Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
A highly successful advertising executive decides to put his job on hold after getting an update from his father that he and his wife are divorced and decides to extend his break after revealing that his father is a diabetic.
Lawrence is a rich kid with a bad accent and a large debt. After his father refuses to help him out, Lawrence escapes his angry debtors by jumping on a Peace Corp flight to Southeast Asia, ... See full summary »
Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss. Written by
Jon Reeves <email@example.com>
Peter Guber was the original producer of the film and hired three people, whom many insiders felt were wrong for the project: writer Michael Cristofer, director Brian De Palma, and star Tom Hanks. He quit before filming began to work for another company, and even though, he is credited as Executive Producer in the opening credits, the critics didn't mention him in their reviews as they blamed Cristofer, De Palma and Hanks for the fiasco. See more »
While Reverend Bacon is accusing District Attorney Abe Weiss, the TV remote control that Weiss is using switches hands between shots. See more »
I suppose we could still go to the police. We could get a very talented lawyer...
And put our heads right into the tiger's mouth? I'm the one who was driving the car. Don't you think I'm the one who should make the decision? And I say, no. No, Sherman. Trust me. Nothing is going to come of this little newspaper article. Absolutely nothing.
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(NB - I have not read the book.) Unfairly chastised by the press on release, and too easy to tar as a weak link in De Palma's ouevre, BOTV is better than Wall Street, Working Girl et al. and is still very relevant.
This is an OTT opera where every character is a cynic trying to work an angle, and every action (in a complex story about contacts, smear campaigns, politics and pawns) has an obvious and (most of the time) greedy motivation. BOTV also confronts sex, racism and class clashes with a frankness that most Hollywood movies run a mile from - it is suprisingly frank in it's depiction of these (The exception being that the New York judge had to be, of course, black [Morgan Freeman]. This is something dramatists do to make some of their social opinions seem less controversial since they are being spouted by a man of colour in a white forum.)
On par with His Girl Friday and The Sweet Smell of Success, and possessing an oddball universe Preston Sturges would've been proud of creating, this film is all the more powerful when you actually live in a world kind of like this (and I meet these kinds of people all the time - this is REAL!).
PS - Half an hour was lopped off by the studio after disasterous preview screenings. This movie deserves a DVD director's cut release.
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