| Alan Alda | ... | Eddie Hopper | |
| Joey Bishop | ... | Mr. Hopper - Eddie's Father | |
| Madeline Kahn | ... | Lola Hopper | |
| Anthony LaPaglia | ... | Stevie Dee | |
| Catherine O'Hara | ... | Gloria Henner | |
| Joe Pesci | ... | Oscar Henner | |
| Molly Ringwald | ... | Betsy Hopper | |
| Ally Sheedy | ... | Connie Hopper | |
| Burt Young | ... | Georgie | |
| Julie Bovasso | ... | Grandma | |
| Nicolas Coster | ... | Harry Lovell | |
| Bibi Besch | ... | Nancy Lovell | |
| Dylan Walsh | ... | Jake Lovell | |
| Camille Saviola | ... | Angelica | |
| Allan Rich | ... | Nate Tobias | |
| Sully Boyar | ... | Morris (Lola's Dad) | |
| Monica Carr | ... | Joy | |
| Frankie Faison | ... | Zack Monroe (as Frankie R. Faison) | |
| Tom Mardirosian | ... | Dave Delahees | |
| Larry Block | ... | Barber | |
| Helen Hanft | ... | Fitter | |
| Mario Todisco | ... | Anselmo (Bodyguard) | |
| Paul B. Mixon | ... | Plumber | |
| William Duff-Griffin | ... | Caterer | |
| Thomas John Caliguri | ... | Man at Wedding | |
| Samuel L. Jackson | ... | Taxi Dispatcher (Mickey) | |
| Janet Pasquale | ... | Georgies Companion | |
| Harry L. Seddon | ... | Man On Phone / Taxi Garage | |
| rest of cast listed alphabetically: | |||
| Carol Bawer | ... | Disgruntled Patron (uncredited) | |
| Curtis Lambert | ... | Groomsman (uncredited) | |
| Hamilton Perkins | ... | Man Outside Restaurant (uncredited) | |
| Larry Rapp | ... | Man Outside Restaurant (uncredited) | |
Directed by | |||
| Alan Alda | |||
Writing credits(WGA) | ||
| Alan Alda | (written by) | |
Produced by | |||
| Martin Bregman | .... | producer | |
| Michael Bregman | .... | associate producer (as Michael Scott Bregman) | |
| Louis A. Stroller | .... | producer | |
Original Music by | |||
| Bruce Broughton | |||
Cinematography by | |||
| Kelvin Pike | |||
Film Editing by | |||
| Michael E. Polakow | |||
Casting by | |||
| Mary Colquhoun | |||
Production Design by | |||
| John Jay Moore | |||
Set Decoration by | |||
| Barbara Kahn | |||
Costume Design by | |||
| Mary Malin | |||
Makeup Department | |||
| Dalaree Goodwin | .... | assistant hair stylist | |
| Jeff Goodwin | .... | makeup artist | |
| Herita Jones | .... | assistant makeup artist | |
| Peggy Nicholson | .... | hair stylist | |
| Jeffrey Sacino | .... | hair stylist | |
Production Management | |||
| Jacob Conrad | .... | assistant unit manager | |
| Jeffrey L. Hayes | .... | production manager | |
| Daniel J. Heffner | .... | executive in charge of production | |
Art Department | |||
| Kip Bartlett | .... | on-set dresser | |
| Robert Beck | .... | property master (as Robbie Beck) | |
| Beth Giles | .... | set dresser | |
| General Fermon Judd Jr. | .... | set dresser (as Fermon Judd) | |
| Leigh Kyle | .... | set dresser: New York | |
| Andrew Moore | .... | assistant art director | |
| James F. Oñate | .... | scenic foreman | |
| Leslie A. Pope | .... | set decorator: New York | |
| Gus Ramsden | .... | model coordinator | |
| Thomas Michael Ryan | .... | gang boss | |
| Jeffrey Schlatter | .... | construction coordinator | |
| Eric 'Skip' Skipper | .... | model maker | |
| Mark S. Turner | .... | scenic | |
| Debbie Nolan | .... | propmaker (uncredited) | |
Special Effects by | |||
| Greg Hull | .... | special effects coordinator | |
Stunts | |||
| Chino Binamo | .... | stunts | |
| Peter Bucossi | .... | stunts | |
| John Cenatiempo | .... | stunts | |
| Norman Douglass | .... | stunts | |
| Roy Farfel | .... | stunt coordinator | |
| Roy Farfel | .... | stunts | |
| Frank Ferrara | .... | stunt coordinator | |
| Frank Ferrara | .... | stunts | |
| Robin Grathwol | .... | stunts | |
| John Hayden | .... | stunt double | |
| Don Hewitt | .... | stunt coordinator | |
| Jim Lovelett | .... | stunts (as James Lovelett) | |
| Gino Lucci | .... | stunts | |
| Steve Mack | .... | stunts | |
| David Meeks | .... | stunts | |
| Bruce Moriarty | .... | stunts | |
| Mick O'Rourke | .... | stunts | |
| Janet Paparazzo | .... | stunts | |
| William Pitts | .... | stunts | |
| Glenn Randall Jr. | .... | stunts | |
| Pat Romano | .... | stunts | |
