Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public ... See full summary »
Elisabeth leaves her abusive and drunken husband Rolf, she packs her bags, takes the kids and goes to her brother Göran. The year is 1975 and Göran lives in a commune called Together. ... See full summary »
Young Indian man Thomas is a nerd in his reservation, wearing oversize glasses and telling everyone stories no-one wants to hear. His parents died in a fire in 1976, and Thomas was saved by... See full summary »
In 1971 Salford fish-and-chip shop owner George Khan expects his family to follow his strict Pakistani Muslim ways. But his children, with an English mother and having been born and brought... See full summary »
Two girls, Carla and Lou meet on the street outside a loft waiting for their boyfriends. In a short time, they find out that they're waiting for the same guy - young actor Blake, who said ... See full summary »
Natasha Gregson Wagner,
Francie and Joe live the usual playful, fantasy filled childhoods of normal boys. However, with a violent, alcoholic father and a manic depressive, suicidal mother the pressure on Francie ... See full summary »
Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss. Written by
Jon Reeves <email@example.com>
While Reverend Bacon is accusing District Attorney Abe Weiss, the TV remote control that Weiss is using switches hands between shots. See more »
[about the incident with Henry Lamb]
This is a tragedy! A fine young man has been struck down. God- fearing, church-going, never in trouble, graduating from high school, ready for college - and somebody comes along - some rich white people in a rich white man's car and wham! They run him down and never even stop. Now what are we going to do about these parking tickets?
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(NB - I have not read the book.) Unfairly chastised by the press on release, and too easy to tar as a weak link in De Palma's ouevre, BOTV is better than Wall Street, Working Girl et al. and is still very relevant.
This is an OTT opera where every character is a cynic trying to work an angle, and every action (in a complex story about contacts, smear campaigns, politics and pawns) has an obvious and (most of the time) greedy motivation. BOTV also confronts sex, racism and class clashes with a frankness that most Hollywood movies run a mile from - it is suprisingly frank in it's depiction of these (The exception being that the New York judge had to be, of course, black [Morgan Freeman]. This is something dramatists do to make some of their social opinions seem less controversial since they are being spouted by a man of colour in a white forum.)
On par with His Girl Friday and The Sweet Smell of Success, and possessing an oddball universe Preston Sturges would've been proud of creating, this film is all the more powerful when you actually live in a world kind of like this (and I meet these kinds of people all the time - this is REAL!).
PS - Half an hour was lopped off by the studio after disasterous preview screenings. This movie deserves a DVD director's cut release.
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