In a future world, young people are increasingly becoming addicted to an illegal (and potentially deadly) battle simulation game called Avalon. When Ash, a star player, hears of rumors that... See full summary »
Janne, a 60 year old party promoter is arranging a nightclub at the annual tennis week in the small coastal town of Båstad, where he also teams up with his older sister Jackie. But an ... See full summary »
Anti-Semitism, race relations, coming of age, and fathers and sons: in Baltimore from fall, 1954, to fall, 1955. Racial integration comes to the high school, TV is killing burlesque, and ... See full summary »
Colm is a Catholic and George is a poetry-loving Protestant. In Belfast in the 1980s, they could have been enemies, but instead they became business partners. After persuading a mad wig ... See full summary »
It's 1896. Yankel Bogovnik, a Russian Jew, emigrated to the United States three years earlier and has settled where many of his background have, namely on Hester Street on the Lower East ... See full summary »
Jimmy Alto is an actor wannabe who stumbles into the role of a lifetime. He becomes a vigilante crime-fighter, aided by his sidekick William, who has suffered a head wound and has problems ... See full summary »
Melanie Griffith and Don Johnson (at the time married to each other) play Lily and Ben Reed, a young couple torn apart by a family tragedy. It would take a miracle to rekindle their love ... See full summary »
The slivovitz (a.k.a. "block and fall") the immigrant brothers recall their father drinking ("he never drank water, only slivovitz") is a real type of high-proof Hungarian plum brandy or schnapps made with the same kind of plums that give Sloe Gin its flavor. Slivovitz is not a brand name, but a generic term for this type of drink, and a definition of it can be found in some dictionaries. See more »
When Baltimore's Bromo-Seltzer clock tower is shown at the movie's opening, that 1914 depiction omits the brightly-lit 51-foot tall blue Bromo-Seltzer bottle that had adorned the top of the tower from 1911 through 1936. Descriptions from the time period report the blue glow could be seen from miles around. The oversight is particularly notable because the film's concurrent narration mentions the city's bright lights. See more »
I came to America in 1914 - by way of Philadelphia. That's where I got off the boat. And then I came to Baltimore. It was the most beautiful place you ever seen in your life. There were lights everywhere! What lights they had! It was a celebration of lights! I thought they were for me, Sam, who was in America. Sam was in America! I didn't know what holiday it was, but there were lights. And I walked under them. The sky exploded, people cheered, there were fireworks! What a welcome ...
See more »
The credits roll over a photograph of Avalon, which begins as a sharp color photograph, but fades into a worn black-and-white picture at the end. See more »
The third of Barry Levinson's Baltimore trilogy (following Diner' and Tin Men') is a gentle and low key yet hugely impressive film that is a worthy successor to his enormously prosperous and Oscar winning Rainman'. Although adopting the box office disaster strategy no stars just talent', Levinson manages to create a small yet thoroughly incisive look at the changing face of America and its values during an eventful period in its cultural history.
Set in the mid 1950's at the height of the post war economic boom and on the eve of Television's dominance of domestic life, Avalon' looks closely and lovingly at the lives, loves and disasters of three generations of a Polish family in the New World. Opening with a magnificently shot flashback of Mueller-Stahl's arrival in America on July 4th some forty years earlier, the film develops a nostalgic yet never overtly sentimental approach to its subject matter and always keeps its story-line rooted firmly in reality.
Although the film has no specific plot or central character, the magnificent Mueller-Stahr emerges as the principal paternal figure trying to keep his increasingly disparate family of brothers, children, nephews, nieces and sundry together amidst the turning tides of cultural change. Joan Plowright plays his stubborn wife who has never learned to fully adapt to the lifestyles in the West, while his son Aidan Quinn is trying desperately to cash in on the American dream that brought his father to those shores in the first place.
A tale told with great colour, character and humour and populated with a huge assortment of human characters and memorable moments, 'Avalon' is a beautifully composed piece of American cinema.
3 of 3 people found this review helpful.
Was this review helpful to you?