| Jesse Jackson | ... | Himself | |
| Juan Munoz | |||
| Ray Rogers | ... | Himself | |
| Mike Kinney | ... | Himself (uncredited) |
Directed by | |||
| Barbara Kopple | |||
| Cathy Caplan | (co-director) | ||
| Thomas Haneke | (co-director) (as Tom Haneke) | ||
| Lawrence Silk | (co-director) | ||
Produced by | |||
| Esther Cassidy | .... | coordinating producer (as Esther B. Cassidy) | |
| Arthur Cohn | .... | producer | |
| Ernest Hood | .... | associate producer | |
| Jonathan House | .... | associate producer | |
| Barbara Kopple | .... | producer | |
| Peter Miller | .... | coordinating producer | |
| Molly Ornati | .... | associate producer | |
| Gail Rosenschein | .... | associate producer | |
| Bill Susman | .... | associate producer (as William Susman) | |
Original Music by | |||
| Michael Small | |||
Cinematography by | |||
| Peter Gilbert | |||
| Kevin Keating | |||
| Hart Perry | |||
| Mark Petersson | (as Mark T. Peterson) | ||
| Mathieu Roberts | |||
Film Editing by | |||
| Cathy Caplan | |||
| Thomas Haneke | (as Tom Haneke) | ||
| Lawrence Silk | |||
Production Design by | |||
| Mark Stuart Lane | |||
Sound Department | |||
| Jerry Blumenthal | .... | additional sound | |
| Audrey Chang | .... | assistant sound editor | |
| Frances Curiazza | .... | assistant sound editor | |
| Lee Dichter | .... | sound mixer | |
| Donald Klocek | .... | sound editor | |
| Barbara Kopple | .... | sound recordist | |
| Al Nahmias | .... | sound editor | |
| Mark Paturet | .... | additional sound | |
Camera and Electrical Department | |||
| Robert Achs | .... | additional cinematographer (as Bob Achs) | |
| Wade Black | .... | additional cinematographer | |
| Nesya Blue | .... | additional cinematographer | |
| Ted Bokhof | .... | additional cinematographer (as Ted Bokhoff) | |
| Lou Cubillos | .... | additional cinematographer | |
| Jean de Segonzac | .... | additional cinematographer | |
| Chuck France | .... | additional cinematographer | |
| Timothy Gannon | .... | additional cinematographer (as Tim Gannon) | |
| Dan Geiger | .... | additional cinematographer | |
| James Hayman | .... | additional cinematographer (as Jim Hayman) | |
| John Hazard | .... | additional cinematographer | |
| Tom Hurwitz | .... | additional cinematographer | |
| Rob Issen | .... | title photographer | |
| Kyle Kibbe | .... | additional cinematographer | |
| Nicholas Kopple-Perry | .... | best boy | |
| Peter Kuttner | .... | additional cinematographer (as Peter Cuttner) | |
| Ed Matney | .... | additional cinematographer (as Ed Mattney) | |
| Steve Moses | .... | additional cinematographer | |
| Phil Parmet | .... | additional cinematographer | |
| Peter Pierce | .... | additional cinematographer | |
| Gordon Quinn | .... | additional cinematographer | |
| Oren Rudowsky | .... | additional cinematographer | |
| Peter Schnall | .... | additional cinematographer | |
| Robert Shepard | .... | additional cinematographer (as Bobby Shepard) | |
| Newton Thomas Sigel | .... | additional cinematographer (as Tom Sigel) | |
| Jonathan Sinaiko | .... | additional cinematographer | |
| Igor Sunara | .... | additional cinematographer (as Igor Sonara) | |
| Bill Turnley | .... | additional cinematographer | |
| David Waterston | .... | additional cinematographer (as Dave Waterston) | |
Editorial Department | |||
| Jan Berry | .... | editing room assistant | |
| Beth Bloedow | .... | editing room assistant | |
| Audrey Chang | .... | assistant editor | |
| Carrie Farmer Tokunaga | .... | assistant editor | |
| Deborah Gavlak | .... | editing room assistant (as Debra Gavlak) | |
| James Hart | .... | editing room assistant (as James Harte) | |
| Adam Lichtenstein | .... | apprentice editor | |
| June Lichtenstein | .... | editing room assistant | |
| Robert McFalls | .... | associate editor (as Robert E. McFalls) | |
| Robert McFalls | .... | post-production coordinator (as Robert E. McFalls) | |
| Carol Ross | .... | editing room assistant | |
| Amy Shidler | .... | editing room assistant | |
| Helene Susman | .... | assistant editor | |
