| Photos (See all 22 | slideshow) |
| Joe Mantegna | ... | Joe | |
| Mia Farrow | ... | Alice | |
| William Hurt | ... | Doug | |
| June Squibb | ... | Hilda | |
| Marceline Hugot | ... | Monica | |
| Dylan O'Sullivan Farrow | ... | Kate | |
| Matthew H. Williamson | ... | Dennis (as Matt Williamson) | |
| Julie Kavner | ... | Decorator | |
| Billy Taylor | ... | Trainer | |
| Holland Taylor | ... | Helen | |
| Michael-Vaughn Sullivan | ... | Hairstylist | |
| Robin Bartlett | ... | Nina | |
| Linda Wallem | ... | Penny | |
| Gina Gallagher | ... | Joe's Daughter | |
| Patience Moore | ... | School Teacher | |
| Kim Chan | ... | Dr. Yang's Patient | |
| Diane Cheng | ... | Dr. Yang's Assistant | |
| Keye Luke | ... | Dr. Yang | |
| Lynda Bridges | ... | Saleslady | |
| Anthony Cortino | ... | Dog Groomer | |
| Judy Davis | ... | Vicki | |
| Cybill Shepherd | ... | Nancy Brill | |
| Alec Baldwin | ... | Ed | |
| Katja Schumann | ... | Circus Equestrian | |
| Vanessa Thomas | ... | Circus Aerialist | |
| Blythe Danner | ... | Dorothy | |
| Gwen Verdon | ... | Alice's Mother | |
| Patrick O'Neal | ... | Alice's Father | |
| Kristy Graves | ... | Alice at 18 Yrs. | |
| Laurie Nayber | ... | Young Dorothy | |
| Rachel Miner | ... | Alice at 12 Yrs. | |
| Amy Barrett | ... | Mrs. Keyes (as Amy Louise Barret) | |
| Caroline Aaron | ... | Sue | |
| Alexi Henry | ... | Kimberly | |
| James Toback | ... | Professor | |
| Bernadette Peters | ... | Muse | |
| Elle Macpherson | ... | Model | |
| Ira Wheeler | ... | Office Xmas Party Guest | |
| Lisa Marie | ... | Office Xmas Party Guest | |
| Diane Salinger | ... | Carol | |
| Alfred Cherry | ... | Vicki's Analyst | |
| David Spielberg | ... | Ken | |
| Bob Balaban | ... | Sid Moscowitz | |
| Peggy Miley | ... | Dorothy's Maid | |
| George J. Manos | ... | Dorothy's Xmas Party Guest (as George Manos) | |
| Kim Weston-Moran | ... | Dorothy's Xmas Party Guest | |
| Peter Tolan | ... | Dorothy's Xmas Party Guest | |
| Kenneth Edelson | ... | Dorothy's Xmas Party Guest | |
| Marvin Terban | ... | Dorothy's Xmas Party Guest | |
| James McDaniel | ... | Dorothy's Xmas Party Guest | |
| Roy Attaway | ... | Dorothy's Xmas Party Guest | |
| Jodi Long | ... | Park Avenue Couples | |
| Suzanne O'Neill | ... | Park Avenue Couples | |
| Don Snell | ... | Park Avenue Couples | |
| Robert Polenz | ... | Park Avenue Couples | |
| rest of cast listed alphabetically: | |||
| Mary Stein | ... | Nun (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Robert Greenhut | .... | producer | |
| Joseph Hartwick | .... | co-producer | |
| Charles H. Joffe | .... | executive producer | |
| Jane Read Martin | .... | associate producer | |
| Thomas A. Reilly | .... | associate producer (as Thomas Reilly) | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | executive producer | |
Cinematography by | |||
| Carlo Di Palma | (director of photography) | ||
Film Editing by | |||
| Susan E. Morse | |||
Casting by | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Art Direction by | |||
| Speed Hopkins | |||
Set Decoration by | |||
| Susan Bode | |||
Costume Design by | |||
| Jeffrey Kurland | |||
Makeup Department | |||
| Fern Buchner | .... | make-up artist | |
| Romaine Greene | .... | hairstylist | |
Production Management | |||
| Jonathan Filley | .... | assistant production manager | |
| Joseph Hartwick | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Stella Kim | .... | dga trainee | |
| Richard Patrick | .... | second assistant director | |
| Thomas A. Reilly | .... | first assistant director (as Thomas Reilly) | |
| Debra Kent | .... | second assistant director (uncredited) | |
Art Department | |||
| Joseph Alfieri | .... | standby carpenter (as Joe Alfieri) | |
| Vincent Guarriello | .... | chief construction grip | |
| Glenn Lloyd | .... | art department coordinator | |
| James Mazzola | .... | property master | |
| Ron Petagna | .... | construction coordinator | |
| Cosmo Sorice | .... | standby scenic artist | |
| James Sorice | .... | master scenic artist | |
| Dave Weinman | .... | set dresser | |
| Frank Didio | .... | head carpenter (uncredited) | |
Special Effects by | |||
| Robert Harman | .... | special effects rigging (as Bob Harman) | |
Visual Effects by | |||
| Jeff Balsmeyer | .... | visual effects storyboard | |
| Randall Balsmeyer | .... | visual effects supervisor: Balsmeyer & Everett | |
| Don Canfield | .... | motion control operator | |
| Stanley W. Sayer | .... | blue screen consultant: Balsmeyer & Everett (as Stan Sayer) | |
