A Florida con man uses the passing of the long time Congressman from his district who he just happens to share a name with, to get elected to his version of paradise, Congress, where the ... See full summary »
Roper, a hostage negotiator catches a murderous bank robber after a blown heist. The bank robber escapes and immediately goes after the man who put him behind bars. The ending is played out... See full summary »
For the past four years, San Francisco cop Jack Cates has been after an unidentified drug kingpin who calls himself the "Ice Man". At the Hunter's Point Raceway, Jack confronts Tyrone Burroughs and Arthur Brock. Jack kills Brock in self defense, but Burroughs escapes, and Jack is in danger of going to prison because Brock's gun can't be found. Jack finds a picture that proves that the Ice Man has put a price on the head of Reggie Hammond, who is scheduled to be released from prison on the next day. Jack tries to convince Reggie to help him clear his name and find the Ice Man, but Reggie says he won't help unless Jack gives Reggie the $500,000 that Jack has been holding on to for Reggie. Jack refuses to give Reggie the money unless Reggie helps him. After the bus that is transporting Reggie away from the prison is forced to crash by two bikers and Jack gets shot by the same two bikers, Jack forces Reggie to help him by having the hospital release Reggie into his custody. Reggie ... Written by
Character actor Frank McRae was cast as Haden, Nick Nolte's boss, the same part he played in 48 Hrs. (1982). His part was almost completely cut from this picture. If you look closely in one of the shots in the police precinct, McRae appears on camera for a few seconds. He was uncredited for the role. See more »
There are various instances of firearms shooting far more bullets than they carry in real life in the film. The most noticeable is during the nightclub shootout where first Willie Hickok then Reggie fire a combined 14 bullets from the same 6 shot revolver without reloading. See more »
When I was little and saw the first 48 Hours, I thought Eddie Murphy looked pretty scrawny in that suit and that, upon seeing the sequel, he looked a lot more fashionable. Then I realized he was wearing the same suit throughout this movie (I guess he was in a lot better shape). Other than considering this film to be a fairly entertaining rehash of the first, I guess that's my review.
Although I must mention that if someone were to fire a Desert Eagle handgun as close to their face as Andrew Divoff does in the final act of this film, he would probably burn his cheek and deafen himself... but I guess that's just part of Walter Hill's bombastic direction.
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