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After Dark, My Sweet (1990)

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An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both... See full summary »

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(novel), (screenplay) | 1 more credit »
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1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
...
Garrett "Uncle Bud" Stoker
Tom Wagner ...
Counterman
...
Truck Driver (as Michael G. Hagerty)
James E. Bowen Jr. ...
Second Driver
George Dickerson ...
Napoleon Walls ...
Boxing Referee
...
Jack
Jeanie Moore ...
Nanny
James Cotton ...
Charlie
...
Cop
Rest of cast listed alphabetically:
Vincent Mazella Jr. ...
Flashback Fighter (as Vince Mazzella Jr.)
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Storyline

An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both into helping kidnap a rich boy for ransom money, and the ex-fighter must make decisions about his loyalties and what is right. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Taglines:

Seduced beyond the limits of deception. Betrayed beyond the limits of desire.


Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

24 August 1990 (USA)  »

Also Known As:

Depois do anoitecer, querida  »

Filming Locations:

 »

Box Office

Gross:

$2,678,414 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

Early in the film, the person in the emergency room's heart flatlines; asystole or absence of any electrical activity. Shocking or defibrillating will do no good in the absence of cardiac activity. The proper treatment would be to give intracardiac epinephrine, followed appropriately as necessary. See more »

Quotes

Kevin 'kid' Collins: [voiceover] When a man stops caring what happens, all the strain is lifted from him. Suspicion and worry and fear, all things that twist his thinking out of focus are brushed aside, and he can see people exactly as they are at last - as I saw Fay then: weak and frightened but basically as good as a person could be and hating herself for not being better. Suddenly, the only thing that mattered was that she live, it was the only way my having lived would make any sense. It was why I had been made ...
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User Reviews

Jim Thompson noir, true to his style
16 November 2002 | by See all my reviews

While watching the exquisitely photographed film After Dark, My Sweet, one has to admire Jason Patrick's heartbroken voiceover. His narration is a combination of punch-drunkenness, paranoia, and a surrendering to fate. Like in many noirs, Collie knows there is no way to escape one's destiny; the only thing to do is ride it out and see what happens.

After Dark, My Sweet is one of those little gems, a film that came out just as independent cinema was experiencing an upswing in popularity. And, although the film was no huge hit when it was released, After Dark, My Sweet was at the beginning of a new trend: the neo-noir film. John Diehl would later impress us with Last Seduction and Red Rock West, but while those noirs had the style of the older genre, After Dark...has the dialogue and attitude of old; the words coming out of Patrick's mouth are clearly classic Jim Thompson. That sort of dementia, a kind of poetry, is hard to fake. James Foley has translated the novel to screen without losing the feel. When Collie is flashing-back to his boxing days, our heart races with him. When Collie recalls all of his past regrets and his own self-loathing, the sound of his voice and the words he is speaking are haunting and haunted. Jason Patric's performance is his best; he is pathetic yet endearing, stupid but savvy. A tough role to pull off, but he does it in true shaggy-dog ease. Rachel Ward and Bruce Dern(always the crazy one) play good backup, especially Ward with her 1940's-era fast-speak witty banter, straight out of Barbara Stanwick movies. But, this is Patrick's (and Thompson's) show.

Bravo to James Foley for this top-notch adaption of Jim Thompson's nightmarish reality, one that is desperate and life-threatening and sometimes all too real.


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