicide attempts which almost put her away for good. With this rich material to draw from (and Patty playing herself in the final act), one would think a crack TV-director like Gilbert Cates could bring it all together on film, but "Call Me Anna" is a pale shadow of Duke's autobiography. For those who haven't read the book, the sketchy narrative (leaping forward in time) isn't absorbing, we are never allowed to get our bearings with what's happening, and the production seems stunted by a low budget. The actors are miscast, and the value of having Duke herself finally appear does not pay off--the film's phony reality is so thick at this point that Patty can't bring stability to the scenario. It appears as if the producers were sincere enough (and consciousness-minded) to anxiously steer the film towards Duke's ultimate diagnosis and mental freedom, but they left out many dramatic opportunities in the process.
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