An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both...
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Rebellious football player Johnny falls for cheerleader Tracy. They come from opposite backgrounds; she's from a comfortable well off family, his is poor and broken. Tracy already has a ... See full summary »
1938, in a French african colony. Lucien Cordier is the cop of this village, populated with blacks and a few whites (usually racialist and lustful). He is a washout, everyone (including his... See full summary »
When a promised job for Texan Michael fails to materialise in Wyoming, Mike is mistaken by Wayne to be the hitman he hired to kill his unfaithful wife, Suzanne. Mike takes full advantage of... See full summary »
Lara Flynn Boyle
An uptight New York tax lawyer gets his life turned upside down, all in a single day, when he's asked to escort a feisty and free-spirited female ex-convict whom asks him to help prove her innocence of her crime.
It's a hot summer day in 1933 in South Philly, where 12-year old Gennaro lives with his widowed mom and his ailing grandpa, who sits outside holding tight to his last quarter, which he's ... See full summary »
Mary Elizabeth Mastrantonio,
In Los Angeles, after a violent drug rip-off, the Los Angeles Police Department detectives find the identity of the trio - the sadistic I.Q. of 150 and college graduate Lenny "Pluto" ... See full summary »
Billy Bob Thornton,
An ex-boxer is drifting around after escaping from the mental hospital. He meets a widow who convinces him to help fix up the neglected estate her ex-husband left. Her Uncle talks them both into helping kidnap a rich boy for ransom money, and the ex-fighter must make decisions about his loyalties and what is right. Written by
Ed Sutton <firstname.lastname@example.org>
Early in the film, the person in the emergency room's heart flatlines; asystole or absence of any electrical activity. Shocking or defibrillating will do no good in the absence of cardiac activity. The proper treatment would be to give intracardiac epinephrine, followed appropriately as necessary. See more »
Kevin 'kid' Collins:
When a man stops caring what happens, all the strain is lifted from him. Suspicion and worry and fear, all things that twist his thinking out of focus are brushed aside, and he can see people exactly as they are at last - as I saw Fay then: weak and frightened but basically as good as a person could be and hating herself for not being better. Suddenly, the only thing that mattered was that she live, it was the only way my having lived would make any sense. It was why I had been made ...
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While watching the exquisitely photographed film After Dark, My Sweet, one has to admire Jason Patrick's heartbroken voiceover. His narration is a combination of punch-drunkenness, paranoia, and a surrendering to fate. Like in many noirs, Collie knows there is no way to escape one's destiny; the only thing to do is ride it out and see what happens.
After Dark, My Sweet is one of those little gems, a film that came out just as independent cinema was experiencing an upswing in popularity. And, although the film was no huge hit when it was released, After Dark, My Sweet was at the beginning of a new trend: the neo-noir film. John Diehl would later impress us with Last Seduction and Red Rock West, but while those noirs had the style of the older genre, After Dark...has the dialogue and attitude of old; the words coming out of Patrick's mouth are clearly classic Jim Thompson. That sort of dementia, a kind of poetry, is hard to fake. James Foley has translated the novel to screen without losing the feel. When Collie is flashing-back to his boxing days, our heart races with him. When Collie recalls all of his past regrets and his own self-loathing, the sound of his voice and the words he is speaking are haunting and haunted. Jason Patric's performance is his best; he is pathetic yet endearing, stupid but savvy. A tough role to pull off, but he does it in true shaggy-dog ease. Rachel Ward and Bruce Dern(always the crazy one) play good backup, especially Ward with her 1940's-era fast-speak witty banter, straight out of Barbara Stanwick movies. But, this is Patrick's (and Thompson's) show.
Bravo to James Foley for this top-notch adaption of Jim Thompson's nightmarish reality, one that is desperate and life-threatening and sometimes all too real.
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