Steven Gold is a stand-up comedian who is flat broke and has recently dropped out of medical school. He and several others work regularly at the Gas Station, a New York comedy club. The ... See full summary »
When the first manned mission to Mars meets with a catastrophic and mysterious disaster after reporting a unidentified structure, a rescue mission is launched to investigate the tragedy and bring back any survivors.
Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss. Written by
Jon Reeves <email@example.com>
Tom Hanks was chosen to play the lead as he was considered "likeable" by the producers and would dampen the negativity of the character he would play, Sherman McCoy, thus hopefully improving the movie's commercial chances. The casting of Hanks was widely criticized at the time, according to "The Devil's Candy", as he was considered a light comedian. Though he had recently received an Oscar nomination for Big (1988) he had yet to prove himself as a dramatic actor. Hanks hoped this would be his chance to prove himself in drama, but he would have to wait until Philadelphia (1993) to make his mark as a "serious" actor. See more »
While Reverend Bacon is accusing District Attorney Abe Weiss, the TV remote control that Weiss is using switches hands between shots. See more »
Hey, wait a minute. What the fuck? What press? I talked to Ray last night and he promised me no bullshit!
This is Weiss. Weiss gave the order this morning.
Somebody's gonna pay for this!
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(NB - I have not read the book.) Unfairly chastised by the press on release, and too easy to tar as a weak link in De Palma's ouevre, BOTV is better than Wall Street, Working Girl et al. and is still very relevant.
This is an OTT opera where every character is a cynic trying to work an angle, and every action (in a complex story about contacts, smear campaigns, politics and pawns) has an obvious and (most of the time) greedy motivation. BOTV also confronts sex, racism and class clashes with a frankness that most Hollywood movies run a mile from - it is suprisingly frank in it's depiction of these (The exception being that the New York judge had to be, of course, black [Morgan Freeman]. This is something dramatists do to make some of their social opinions seem less controversial since they are being spouted by a man of colour in a white forum.)
On par with His Girl Friday and The Sweet Smell of Success, and possessing an oddball universe Preston Sturges would've been proud of creating, this film is all the more powerful when you actually live in a world kind of like this (and I meet these kinds of people all the time - this is REAL!).
PS - Half an hour was lopped off by the studio after disasterous preview screenings. This movie deserves a DVD director's cut release.
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