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Back Stab (1990)

 -  Crime | Drama | Mystery  -  3 October 1990 (USA)
5.0
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Ratings: 5.0/10 from 156 users  
Reviews: 4 user

An architect goes to bed with a seductive stranger only to awaken beside the corpse of his boss.

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(as James Kaufman)

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Cast

Cast overview, first billed only:
...
Cliff Murphy
Dorothée Berryman ...
Juliet Powell
...
Sara Rudnick
...
Mrs. Chambers
...
Ken Updike
Isabelle Truchon ...
Jennifer
Robert Morelli ...
Steve Howe
Terrence Labrosse ...
Mr. Chambers
Norris Domingue ...
Stanley
Bronwen Mantel ...
Judge
...
Ad Executive
Tom Berry ...
Court Clerk
Brian Dooley ...
J.H. the Guard
Robert Ozores ...
Prisoner
Charles S. Doucet ...
Cop at Station (as Charles Doucet)
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Storyline

An architect goes to bed with a seductive stranger only to awaken beside the corpse of his boss.

Plot Summary | Add Synopsis

Taglines:

Last night he fell in love with her. Today he's being framed for murder. Only she could save him... And she has disappeared.


Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

3 October 1990 (USA)  »

Also Known As:

Backstab  »

Filming Locations:


Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

Color:

(Eastmancolor)
See  »
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Did You Know?

Goofs

When the bartender hands Juliet her drink and Cliff's, he says "Here's your drinks!", but his lips do not match what he is saying. See more »

Soundtracks

Lying Lips
Performed by Lenore Zann and Ralph Dillon
Written by Ralph Dillon and George Henderson
Published by Ralph Dillon
With permission of Ralph Dillon
See more »

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User Reviews

 
Almost good in spite of itself, but the script works against it.
2 August 2003 | by (Mountain Mesa, California) – See all my reviews

As the story opens, architect Cliff Murphy (James Brolin) has retreated into his profession after the death of his wife. He joins his co-workers who have gathered at a local bar to signal the sale of his employers' firm to a new set of partners. The celebrants soon miss Cliff's presence and for good reason: he has scampered off with a splendrous young blonde, Jennifer (Isabelle Truchon). Apparently lacking self-denial, the duo soon consummate their newly-hatched relationship within the cramped bounds of Jennifer's automobile. This affair of the loins turns equivocal for Cliff during the passionate pair's follow-up date the next evening when, after their common interest results in a soft porn living room floor encounter, Jennifer disappears and Cliff finds himself to be alone, but for an upstairs and very fresh murder victim. Cliff then pays a visit to a friend and criminal attorney, Sara (Meg Foster) whom he must convince of his innocence. We are then tasked, alongside the beleaguered architect, with recalling any clues that might bring about his freedom. If one would care to bother with analysing the scenario, it will soon become palpable that an ongoing flux of coincidences fancifully moves the paranoia based action. The film is paced to a quick beat, and the largely capable cast generally avoids over emoting, with specially good work from Foster. Brolin, whose hirsute predilections for this production give him the appearance of a latter-day Wolfman, is not obligated to perform beyond his circumscribed aptitude, and his customary combination of perplexity and outrage is appropriate for his character. Talented Dorothee Berryman manages to make something interesting of her role, but June Chadwick cannot seem to figure out hers, and is undone in the attempt. Director Jim Kaufman induces some excellent turns from his cast but his endeavours cannot handle by half the absurdities of the screenplay, by Paul Koval and the film's editor, Paul Ziller. Montreal's suburbs in autumn are served well by a blend of skills from cinematographer Rodney Gibbons and set designer Richard Tasse, but the score by Marty Simon is consistently intrusive. In sum, this is a piece which moves along smartly and provides choice moments from some accomplished performers, but the jarring elements stemming from an overstrained and oft silly narrative ultimately lay it low.


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