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Back to the Future Part III (1990)

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Enjoying a peaceable existence in 1885, Doctor Emmet Brown is about to be killed by Buford "Mad Dog" Tannen. Marty McFly travels back in time to save his friend.

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Cast

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Storyline

Stranded in 1955, Marty McFly receives written word from his friend, Doctor Emmett Brown, as to where can be found the DeLorean time machine. However, an unfortunate discovery prompts Marty to go to his friend's aid. Using the time machine, Marty travels to the old west where his friend has run afoul of a gang of thugs and has fallen in love with a local schoolteacher. Using the technology from the time, Marty and Emmett devise one last chance to send the two of them back to the future. Written by Vampire Sharpshooter

Plot Summary | Plot Synopsis

Taglines:

They've saved the best trip for last... But this time they may have gone too far.


Certificate:

PG | See all certifications »

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Details

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Release Date:

25 May 1990 (USA)  »

Also Known As:

Three  »

Box Office

Budget:

$40,000,000 (estimated)

Gross:

$87,666,629 (USA)
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Company Credits

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Technical Specs

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(70 mm prints)| (35 mm prints)

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Robert Zemeckis: [citation] When Marty walks along the railroad tracks and finally reaches the town, he comes to the railway station. Then he walks into the town, while the camera slowly rises up above the station and finally shows Marty at a large distance walking into the town. This scene is shot exactly the same way as the scene in Once Upon a Time in the West (1968), when Jill arrives at the station. See more »

Goofs

In 1885 when the camera is pointed at a mirror with Marty in it he is heard talking, but in the mirror you can clearly see his mouth not moving. See more »

Quotes

[first lines]
Marty McFly: Doc! Doc! Doc!
Young Doc: [not paying attention] What?
Marty McFly: Doc!
Young Doc: What?
Marty McFly: Doc!
Young Doc: [finally seeing him] Aaaah!
Marty McFly: Okay, relax, Doc, it's me! It's me, It's Marty!
Young Doc: No, it can't be! I just sent you back to the future!
Marty McFly: Oh, I know you did send me back to the future. But I'm back, I'm back *from* the future.
[...]
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Crazy Credits

The film opens with all four versions of the Universal Pictures company bumper. See more »

Connections

Referenced in Top Gear: Polar Special (2007) See more »

Soundtracks

Power of Love
Written by Huey Lewis, Johnny Colla, and Chris Hayes
Performed by Huey Lewis & The News (as Huey Lewis and The News)
Courtesy of Chrysalis Records, Inc.
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Frequently Asked Questions

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User Reviews

 
The difficult third part in the trilogy
3 April 2006 | by (Austria, Vienna) – See all my reviews

Even in the best franchises which proved that sequels can be just as good, if not better than the originals, the third parts are often fairly controversial. Look no further than to the third entries in "The Godfather" and "The Terminator" movies. "Back To The Future III" is no exception to that rule as it clearly is the weakest part in the trilogy, but it's still one hell of a great ride.

Writer/producer Bob Gale and writer/director Robert Zemeckis are two very clever men. They know the difficulties of sequels well. As Zemeckis explains somewhere on the "BTTF"-DVD set, the hardest part is to give the audience something new without moving too far away from the original's spirit. "Back To The Future II" achieved that goal gloriously (although Zemeckis who is very critical about his own work is always downsizing the greatness of it). Maybe the two Bobs went a bit too far away from what audiences loved about the original in part 3.

Although the movie is set mainly in the Wild West, it's still seen through the eyes of two people from the 80's. There are shootouts, horse chases and train robberies, but "Back To The Future III" is never a real Western. What makes this movie seem different from its predecessors is that fittingly it doesn't have a lot to do with teen culture anymore (save for a Michael Jackson-reference). Marty himself seems to have grown up quite a bit and you'll be surprised to see him behaving more focused on his mission than Doc in the latter half of the movie. This change of places by the characters was a deliberate decision by the writers and it does push the story and the relationship of Marty and Doc forward, but something about it just doesn't feel right.

It's intriguing to learn about the origins of Hill Valley and the ancestors of the McFly-clan. However, the earnest Seamus McFly and his family - that for some reason includes a woman looking like Marty's mother - seem strangely out of place in a BTTF-movie. They're just not quirky enough.

What makes the story seem even more estranged is the introduction of a new character, Clara Clayton, with whom Doc falls madly in love. Now, although we should all be happy for Doc having found his own private happiness, somehow we don't want him to behave like that. It's not Doc as we know and love him - and that's exactly the problem Robert Zemeckis was talking about. Marty and Doc used to be a team. Was anyone happy for John when Yoko got between him and The Beatles?

I still think "Back To The Future III" is an amazing accomplishment, a fine finale to one of the best trilogies ever made. You can't give enough praise to Zemeckis and Gale for not just making these movies for financial reasons but for actually trying to make them as good as possible. Personally, I love this movie to bits and I don't think it could have been realized any better. The only explanation I got for why this brilliant sequel got a lukewarm rating of 6.7 from IMDb users, is the dilemma Zemeckis himself was aware of, but couldn't fully avoid.

Fans who are still longing for a fourth part should keep that in mind and would be best advised to let it go. Zemeckis and Gale have said repeatedly that they don't plan on ever continuing the story. And why should they? Everything has been said, everything has been done. The movies are perfect the way they are. Let's be thankful there are still filmmakers that stick to their artistic conviction.


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2 DeLoreans in 1885 laguna0730
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Oh! You know that hurt. robert-larsen
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