Lowly hotel clerk Matthew Welch stumbles unto a chance to go on a date with supermodel Hexina by pretending he is someone else. But something goes wrong on the date, she tries to kill him! ... See full summary »
In Brooklyn, fishing is the hobby of the workers Jonah Goodwin and Olaf Johnson and they use to fish every night in their old boat. Jonah's daughter is the twenty-one year-old telephone ... See full summary »
A young writer goes to Wiesbaden to write about gambling and gamblers, only to ultimately become a compulsive gambler himself. Losing all his wealth, as well as his moral fibre, he commits ... See full summary »
Hazari Pal lives in a small village in Bihar, India, with his dad, mom, wife, Kamla, daughter, Amrita, and two sons, Shambhu and Manooj. As the Pal are unable to repay the loan they had ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Robert Altman's jazz-scored film explores themes of love, crime, race, and politics in 1930s Kansas City. When Blondie O'Hara's husband, a petty thief, is captured by Seldom Seen and held ... See full summary »
Jennifer Jason Leigh,
In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
This picture featured a number of scenes with Baltimore Transit Co. 7407, the only original Baltimore PCC streetcar that is still complete and in running condition. It was built by Pullman-Standard in 1944, and was the last PCC to run on the streets of Baltimore, on November 3, 1963. It was purchased by a Mr. John Engelman and presented to the Museum. It has since undergone two restorations; the second was performed in the old Carroll Park shops by the Maryland MTA and had been completed when Barry Levinson filmed "Avalon", which used 7407 for some night scenes and interior shots, but he had a wooden rubber-tired PCC replica built for the scenes on Baltimore streets, including the derailment scene. The replica was thereafter donated to the museum. See more »
Although the beginning of the picture is set in the late 1940s, the Christmas song "Silver Bells" is heard on Jules' car radio, sung by Bing Crosby. That version of the song was released in 1950. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
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The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
Although this film takes place 15 years before I was born, growing up in an ethnic family in the early 60's had changed very little.
My family is Greek, but this film will appeal to any ethnic group especially first or second generation Americans. Back then we all still gathered at one member's home for holidays and on Sundays. We all dressed up (and still do) for church and holiday gatherings. Watching little Elijah Wood with his bow tie reminded me of myself at that age.
Mr. Levinson through film, and Randy Newman through his haunting musical score did a magnificent job of recreating a world that has all but disappeared. A time when family was the center of our lives, children respected the adults and were expected to behave in a civilized manner, people didn't spend Sundays running all over town to football, soccer games etc, and the elder members of the family were revered instead of ignored or worse, placed in a home.
We, those of us in the post-war generation would to well to look at this film as a guideline for how to bring values back into our lives and realize that we all need to re-think our priorities.
If you want to relive your childhood for 2 1/2 hours laugh one minute and cry the next, I HIGHLY recommend this film
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