Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Lowly hotel clerk Matthew Welch stumbles unto a chance to go on a date with supermodel Hexina by pretending he is someone else. But something goes wrong on the date, she tries to kill him! ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone ... See full summary »
Janne, a 60 year old party promoter is arranging a nightclub at the annual tennis week in the small coastal town of Båstad, where he also teams up with his older sister Jackie. But an ... See full summary »
The streetcar wreck scene was staged with a plywood replica of a Baltimore PCC streetcar, with assistance by Baltimore-area streetcar historians. The location of the "wreck" actually was on an original Baltimore streetcar route. See more »
When Baltimore's Bromo-Seltzer clock tower is shown at the movie's opening, that 1914 depiction omits the brightly-lit 51-foot tall blue Bromo-Seltzer bottle that had adorned the top of the tower from 1911 through 1936. Descriptions from the time period report the blue glow could be seen from miles around. The oversight is particularly notable because the film's concurrent narration mentions the city's bright lights. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
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The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
It is heart-warming to read comments from those of you who do not even live in Baltimore and enjoyed the movie as much as we Baltimoreans did. What a stirring tribute to the city and to our immigrant grandparents.
My ancestors came from County Cork to Baltimore in the late 1800's. We too, grew up in rowhouses (retitled "townhomes" by realtors in the 1980's) nearby our cousins. Many scenes brought back wonderful memories: the kids playing in the "back alley," the marble steps of the rowhouses which my mother used to lovingly scrub, the "bee" incident, trips to the lake, Thanksgiving dinner with extended family members and tables to seat all the kids extending into the next room, etc., etc.
This could have been just another sappy movie but the actors were so immersed in their characters, I was swept away. Apparently, so were you.
16 of 22 people found this review helpful.
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