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The Bonfire of the Vanities (1990)

 -  Comedy | Drama  -  21 December 1990 (USA)
5.4
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Ratings: 5.4/10 from 15,955 users  
Reviews: 109 user | 30 critic

After his mistress runs over a young teen, a Wall Street hotshot sees his life unravel in the spotlight, and attracting the interest of a down and out reporter.

Director:

(as Brian DePalma)

Writers:

(screenplay), (novel)
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Cast

Cast overview, first billed only:
...
...
...
...
...
Jed Kramer
...
John Hancock ...
Reverend Bacon
...
Tom Killian
...
Albert Fox
Louis Giambalvo ...
Ray Andruitti
Barton Heyman ...
Det. Martin
Norman Parker ...
Det. Goldberg
...
Mr. McCoy
...
Arthur Ruskin
...
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Storyline

Financial "Master of the Universe" Sherman McCoy sees his life unravel when his mistress Maria Ruskin hits a black boy with his car. When yellow journalist Peter Fallow enflames public opinion with a series of distorted tabloid articles on the accident, the case is seized upon by opportunists like Reverend Bacon and mayoral candidate D.A. Abe Weiss. Written by Jon Reeves <jreeves@imdb.com>

Plot Summary | Plot Synopsis

Taglines:

An Outrageous Story of Greed, Lust and Vanity in America See more »

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

21 December 1990 (USA)  »

Also Known As:

La hoguera de las vanidades  »

Box Office

Budget:

$47,000,000 (estimated)

Gross:

$15,691,192 (USA)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(70 mm prints)| (35 mm prints)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
See  »
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Did You Know?

Trivia

In the film, Bronx District Attorney and candidate for New York City Mayor Abe Weiss (an uncredited F. Murray Abraham) states that he hopes the city's black voters see him as the "first black District Attorney of Bronx County." In fact, in November 1988 (two years before the film was released), Judge Robert T. Johnson was elected the first black district attorney of the Bronx, a position he still holds. See more »

Goofs

Before cuckold Arthur Ruskin dies in the restaurant, his cocktail glass alternates from between his hands to outside his hands. See more »

Quotes

D.A. Abe Weiss: Yesterday I was a respected Jewish liberal. Ten minutes of news like this and all of sudden I'm a hymie racist pig? The Italians are gonna love this. The Irish too. And the WASPS. They love this shit more than anybody. They love laughing at me! All the riches sons of bitches.
See more »

Connections

Referenced in The Critic: Episode #1.7 See more »

Soundtracks

Let Jesus Fix It For You
Written by Milton Biggham
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Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Misfire full of inanities
20 February 2004 | by (St. Louis, Missouri) – See all my reviews

Bonfires of the Vanities is a film drenched in flop sweat. I can recall no film that has tried so hard to be so unrelentingly outrageous, provocative and important, yet failed so consistently across the board. It is like a stand up comic who's not getting laughs, but can't leave the stage. The harder the film tries, the louder each attempt at a laugh results in a resounding thud. The desperation the film displays is so glaring it almost rouses pity for all those involved.

The film achieves laugh-out-loud status only twice. Once is in the sight of Geraldo Rivera playing an obnoxious, arrogant and amoral TV tabloid journalist -- which is funny only because he apparently doesn't realize he is playing himself. The other scene that deserves to be laughed at is the film's final "big moment," wherein the judge played by Morgan Freeman delivers the sanctimonious lecture about what morality is ("it's what your mama taught ya!"). The pomposity of the moment is insulting to the point of being absurd.

Yet, one must admit it is a noble effort. It does have a good, if poorly cast, band of actors, who try to make characters out of cardboard thin caricatures. The film looks professionally made and the little cinematic flourishes that director Brian DePalma just loves are apparent, if not particularly effective. But the film, which apparently wishes to be a commentary on modern morals and ethics, never arises above the level of cartoon. Satire requires style. Farce requires energy. Even sitcom requires timing. But the best Bonfires can muster is desperation. In the end, you don't want to laugh, you just want to turn away.


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racist movie ap1704
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