Music Department | |||
| Sylvia Reed | .... | music coordinator | |
Other crew | |||
| Edward Asner | .... | additional funding (as Ed Asner) | |
| David Brody | .... | humanities advisory board | |
| Fred Casey | .... | additional funding | |
| Sidney Cobb | .... | humanities advisory board | |
| Carl Cohen | .... | humanities advisory board | |
| Harriet Crosby | .... | additional funding | |
| Lavinia Currier | .... | additional funding | |
| Susan Emerling | .... | researcher: stock footage | |
| Louis Ferman | .... | humanities advisory board | |
| Ted Field | .... | additional funding | |
| Joann Flaherty | .... | unspecified assistant | |
| Ellen Goldsmith | .... | production office staff | |
| Ben Goldstein | .... | additional funding | |
| Julie Gustafson | .... | additional funding | |
| Rick Halpern | .... | humanities advisory board | |
| Jean Hardisty | .... | additional funding | |
| Ed Hedemann | .... | production office staff | |
| Cathe Ishino | .... | title designer | |
| Alice Kessler-Harris | .... | humanities advisory board | |
| Alfred S. Kopple | .... | major funding (as Alfred Kopple) | |
| Majorie Kopple | .... | major funding | |
| Leslie Levitas | .... | production office staff | |
| Rosalind Lichter | .... | lawyer | |
| Donald Lipski | .... | additional funding | |
| David G. Lubell | .... | lawyer (as David Lubell) | |
| Nancy Meyer | .... | additional funding | |
| Harvey O'Connor | .... | additional funding | |
| Oscar Ornati | .... | humanities advisory board | |
| Hart Perry | .... | additional funding | |
| Phyllis Peterson | .... | additional funding | |
| Alida Rockefeller | .... | major funding | |
| Jerry Rosenblum | .... | accountant: Spahr, Lacher & Sperber | |
| Charles Savitt | .... | additional funding | |
| John Sayles | .... | additional funding | |
| Charles Schwartz | .... | additional funding | |
| Ralph Shikes | .... | additional funding | |
| Ruth Shikes | .... | additional funding | |
| Barbara Sirota | .... | development consultant | |
| Alfred Slote | .... | humanities advisory board | |
| Bruce Springsteen | .... | major funding | |
| Greg Tarpinian | .... | advisor: economic and labor | |
| Burkhard Vorländer | .... | production office coordinator | |
| Christy Walker | .... | production office staff | |
| Daniel Walkowitz | .... | humanities advisory board | |
| Marc Weiss | .... | additional funding (as Marc N. Weiss) | |
| Virginia Yans-McLaughlin | .... | humanities advisory board | |
Thanks | |||
| Jim Jarmusch | .... | grateful thanks | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb USA section |
This Oscar-winning 1991 documentary is captivating, personal, and heartfelt. It is also, however, a bleak and dark film, and the vantage it provides into American capitalism is a haunting one. Much like Kopple's previous documentary: "Harlan County, U.S.A.," "American Dream" is more than an examination of a labor dispute. (Specifically, the 1984 strike of Hormel, Inc. meatpackers in Minnesota). This film asks that we look at the bigger picture, and it was made during a time when the American economy was faltering. Through her frank and journalistic interactions with various stakeholders, Kopple presents a riveting deconstruction of the working class in America, as well as big business and the interworkings of organized labor. Underneath it all, though, this is a human interest story, and watching the strike unfold chronologically - from various viewpoints - is magnetizing. Brother is pitted against brother, union against union, and Kopple's delicate political handling is masterful. Anyone interested in organized labor in America, as well as the sometimes fleeting notion of the American Dream, this is one you SHOULD NOT MISS. This is gripping, psyche-dwelling stuff. (PS: During the film's closing credits, take note of the huge amount of organizations and people who contributed their money, and volunteeered their talent to this project. Perhaps nothing else is greater testament to its importance). ---|--- Was this review helpful?