Sheila Sabatini is a brilliant surgeon, but her sharp tongue gets her into trouble with fellow consultant surgeons George Hope-Wynne and Neil Copeland. They think she's a "ghastly woman", ... See full summary »

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Cast

Series cast summary:
Nichola McAuliffe ...
 Sheila Sabatini (50 episodes, 1989-1995)
Duncan Preston ...
 Jonathan Haslam (50 episodes, 1989-1995)
Marji Campi ...
 Joyce Watson (50 episodes, 1989-1995)
David Conville ...
 George Hope-Wynne (50 episodes, 1989-1995)
Emlyn Price ...
 Neil Copeland (50 episodes, 1989-1995)
Suzette Llewellyn ...
 Sister Patching / ... (50 episodes, 1989-1995)
Beresford Le Roy ...
 Michael Sampson (48 episodes, 1989-1995)
Simon Harrison ...
 Giles Peake (31 episodes, 1989-1995)
Lyndam Gregory ...
 Simon Field (23 episodes, 1989-1992)
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Storyline

Sheila Sabatini is a brilliant surgeon, but her sharp tongue gets her into trouble with fellow consultant surgeons George Hope-Wynne and Neil Copeland. They think she's a "ghastly woman", mainly because she likes to unearth their lazy and hypocritical behavior at every opportunity. However, her best friend Joyce and her anesthetist Jonathan Haslam thinks she's marvelous. Can she make it in the hospital's old boy network, keep her relationship with her teenage son at least semi-functional at the same time as sorting out how she feels about Jonathan? Written by Roseanne Hodge <rosie@ihug.co.nz>

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Comedy

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14 April 1989 (UK)  »

Also Known As:

Tira y afloja  »

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(50 episodes)

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Referenced in Cluedo: Publish & Be Damned (1993) See more »

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User Reviews

Please carry on, Doctors
28 August 2001 | by (Derbyshire, UK) – See all my reviews

Most hospital dramas are about situations of life and death. "Surgical Spirit" deals with the equally dramatic issues of ruptures and piles.

The heroine, Dr. Sheila Sabatini (Nicola McAuliffe), is a consultant surgeon. In addition to dealing with the everyday crises of the wards, she has also to deal with a slightly wayward son, an Italian husband whom she is divorcing, an anaesthetist boyfriend who is slightly in awe of her and a scatterbrained administrator.

Most of the humour arises from the relations between Sabatini and her fellow-doctors, who are pretentious, idle or callow. Her suitor, Dr. Haslam, earnestly rushes in where angels fear to tread and provides a natural foil to Sabatini's irascibility.

As one might expect from a character in McAuliffe's high-powered role, the dialog is very sharp and naturally delivered. Think of Sir Lancelot Sprat in drag. Awkward, mumbling explanations to her about embarrassing medical conditions are cut short with almost an Australian relish for bluntness.

Very few lines are delivered with obvious intentional humour, a process made easier by most scenes being shot with all the characters wearing surgical masks. Extracting humour from the mundane is a difficult feat, and this series probably succeeded better than most.


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