| Angus Bickerton | .... | optical cameraman (uncredited) | |
Stunts | |||
| Lee Sheward | .... | stunt double: Alec Baldwin (uncredited) | |
Camera and Electrical Department | |||
| Ronald Burke | .... | dolly grip | |
| Michael Caracciolo | .... | second assistant cameraperson | |
| John Connell | .... | gyrosphere assistant camera | |
| Michael Green | .... | assistant cameraperson | |
| Brian Hamill | .... | still photographer | |
| Michael Kelem | .... | gyrosphere camera operator (as Mike Kelem) | |
| Jim Manzione | .... | best boy | |
| Dick Mingalone | .... | camera operator | |
| Ray Quinlan | .... | gaffer | |
| Jim Vecchio | .... | camera assistant trainee | |
| Robert Ward | .... | key grip (as Bob Ward) | |
| Howard Weiner | .... | video engineer | |
Casting Department | |||
| Judie Fixler | .... | additional casting: Todd Thaler Casting | |
| Ellen Lewis | .... | casting associate | |
| Laura Rosenthal | .... | casting assistant | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Bill Christians | .... | wardrobe supervisor: men's | |
| Patricia Eiben | .... | wardrobe supervisor: women's | |
| Lauren Gibson | .... | costume assistant | |
| Eric Mendelsohn | .... | costume assistant | |
| Donna Zakowska | .... | assistant costume designer | |
| Ursula Schrader | .... | wardrobe (uncredited) | |
Editorial Department | |||
| William Kruzykowski | .... | assistant film editor | |
| Mark Livolsi | .... | assistant film editor | |
Music Department | |||
| The Big Apple Circus Band | .... | performers: The Courier | |
| Linda Hudes | .... | composer: The Courier | |
| Wayne King & His Orchestra | .... | performers: Alice Blue Gown | |
Transportation Department | |||
| Harold 'Whitey' McEvoy | .... | transportation captain | |
| Peter Tavis | .... | transportation captain | |
| Patrick Hogan | .... | driver (uncredited) | |
Thanks | |||
| Marv Alpert | .... | the producers wish to thank for their assistance: NBA Entertainment | |
| Al Cerullo | .... | the producers wish to thank: Island Helicopter Corporation (as Al Cerullo Jr.) | |
| Mary Lance | .... | the producers wish to thank for their assistance | |
| Louis Malle | .... | the producers wish to thank for their assistance: "Calcutta" movie | |
| Kati Meister | .... | the producers wish to thank for their assistance | |
| Sheila Metzner | .... | the producers wish to thank for their assistance: photographs courtesy of | |
| Jack Piccuro | .... | the producers wish to thank for their assistance | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Woody returns to his beloved metaphysical turf, last seen in A MIDSUMMER NIGHT'S SEX COMEDY, STARDUST MEMORIES and THE PURPLE ROSE OF CAIRO, in this weird and wonderful fantasy illustrating the existential angst of the vacuous, bored near-rich.
With the claustrophobic urban setting, rich dialogue, lush orchestration and highly-choreographed cinematography, ALICE also covers much of the same aesthetic and psychological territory as Allen's stunning HUSBANDS AND WIVES.
Although Allen is visually absent, this movie is about as close to pure, unvarnished autobiography as Woody will ever get (and all of his films are truly revealing). Allen appears both cynical and loving of the upper-middle class New Yorker lifestyle, a lifestyle he assuredly is intimately familiar with (and most likely has a love-hate relationship with as well). Hurt is a great Woody Allen clone, all of the whining and neurosis without any of the charm, almost as loveless a character as Richard Benjamin in DIARY OF A MAD HOUSEWIFE.
And Mia Farrow, in her little child hat and squeaky child voice, is an unformed child-woman, a non-person in a world of predatory men, and her emancipation, although supernatural, is nonetheless exciting and enchanting.
ALICE is super-existential, displaying vividly the whole notion of modern alienation in the garb of temporal non-existence. (Its great when Allen injects fantasy elements into his films, because it is as fantasist, rather than whiny orator, that he truly becomes a profound philosopher.)
Allen uses intoxication and hypnosis as excuses to weave intricate, innovative flashbacks, and Alice encounters some very Hamlet-like ghosts as well, who give her advise reminiscent of another great ghost-god in Allen's PLAY IT AGAIN, SAM. A classic scene occurs when Alice dumps a Chinese love potion into the punch bowl at a party, and every dork instantly wants to marry her! Allen very successfully covers some strange territory here.