Lowly hotel clerk Matthew Welch stumbles unto a chance to go on a date with supermodel Hexina by pretending he is someone else. But something goes wrong on the date, she tries to kill him! ... See full summary »
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone ... See full summary »
Hazari Pal lives in a small village in Bihar, India, with his dad, mom, wife, Kamla, daughter, Amrita, and two sons, Shambhu and Manooj. As the Pal are unable to repay the loan they had ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
Some of Barry Levinson's relatives appear in the scene of Eva's funeral, which is based on the funeral of his own grandmother. When he started directing them, one of his cousins said, "Barry, we know what to do - we did this once before already." See more »
Armin Mueller-Stahl (who plays Sam Krichinsky) has hazel eyes, while the actor playing him as a younger man (Michael Krauss) has brown eyes. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
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The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
The third of Barry Levinson's Baltimore trilogy (following Diner' and Tin Men') is a gentle and low key yet hugely impressive film that is a worthy successor to his enormously prosperous and Oscar winning Rainman'. Although adopting the box office disaster strategy no stars just talent', Levinson manages to create a small yet thoroughly incisive look at the changing face of America and its values during an eventful period in its cultural history.
Set in the mid 1950's at the height of the post war economic boom and on the eve of Television's dominance of domestic life, Avalon' looks closely and lovingly at the lives, loves and disasters of three generations of a Polish family in the New World. Opening with a magnificently shot flashback of Mueller-Stahl's arrival in America on July 4th some forty years earlier, the film develops a nostalgic yet never overtly sentimental approach to its subject matter and always keeps its story-line rooted firmly in reality.
Although the film has no specific plot or central character, the magnificent Mueller-Stahr emerges as the principal paternal figure trying to keep his increasingly disparate family of brothers, children, nephews, nieces and sundry together amidst the turning tides of cultural change. Joan Plowright plays his stubborn wife who has never learned to fully adapt to the lifestyles in the West, while his son Aidan Quinn is trying desperately to cash in on the American dream that brought his father to those shores in the first place.
A tale told with great colour, character and humour and populated with a huge assortment of human characters and memorable moments, 'Avalon' is a beautifully composed piece of American cinema.
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