| Rick Sawaya | .... | stunt double | |
| Jeff Ward | .... | stunts | |
Camera and Electrical Department | |||
| Adam Alphin | .... | assistant camera | |
| Michael F. Barrow | .... | gaffer (as Michael Barrow) | |
| Jock Brandis | .... | rigging gaffer | |
| Ted Churchill | .... | steadicam operator | |
| Maurizio Dotto | .... | first assistant camera: New York | |
| Edward Gold | .... | camera operator (as Eddie Gold) | |
| Jeff Graham | .... | second assistant camera | |
| Jim Cody Harrington | .... | key grip (as Cody Harrington) | |
| Patricia Harrison | .... | first assistant camera | |
| Steve Head | .... | assistant camera | |
| George Hesse | .... | second assistant camera: re-shoots | |
| Alan Pickelsimer | .... | grip | |
| Monty Rowan | .... | camera operator | |
| Patricia Van Over | .... | first assistant camera (as Pattie Vanover) | |
| Donald Vetick | .... | dolly grip | |
| Mike Repeta | .... | video playback operator (uncredited) | |
Casting Department | |||
| Karen E. Etcoff | .... | extras casting: New York | |
| Craig Fincannon | .... | extras casting | |
| Mark Fincannon | .... | extras casting | |
Editorial Department | |||
| Jeff Etcher | .... | assistant editor | |
| Carole Henderson Harrington | .... | assistant editor | |
| William Shaffer | .... | assistant editor | |
Music Department | |||
| Bill Benton | .... | music editor | |
| Frank Haber | .... | music editor | |
| Jim Harrison | .... | supervising music editor | |
| Dan Marfisi | .... | song | |
| Mark McKenzie | .... | orchestrator | |
| Don Nemitz | .... | orchestrator | |
| Armin Steiner | .... | music editor | |
Transportation Department | |||
| Anthony Forester | .... | transportation captain (as Anthony 'Bubba' Forester) | |
| Roy A. Grace | .... | driver | |
Other crew | |||
| Carol Bawer | .... | set production assistant | |
| Sidney Brammer | .... | unit production coordinator: New York | |
| Cindy Cullom | .... | stand-in | |
| Chrissie Davis | .... | production coordinator | |
| James Ellis | .... | script supervisor | |
| Ken Hudson | .... | production assistant | |
| Deena Kilmon | .... | stand-in: Molly Ringwald | |
| Michael Klawitter | .... | assistant to Martin Bregman and Louis A. Stroller | |
| John C. Kruize | .... | assistant accountant | |
| Pamela Kuri | .... | key set production assistant | |
| Geni Marino | .... | assistant to Martin Bregman and Louis A. Stroller | |
| Vicki Matlin | .... | caterer | |
| David Meeks | .... | animal handler | |
| Virginia Newton | .... | production assistant | |
| Randall Pickett | .... | craft service | |
| Julianna Pitt | .... | production assistant | |
| Michael W. Stroud | .... | location manager (as Michael Stroud) | |
| Elissa Van Poznak | .... | production assistant | |
| Michael Zorek | .... | production assistant | |
| Cleland Hoff | .... | stand-in (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
A father (Alda) learns that his daughter (Ringwald) wants to get married. He is determined to give her an extravagant wedding even though his construction business is not doing well and he is in bad need of money.
If this thing had been played to it's full potential this might have been a real slam bang wedding satire. All the ingredients are there: feuding in-laws, disagreements on religions, seating arrangements, fashion styles, cost, and of course all those other unforeseen catastrophes. Unfortunately, like with all of Alda's films, he never plays anything out. He starts with something interesting and then pulls back just as it is about to get good. Some keen insights into the wedding process are lost. The climatic wedding 'disaster' is limp and only half of what it could have been. The needless story thread involving Alda's 'initiation' into a Italian crime family is both dumb and highly sterotyped.
The films lone payoff is the appearance of Bishop. He plays Alda's dead father and appears sporadically as 'visions'. Some of his observations are funny. Pesci also gives his part a lot of energy in a role that is slightly atypical for him. Yet none of it is enough to make it memorable.
3 out of 10.