A monk from Tibet is sent to Hong Kong by his master. He is to recover a magical bottle to which he has the cap from a lawyer. When these items were united long ago they protected Tibet ... See full summary »
Nearing the village of his sensei, Zatoichi decides to pay the teacher a visit, only to learn that he has been murdered and his daughter forced into prostitution. Ichi's investigation into ... See full summary »
After an artist is threatened by the yakuza into creating valuable but highly illegal pornography, the law aims to execute him. Zatoichi, having been honor bound to protect the man and his family, must now run against the law.
Khmer Rouge terrorist Kieron Chow and his unit arrive in Hong Kong for their latest mission. Todd, Chow's son and fiercely loyal right-hand man, sustains a serious head wound. Now a total ... See full summary »
Reiko Ike stars as Ocho, a gambler and pickpocket in Meiji Era Tokyo. After sheltering a fleeing anarchist, Ocho runs into the three gangsters responsible for her father's murder, and runs ... See full summary »
A Taoist Priest isn't too happy when his Buddhist Priest colleague moves in next door. They are subject to constant feuds and duels, but soon must overcome their odds towards each other ... See full summary »
A dinner party at a Hong Kong high-rise goes awry when party guest Judy Hsu (Shu-Yuan Hsu) becomes a victim of poltergeists and, as a result, her spirit returns to carry out the sinister ... See full summary »
Following Peacock King, this sequel seemed to be somewhat of a rush job to cash in on whatever success and goodwill the first film had established, only to come off as being a pale shadow of the previous movie, dumbed down for a more juvenile audience. A number of principle cast members got replaced, which isn't exactly a good thing, save for Yuen Biao to return as Peacock and Gloria Yip as the Hell Virgin Ashura, now hell bent on living on wonderful Earth instead of going back to where she came from.
With Lucky Fruit (now taken over by Hiroshi Abe) and Peacock forming a friendship with Ashura, they plead her case with Master Ji Ku (Ken Ogata taken over by Shintaro Katsu) and a High Abbess (Yuko Natori), who are adamant that Ashura cannot remain on Earth and have to be sentenced to eternity living inside a Buddha stature, only for them to relent and allow Ashura seven days to roam the human world under the watchful eyes of Peacock and Lucky Fruit, and 3 more female nuns who shadow their movement without their knowledge. Happy for her wish to be granted, Ashura grabs this opportunity, and picks up her companion Genie, a gremlin like creature which allowed the filmmakers to utilize stop motion techniques and puppetry developed from the earlier film.
But of course Hell still has some unworldly creatures left who are harbouring hopes of conquering our world, with the Hell Concubine desiring whatever's left of Ashura's powers, and so from time to time our heroes have some fight sequences during their watch, culminating in Yuen Biao's convenient disappearance for about a third of the movie when he got frozen in ice. The rest of the story deals with Ashura's time spent on Earth like a teenage girl who has her curfew lifted, tracking her Genie down, inadvertently picked up by a girl (Loletta Lee) who brings it back to Hong Kong, who soon got befriended by Ashura and Lucky Fruit, as well as her brother Tan (Lau Shek Yin) who's a madcap scientist working on a teleportation device. Most of the mid section deals with the shenanigans of Genie so much so that you'd be mistaken if that creature was the focus of this film, with half baked subplots such as the unlikely romance between Loletta Lee's character and Lucky Fruit, and some cheap moments where the 3 shadowing nuns got their clothes shredded and subsequently changed into swimsuits, characters who don't even deserve a decent send off in the film.
Fight scenes were extremely limited, and the stop motion, animatronics that were the highlights of the first film got severely reduced as well. There's not much of a story going on, and this is essentially a kids movie along the same veins as any Power Rangers episode, where the conniving villains send their lousy minions to do their dirty work, and when defeated come howling back to base only to get obliterated. The finale battle sees a new Peacock rising, which alas was extremely short and nothing more than an elaborate light show, and budget limitations meant some very cheesy and cheap methods employed to try and get the most bang out of the buck received.
It's a pity though for a film rich in content from its manga roots, cannot deliver something relatively decent, especially when compared with the first in the series where this made that look like a classic. As I have already mentioned before, this series would be ripe for a remake with today's advancement in technology. So as long as someone has a bright spark of an idea for a strong storyline to happen, combined with spruced up effects and a proper ensemble cast, who knows this could be wiped from memory when a remake done with all the right ingredients finally does get made. But until then, you can choose to watch this only for glimpses of how youthful looking some of the stars back then were, having signed a contract to make a film especially friendly for kids.
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